Author: Regina M. Schwartz
Publisher: University of Chicago Press
ISBN: 9780226741994
Category : Religion
Languages : en
Pages : 244
Book Description
For Regina Schwartz, we ignore the dark side of the Bible to our peril. The perplexing story of Cain and Abel is emblematic of the tenacious influence of the Bible on secular notions of identity - notions that are all too often violently exclusionary, negatively defining "us" against "them" in ethnic, religious, racial, gender, and nationalistic terms. In this compelling work of cultural and biblical criticism, Schwartz contends that it is the very concept of monotheism and its jealous demand for exclusive allegiance - to one God, one Land, one Nation or one People - that informs the model of collective identity forged in violence, against the other.
The Curse of Cain
Author: Regina M. Schwartz
Publisher: University of Chicago Press
ISBN: 9780226741994
Category : Religion
Languages : en
Pages : 244
Book Description
For Regina Schwartz, we ignore the dark side of the Bible to our peril. The perplexing story of Cain and Abel is emblematic of the tenacious influence of the Bible on secular notions of identity - notions that are all too often violently exclusionary, negatively defining "us" against "them" in ethnic, religious, racial, gender, and nationalistic terms. In this compelling work of cultural and biblical criticism, Schwartz contends that it is the very concept of monotheism and its jealous demand for exclusive allegiance - to one God, one Land, one Nation or one People - that informs the model of collective identity forged in violence, against the other.
Publisher: University of Chicago Press
ISBN: 9780226741994
Category : Religion
Languages : en
Pages : 244
Book Description
For Regina Schwartz, we ignore the dark side of the Bible to our peril. The perplexing story of Cain and Abel is emblematic of the tenacious influence of the Bible on secular notions of identity - notions that are all too often violently exclusionary, negatively defining "us" against "them" in ethnic, religious, racial, gender, and nationalistic terms. In this compelling work of cultural and biblical criticism, Schwartz contends that it is the very concept of monotheism and its jealous demand for exclusive allegiance - to one God, one Land, one Nation or one People - that informs the model of collective identity forged in violence, against the other.
The Curse of Ham
Author: David M. Goldenberg
Publisher: Princeton University Press
ISBN: 1400828546
Category : Religion
Languages : en
Pages : 468
Book Description
How old is prejudice against black people? Were the racist attitudes that fueled the Atlantic slave trade firmly in place 700 years before the European discovery of sub-Saharan Africa? In this groundbreaking book, David Goldenberg seeks to discover how dark-skinned peoples, especially black Africans, were portrayed in the Bible and by those who interpreted the Bible--Jews, Christians, and Muslims. Unprecedented in rigor and breadth, his investigation covers a 1,500-year period, from ancient Israel (around 800 B.C.E.) to the eighth century C.E., after the birth of Islam. By tracing the development of anti-Black sentiment during this time, Goldenberg uncovers views about race, color, and slavery that took shape over the centuries--most centrally, the belief that the biblical Ham and his descendants, the black Africans, had been cursed by God with eternal slavery. Goldenberg begins by examining a host of references to black Africans in biblical and postbiblical Jewish literature. From there he moves the inquiry from Black as an ethnic group to black as color, and early Jewish attitudes toward dark skin color. He goes on to ask when the black African first became identified as slave in the Near East, and, in a powerful culmination, discusses the resounding influence of this identification on Jewish, Christian, and Islamic thinking, noting each tradition's exegetical treatment of pertinent biblical passages. Authoritative, fluidly written, and situated at a richly illuminating nexus of images, attitudes, and history, The Curse of Ham is sure to have a profound and lasting impact on the perennial debate over the roots of racism and slavery, and on the study of early Judaism, Christianity, and Islam.
