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Author: Frederick Pilon
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
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![The Deaf Lover; a Farce, in Two Acts. [Paginated with Garrick (David) The Irish Widow.]. PDF](https://books.google.com/books/content/images/frontcover/Fz8gMwEACAAJ?fife=w80-h100)
Author: Frederick Pilon
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
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Author: Ralph P. Locke
Publisher: Univ of California Press
ISBN: 9780520083950
Category : Social Science
Languages : en
Pages : 384
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"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Author: Edward Wortley Montagu
Publisher:
ISBN:
Category : History, Ancient
Languages : en
Pages : 404
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![The Irish Widow; a Farce, in Two Acts. [Paginated with Pilon (Frederick) The Deaf Lover.] PDF](https://books.google.com/books/content/images/frontcover/EPrFzQEACAAJ?fife=w80-h100)
Author: David Garrick
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Isidore Witmark
Publisher:
ISBN: 9781258789305
Category :
Languages : en
Pages : 522
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Author: Gilbert Abbott A'Beckett
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Author: Ben Jonson
Publisher: Cambridge University Press
ISBN: 110764187X
Category : Literary Criticism
Languages : en
Pages : 65
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Originally published in 1929, this volume contains Ben Jonson's incomplete play The Sad Shepherd, or A Tale of Robin Hood. It first appeared in the second volume of Jonson's works in 1641 and the text for this edition was largely based on that version, with some modernisation of spelling and punctuation.
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
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In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Author: Edward FitzGerald
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 280
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Author: Sarah Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
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