The Darker Vision of the Renaissance PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Darker Vision of the Renaissance PDF full book. Access full book title The Darker Vision of the Renaissance by Robert S. Kinsman. Download full books in PDF and EPUB format.
Author: Robert S. Kinsman
Publisher: Univ of California Press
ISBN: 0520304950
Category : Education
Languages : en
Pages : 326
Get Book Here
Book Description
The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman’s introduction examines Renaissance uses of ratio, “fancy” and “folly,” melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300–1650 constituted one of the most psychically disturbed eras ever in European history. The “world-alienation” of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier’s physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the “structures” of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney’s essay examines ratio as the basis for the “measured” music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception—as illustrated in works of art, of literature, and of philosophic speculation—that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the “dreadful hidden will of God” in such pieces as Marlowe’s Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study “Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450–1675.” This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Robert S. Kinsman
Publisher: Univ of California Press
ISBN: 0520304950
Category : Education
Languages : en
Pages : 326
Get Book Here
Book Description
The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman’s introduction examines Renaissance uses of ratio, “fancy” and “folly,” melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300–1650 constituted one of the most psychically disturbed eras ever in European history. The “world-alienation” of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier’s physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the “structures” of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney’s essay examines ratio as the basis for the “measured” music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception—as illustrated in works of art, of literature, and of philosophic speculation—that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the “dreadful hidden will of God” in such pieces as Marlowe’s Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study “Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450–1675.” This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Robert S. Kinsman (Ed. 01)
Publisher:
ISBN:
Category : Reason
Languages : en
Pages : 320
Get Book Here
Book Description
Author: William James Bouwsma
Publisher: Yale University Press
ISBN: 9780300097177
Category : History
Languages : en
Pages : 328
Get Book Here
Book Description
Historians have conventionally viewed intellectual and artistic achievement as a seamless progression in a single direction, with the Renaissance, as identified by Jacob Burckhardt, as the root and foundation of modern culture. But in this brilliant new analysis William Bouwsma rethinks the accepted view, arguing that while the Renaissance had a beginning and, unquestionably, a climax, it also had an ending. Examining the careers of some of the greatest figures of the age--Montaigne, Galileo, Jonson, Descartes, Hooker, Shakespeare, and Cervantes among many others--Bouwsma perceives in their work a growing sense of doubt and anxiety about the modern world. He considers first those features of modern European culture generally associated with the traditional Renaissance, features which reached their climax in the late sixteenth and early seventeenth centuries. But even as the movements of the Renaissance gathered strength, simultaneous impulses operated in a contrary direction. Bouwsma identifies a growing concern with personal identity, shifts in the interests of major thinkers, a decline in confidence about the future, and a heightening of anxiety. Exploring the fluctuating and sometimes contradictory atmosphere in which Renaissance artists and thinkers operated, Bouwsma shows how the very liberation from old boundaries and modes of expression that characterized the Renaissance became itself increasingly stifling and destructive. By drawing attention to the waning of the Renaissance culture of freedom and creativity, Bouwsma offers a wholly new and intriguing interpretation of the place of the European Renaissance in modern culture.
Author: William James Bouwsma
Publisher: Univ of California Press
ISBN: 9780520064386
Category : History
Languages : en
Pages : 464
Get Book Here
Book Description
"Together the articles form a substantial book which traces the antecedents, characteristics and impact of Renaissance thought and action 'beyond all schools, ' with that combination of scholarly precision and personal style which has made Bouwsma one of the most highly respected historians on this continent."--Heiko A. Oberman, University of Arizona
Author: Andrea Moudarres
Publisher: University of Virginia Press
ISBN: 1644530023
Category : History
Languages : en
Pages : 322
Get Book Here
Book Description
In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante’s Divina Commedia, Luigi Pulci’s Morgante, Ludovico Ariosto’s Orlando Furioso, and Torquato Tasso’s Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Distributed for the University of Delaware Press
Author: James A. Herrick
Publisher: Routledge
ISBN: 1317347838
Category : Language Arts & Disciplines
Languages : en
Pages : 659
Get Book Here
Book Description
The History and Theory of Rhetoric offers discussion of the history of rhetorical studies in the Western tradition, from ancient Greece to contemporary American and European theorists that is easily accessible to students. By tracing the historical progression of rhetoric from the Greek Sophists of the 5th Century B.C. all the way to contemporary studies–such as the rhetoric of science and feminist rhetoric–this comprehensive text helps students understand how persuasive public discourse performs essential social functions and shapes our daily worlds. Students gain conceptual framework for evaluating and practicing persuasive writing and speaking in a wide range of settings and in both written and visual media. Known for its clear writing style and contemporary examples throughout, The History and Theory of Rhetoric emphasizes the relevance of rhetoric to today's students.
Author: Linda Phyllis Austern
Publisher: University of Chicago Press
ISBN: 022670467X
Category : Music
Languages : en
Pages : 393
Get Book Here
Book Description
Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.
Author: Ceri Sullivan
Publisher: Oxford University Press
ISBN: 019954784X
Category : Literary Criticism
Languages : en
Pages : 290
Get Book Here
Book Description
In the first book for over a decade to deal with the issue of conscience in metaphysical poetry, Ceri Sullivan draws on theology, poetics, and rhetoric in detailed readings of the works of Donne, Herbert, and Vaughan. She shows that these poets see the conscience as part theirs, part God's, and respond uncomfortably to failures in its workings.
Author:
Publisher: BRILL
ISBN: 1848882831
Category : Social Science
Languages : en
Pages : 277
Get Book Here
Book Description
This volume explores the theme of evil, women and the feminine, indicating both the misogynist and subversive implications of the evil woman stereotype.
Author: Greg Walker
Publisher: OUP Oxford
ISBN: 0191536199
Category : Literary Criticism
Languages : en
Pages : 572
Get Book Here
Book Description
Writing Under Tyranny: English Literature and the Henrician Reformation spans the boundaries between literary studies and history. It looks at the impact of tyrannical government on the work of poets, playwrights, and prose writers of the early English Renaissance. It shows the profound effects that political oppression had on the literary production of the years from 1528 to 1547, and how English writers in turn strove to mitigate, redirect, and finally resist that oppression. The result was the destruction of a number of forms that had dominated the literary production of late-medieval England, but also the creation of new forms that were to dominate the writing of the following centuries. Paradoxically, the tyranny of Henry VIII gave birth to many modes of writing now seen to be characteristic of the English literary Renaissance.