Publisher: Princeton University Press
ISBN: 1400828546
Category : Religion
Languages : en
Pages : 468
Book Description
How old is prejudice against black people? Were the racist attitudes that fueled the Atlantic slave trade firmly in place 700 years before the European discovery of sub-Saharan Africa? In this groundbreaking book, David Goldenberg seeks to discover how dark-skinned peoples, especially black Africans, were portrayed in the Bible and by those who interpreted the Bible--Jews, Christians, and Muslims. Unprecedented in rigor and breadth, his investigation covers a 1,500-year period, from ancient Israel (around 800 B.C.E.) to the eighth century C.E., after the birth of Islam. By tracing the development of anti-Black sentiment during this time, Goldenberg uncovers views about race, color, and slavery that took shape over the centuries--most centrally, the belief that the biblical Ham and his descendants, the black Africans, had been cursed by God with eternal slavery. Goldenberg begins by examining a host of references to black Africans in biblical and postbiblical Jewish literature. From there he moves the inquiry from Black as an ethnic group to black as color, and early Jewish attitudes toward dark skin color. He goes on to ask when the black African first became identified as slave in the Near East, and, in a powerful culmination, discusses the resounding influence of this identification on Jewish, Christian, and Islamic thinking, noting each tradition's exegetical treatment of pertinent biblical passages. Authoritative, fluidly written, and situated at a richly illuminating nexus of images, attitudes, and history, The Curse of Ham is sure to have a profound and lasting impact on the perennial debate over the roots of racism and slavery, and on the study of early Judaism, Christianity, and Islam.
The Curse of Cain
Author: J. Mark Powell
Publisher: Forge Books
ISBN: 1466820578
Category : Fiction
Languages : en
Pages : 296
Book Description
On April 14, 1865 John Wilkes Booth assassinated President Abraham Lincoln at Ford's Theater, or so the history books tell us ... but what if there was a second gunman who actually pulled the trigger? The Curse of Cain Like The Day of the Jackal, The Eagle has Landed, and The Key to Rebecca, The Curse of Cain is the cat and mouse story of a ruthless professional assassin hired to kill the Union President and the Confederate agent dispatched by Jefferson Davis to thwart his plan. Like Forsyth's Jackal, Follett's Needle, and Higgins's Devlin, the assassin-Basil Tarleton-is a charming agent of death. Jack Tanner-a Confederate era Jack Ryan, is willing to forego matters of the heart in order to carry out his mission and save the life of the President of an opposing nation. Set in the closing weeks of the Civil War and against the backdrop of the notorious Lincoln conspiracy (and subsequent cover-up) as well as the actual Confederate intelligence network that existed in Washington, D.C. at the time, Powell and Meagher tell a heart-stopping tale of suspense and intrigue. This dangerous mission follows assassin and pursuer, as they close in on their targets in enemy territory where exposure means certain death. The Curse of Cain races to the page-turning climax on that fateful night at Ford's Theater. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Forge Books
ISBN: 1466820578
Category : Fiction
Languages : en
Pages : 296
Book Description
On April 14, 1865 John Wilkes Booth assassinated President Abraham Lincoln at Ford's Theater, or so the history books tell us ... but what if there was a second gunman who actually pulled the trigger? The Curse of Cain Like The Day of the Jackal, The Eagle has Landed, and The Key to Rebecca, The Curse of Cain is the cat and mouse story of a ruthless professional assassin hired to kill the Union President and the Confederate agent dispatched by Jefferson Davis to thwart his plan. Like Forsyth's Jackal, Follett's Needle, and Higgins's Devlin, the assassin-Basil Tarleton-is a charming agent of death. Jack Tanner-a Confederate era Jack Ryan, is willing to forego matters of the heart in order to carry out his mission and save the life of the President of an opposing nation. Set in the closing weeks of the Civil War and against the backdrop of the notorious Lincoln conspiracy (and subsequent cover-up) as well as the actual Confederate intelligence network that existed in Washington, D.C. at the time, Powell and Meagher tell a heart-stopping tale of suspense and intrigue. This dangerous mission follows assassin and pursuer, as they close in on their targets in enemy territory where exposure means certain death. The Curse of Cain races to the page-turning climax on that fateful night at Ford's Theater. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The First Book of Moses, Called Genesis
Author:
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
The Mark of Cain
Author: Ruth Mellinkoff
Publisher: Univ of California Press
ISBN: 0520906373
Category : History
Languages : en
Pages : 196
Book Description
For few verses in the Bible is the relationship between scripture and the artistic imagination more intriguing than for the conclusion of Genesis 4:15: "And the Lord set a mark upon Cain, that whosoever found him should not kill him." What was the mark of Cain? The answers set before us in this sensitive study by art historian Ruth Mellinkoff are sometimes poignant, frequently surprising. An early summary of rabbinic answers, for examples runs as follows: R. Judah said: "He caused the orb of the sun to shine on his account." Said R. Nehemiah to him: "For that wretch He would cause the orb of the sun to shine! Rather, he caused leprosy to break out on him...." Rab said: "He gave him a dog." Abba Jose said: "He made a horn grow out of him." Rab said: "He made him an example to murderers." R. Hanin said: "He made him an example to penitents." R. Levi said in the name of R. Simeon b. Lakish: "He suspended judgment until the flood came and swept him away." After a review of such early Jewish and Christian exegesis, Mellinkoff divides physical interpretations on the mark into three groups: "A Mark on Cain's Body," "A Movement of Cain's Body," and "A Blemish Associated with Cain's Body." Her discussion of these groups is the heart of her study and offers its richest examples of interplay among medieval art and imaginative literature, on the one hand, and biblical exegesis, on the other. Thus in one remarkable tour de force, she shows us how a poetic misprision of Genesis 4:24 - "Sevenfold vengeance will be taken for Cain: but for Lamech seventy times sevenfold" - made Lamech the murderer of Cain; how there then grew up the legend that Lamech, a hunter, had killed Cain when he mistook him for an animal; how from that, the notion that the mark of Cain was a horn or horns on Cain's head arose (in the poignant formulation of the Tanhuma Midrash: "Oh father, you have killed something that resembles a man except it has a horn on its forehead!"); and how from that, in the maturity of the legend, there flowered Cornish drama, Irish saga, and stunning reliefs of a dying, antlered Cain in the cathedrals of Vezelay and Autun. Like Genesis 4:15 itself, 'The Mark of Cain' is suggestive rather than comprehensive. Concluding chapters on "Intentionally Distorted Interpretations of Cain's Mark" and "Cain's Mark and the Jews" bring the history down to our own day, but Mellinkoff does not claim to have said the last word on the subject. Her achievement is neither documentary nor exegetical but rather demonstrative: she shows us with brilliant economy how the artistic imagination functioned in a world whose intellectual definition was a closed canonical text.
Publisher: Univ of California Press
ISBN: 0520906373
Category : History
Languages : en
Pages : 196
Book Description
For few verses in the Bible is the relationship between scripture and the artistic imagination more intriguing than for the conclusion of Genesis 4:15: "And the Lord set a mark upon Cain, that whosoever found him should not kill him." What was the mark of Cain? The answers set before us in this sensitive study by art historian Ruth Mellinkoff are sometimes poignant, frequently surprising. An early summary of rabbinic answers, for examples runs as follows: R. Judah said: "He caused the orb of the sun to shine on his account." Said R. Nehemiah to him: "For that wretch He would cause the orb of the sun to shine! Rather, he caused leprosy to break out on him...." Rab said: "He gave him a dog." Abba Jose said: "He made a horn grow out of him." Rab said: "He made him an example to murderers." R. Hanin said: "He made him an example to penitents." R. Levi said in the name of R. Simeon b. Lakish: "He suspended judgment until the flood came and swept him away." After a review of such early Jewish and Christian exegesis, Mellinkoff divides physical interpretations on the mark into three groups: "A Mark on Cain's Body," "A Movement of Cain's Body," and "A Blemish Associated with Cain's Body." Her discussion of these groups is the heart of her study and offers its richest examples of interplay among medieval art and imaginative literature, on the one hand, and biblical exegesis, on the other. Thus in one remarkable tour de force, she shows us how a poetic misprision of Genesis 4:24 - "Sevenfold vengeance will be taken for Cain: but for Lamech seventy times sevenfold" - made Lamech the murderer of Cain; how there then grew up the legend that Lamech, a hunter, had killed Cain when he mistook him for an animal; how from that, the notion that the mark of Cain was a horn or horns on Cain's head arose (in the poignant formulation of the Tanhuma Midrash: "Oh father, you have killed something that resembles a man except it has a horn on its forehead!"); and how from that, in the maturity of the legend, there flowered Cornish drama, Irish saga, and stunning reliefs of a dying, antlered Cain in the cathedrals of Vezelay and Autun. Like Genesis 4:15 itself, 'The Mark of Cain' is suggestive rather than comprehensive. Concluding chapters on "Intentionally Distorted Interpretations of Cain's Mark" and "Cain's Mark and the Jews" bring the history down to our own day, but Mellinkoff does not claim to have said the last word on the subject. Her achievement is neither documentary nor exegetical but rather demonstrative: she shows us with brilliant economy how the artistic imagination functioned in a world whose intellectual definition was a closed canonical text.
Holy Bible (NIV)
Author: Various Authors,
Publisher: Zondervan
ISBN: 0310294142
Category : Bibles
Languages : en
Pages : 6793
Book Description
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Publisher: Zondervan
ISBN: 0310294142
Category : Bibles
Languages : en
Pages : 6793
Book Description
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Black and Slave
Author: David M. Goldenberg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110521679
Category : Religion
Languages : en
Pages : 387
Book Description
Studies of the Curse of Ham, the belief that the Bible consigned blacks to everlasting servitude, confuse and conflate two separate origins stories (etiologies), one of black skin and the other of black slavery. This work unravels the etiologies and shows how the Curse, an etiology of black slavery, evolved from an earlier etiology explaining the existence of dark-skinned people. We see when, where, why, and how an original mythic tale of black origins morphed into a story of the origins of black slavery, and how, in turn, the second then supplanted the first as an explanation for black skin. In the process we see how formulations of the Curse changed over time, depending on the historical and social contexts, reflecting and refashioning the way blackness and blacks were perceived. In particular, two significant developments are uncovered. First, a curse of slavery, originally said to affect various dark-skinned peoples, was eventually applied most commonly to black Africans. Second, blackness, originally incidental to the curse, in time became part of the curse itself. Dark skin now became an intentional marker of servitude, the visible sign of the blacks’ degradation, and in the process deprecating black skin itself.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110521679
Category : Religion
Languages : en
Pages : 387
Book Description
Studies of the Curse of Ham, the belief that the Bible consigned blacks to everlasting servitude, confuse and conflate two separate origins stories (etiologies), one of black skin and the other of black slavery. This work unravels the etiologies and shows how the Curse, an etiology of black slavery, evolved from an earlier etiology explaining the existence of dark-skinned people. We see when, where, why, and how an original mythic tale of black origins morphed into a story of the origins of black slavery, and how, in turn, the second then supplanted the first as an explanation for black skin. In the process we see how formulations of the Curse changed over time, depending on the historical and social contexts, reflecting and refashioning the way blackness and blacks were perceived. In particular, two significant developments are uncovered. First, a curse of slavery, originally said to affect various dark-skinned peoples, was eventually applied most commonly to black Africans. Second, blackness, originally incidental to the curse, in time became part of the curse itself. Dark skin now became an intentional marker of servitude, the visible sign of the blacks’ degradation, and in the process deprecating black skin itself.
The Mark of Cain
Author: Lindsey Barraclough
Publisher: Candlewick Press
ISBN: 076368208X
Category : Young Adult Fiction
Languages : en
Pages : 495
Book Description
A spine-chilling companion to Long Lankin, here is the story of a wronged witch’s revenge, spanning generations and crossing the shadowy line between life and death. In 1567, baby Aphra is found among the reeds and rushes by two outcast witches. Even as an infant, her gifts in the dark craft are clear. But when her guardians succumb to an angry mob, Aphra is left to fend for herself. She is shunned and feared by all but one man, the leper known as Long Lankin. Hounded and ostracized, the two find solace only in each other, but even this respite is doomed, and Aphra’s bitterness poisons her entire being. Afflicted with leprosy, tortured and about to be burned as a witch, she manages one final enchantment—a curse on her tormentor’s heirs. Now, in 1962, Cora and Mimi, the last of a cursed line, are trapped in an ancient home on a crumbling estate in deepest winter, menaced by a spirit bent on revenge. Are their lives and souls forfeit forever?
Publisher: Candlewick Press
ISBN: 076368208X
Category : Young Adult Fiction
Languages : en
Pages : 495
Book Description
A spine-chilling companion to Long Lankin, here is the story of a wronged witch’s revenge, spanning generations and crossing the shadowy line between life and death. In 1567, baby Aphra is found among the reeds and rushes by two outcast witches. Even as an infant, her gifts in the dark craft are clear. But when her guardians succumb to an angry mob, Aphra is left to fend for herself. She is shunned and feared by all but one man, the leper known as Long Lankin. Hounded and ostracized, the two find solace only in each other, but even this respite is doomed, and Aphra’s bitterness poisons her entire being. Afflicted with leprosy, tortured and about to be burned as a witch, she manages one final enchantment—a curse on her tormentor’s heirs. Now, in 1962, Cora and Mimi, the last of a cursed line, are trapped in an ancient home on a crumbling estate in deepest winter, menaced by a spirit bent on revenge. Are their lives and souls forfeit forever?
Cain and Abel in Text and Tradition
Author: John Byron
Publisher: BRILL
ISBN: 9004205829
Category : Religion
Languages : en
Pages : 274
Book Description
The story of Cain and Abel narrates the primeval events associated with the beginnings of the world and humanity. But the presence of linguistic and grammatical ambiguities coupled with narrative gaps provided translators and interpreters with a number of points of departure for expanding the story. The result is a number of well established and interpretive traditions shared between Jewish and Christian literature. This book focuses on how the interpretive traditions derived from Genesis 4 exerted significant influence on Jewish and Christian authors who knew rewritten versions of the story. The goal is to help readers appreciate these traditions within the broader interpretive context rather than within the narrow confines of the canon.
Publisher: BRILL
ISBN: 9004205829
Category : Religion
Languages : en
Pages : 274
Book Description
The story of Cain and Abel narrates the primeval events associated with the beginnings of the world and humanity. But the presence of linguistic and grammatical ambiguities coupled with narrative gaps provided translators and interpreters with a number of points of departure for expanding the story. The result is a number of well established and interpretive traditions shared between Jewish and Christian literature. This book focuses on how the interpretive traditions derived from Genesis 4 exerted significant influence on Jewish and Christian authors who knew rewritten versions of the story. The goal is to help readers appreciate these traditions within the broader interpretive context rather than within the narrow confines of the canon.
East of Eden
Author: John Steinbeck
Publisher: Penguin
ISBN: 1440631328
Category : Fiction
Languages : en
Pages : 612
Book Description
A masterpiece of Biblical scope, and the magnum opus of one of America’s most enduring authors, in a commemorative hardcover edition In his journal, Nobel Prize winner John Steinbeck called East of Eden "the first book," and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California's Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. The masterpiece of Steinbeck’s later years, East of Eden is a work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. Adapted for the 1955 film directed by Elia Kazan introducing James Dean, and read by thousands as the book that brought Oprah’s Book Club back, East of Eden has remained vitally present in American culture for over half a century.
Publisher: Penguin
ISBN: 1440631328
Category : Fiction
Languages : en
Pages : 612
Book Description
A masterpiece of Biblical scope, and the magnum opus of one of America’s most enduring authors, in a commemorative hardcover edition In his journal, Nobel Prize winner John Steinbeck called East of Eden "the first book," and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California's Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. The masterpiece of Steinbeck’s later years, East of Eden is a work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. Adapted for the 1955 film directed by Elia Kazan introducing James Dean, and read by thousands as the book that brought Oprah’s Book Club back, East of Eden has remained vitally present in American culture for over half a century.