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Author: Christopher B. Conway
Publisher:
ISBN: 9780813026831
Category : History
Languages : en
Pages : 192
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Book Description
"A fascinating multidisciplinary cultural analysis of the figure of Bolívar that will be uniquely useful to those attempting to grapple with the influence of this figure on the Latin American imagination. Conway's persuasive and subtle analyses of historical, literary, and visual sources demonstrate how the authoritative image of Bolívar was constructed, appropriated, and contested from the independence period through the present."--Mary Beth Tierney-Tello, Wheaton College The Cult of Bolívar explores the Latin American cult of Simón Bolívar in modern literature through a broad array of texts that include fiction, children's literature, poetry, journalism, and presidential speeches. The image of Simón Bolívar (1783-1830) has been central to debates about Latin American identity since the 19th century and has been continually readapted to address current problems. This study examines the interplay of myth and disillusionment in modern representations of Bolívar. After outlining the emergence of the Cult of Bolívar during the Wars of Independence and the early national period, Christopher Conway uses novels to frame in-depth discussions of issues central to Bolivarian nationalism: the deification of the hero, monuments and iconoclasm, fatherhood and sexuality, and the promise and failure of modernity. This interdisciplinary study argues that representations of Bolívar trace the difficult and often contradictory processes by which nationalism imagines its past, present, and future. In addition to original archival research about the rise of Bolivarian nationalism in the 19th century and literary analyses of key novels such as Gabriel García Márquez's The General in His Labyrinth, Conway includes discussions of contemporary Latin American art and presidential politics. He utilizes gender studies and a broad spectrum of Bolivariana to frame our understanding of different aspects of hero worship. Also covered are controversial representations of Bolívar that resulted in public outcries in Latin America, such as Juan Dávila's hermaphroditic painting of Simón Bolívar and Denzil Romero's pornographic novel about Bolívar's mistress, Manuela Sáenz. Christopher B. Conway is assistant professor of Hispanic studies at Brown University. He is the editor of Peruvian Traditions by Ricardo Palma (2003) and has published articles on Latin American literature in Hispanic Review, Revista de Crítica Literaria, Latinoamericana, and other international journals.
Author: Christopher B. Conway
Publisher:
ISBN: 9780813026831
Category : History
Languages : en
Pages : 192
Get Book Here
Book Description
"A fascinating multidisciplinary cultural analysis of the figure of Bolívar that will be uniquely useful to those attempting to grapple with the influence of this figure on the Latin American imagination. Conway's persuasive and subtle analyses of historical, literary, and visual sources demonstrate how the authoritative image of Bolívar was constructed, appropriated, and contested from the independence period through the present."--Mary Beth Tierney-Tello, Wheaton College The Cult of Bolívar explores the Latin American cult of Simón Bolívar in modern literature through a broad array of texts that include fiction, children's literature, poetry, journalism, and presidential speeches. The image of Simón Bolívar (1783-1830) has been central to debates about Latin American identity since the 19th century and has been continually readapted to address current problems. This study examines the interplay of myth and disillusionment in modern representations of Bolívar. After outlining the emergence of the Cult of Bolívar during the Wars of Independence and the early national period, Christopher Conway uses novels to frame in-depth discussions of issues central to Bolivarian nationalism: the deification of the hero, monuments and iconoclasm, fatherhood and sexuality, and the promise and failure of modernity. This interdisciplinary study argues that representations of Bolívar trace the difficult and often contradictory processes by which nationalism imagines its past, present, and future. In addition to original archival research about the rise of Bolivarian nationalism in the 19th century and literary analyses of key novels such as Gabriel García Márquez's The General in His Labyrinth, Conway includes discussions of contemporary Latin American art and presidential politics. He utilizes gender studies and a broad spectrum of Bolivariana to frame our understanding of different aspects of hero worship. Also covered are controversial representations of Bolívar that resulted in public outcries in Latin America, such as Juan Dávila's hermaphroditic painting of Simón Bolívar and Denzil Romero's pornographic novel about Bolívar's mistress, Manuela Sáenz. Christopher B. Conway is assistant professor of Hispanic studies at Brown University. He is the editor of Peruvian Traditions by Ricardo Palma (2003) and has published articles on Latin American literature in Hispanic Review, Revista de Crítica Literaria, Latinoamericana, and other international journals.
Author: Richard Young
Publisher: Scarecrow Press
ISBN: 0810874989
Category : Literary Criticism
Languages : en
Pages : 749
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Book Description
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history. The introduction provides a review of Latin American literature and theater as a whole while separate dictionary entries for each country offer insight into the history of national literatures. Entries for literary terms, movements, and genres serve to complement these commentaries, and an extensive bibliography points the way for further reading. The comprehensive view and detailed information obtained from all these elements will make this book of use to the general-interest reader, Latin American studies students, and the academic specialist.
Author: Maureen G. Shanahan
Publisher: University Press of Florida
ISBN: 0813055970
Category : Art
Languages : en
Pages : 305
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Book Description
One of Latin America's most famous historical figures, Simón Bolívar has become a mythic symbol for many nations, empires, and revolutions, used to support wildly diverse--sometimes opposite--ideas. From colonial Cuba to Nazi-occupied France to Soviet Slovenia, the image of "El Libertador" has served a range of political and cultural purposes. Here, an array of international and interdisciplinary scholars shows how Bolívar has appeared over the last two centuries in paintings, fiction, poetry, music, film, festivals, dance traditions, city planning, and even reliquary adoration. Whether exalted, reimagined, or fragmented, Bolívar's body has taken on a range of different meanings to represent the politics and poetics of today's national bodies. Through critical approaches to diverse cultural Bolivarianisms, this collection demonstrates the capacity of the arts and humanities to challenge and reinvent hegemonic narratives and thus vital dimensions of democracy.
Author: Ronald Briggs
Publisher: Vanderbilt University Press
ISBN: 0826516955
Category : History
Languages : en
Pages : 249
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Book Description
The life and work of a mentor to Simon Bolivar
Author: Pamela S. Murray
Publisher: University of Texas Press
ISBN: 0292778716
Category : Biography & Autobiography
Languages : en
Pages : 239
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Book Description
She was a friend, lover, and confidante of charismatic Spanish American independence hero Simón Bolívar and, after her death, a nationalist icon in her own right. Yet authors generally have chosen either to romanticize Manuela Sáenz or to discount her altogether. For Glory and Bolivar: The Remarkable of Life of Manuela Sáenz, by contrast, offers a comprehensive and clear-eyed biography of her. Based on unprecedented archival research, it paints a vivid portrait of the Quito-born "Libertadora," revealing both an exceptional figure and a flesh-and-blood person whose life broadly reflected the experiences of women during Spanish America's turbulent Age of Revolution. Already married at the time of her meeting with the famous Liberator, Sáenz abandoned her husband in order to become not only Bolívar's romantic companion, but also his official archivist, a member of his inner circle, and one of his most loyal followers. She played a central role in Spanish South America's independence drama and eventually in developments leading to the consolidation of new nations. Pamela Murray, for the first time, closely examines Sáenz's political trajectory including her vital, often-overlooked years in exile. She exposes the myths that still surround her. She offers, in short, a nuanced and much-needed historical perspective, one that balances recognition of Sáenz's uniqueness with awareness of the broader forces that shaped this dynamic nineteenth-century woman.
Author: Desirée Henderson
Publisher: Routledge
ISBN: 1317124480
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Focusing on the role of genre in the formation of dominant conceptions of death and dying, Desirée Henderson examines literary texts and social spaces devoted to death and mourning in eighteenth- and nineteenth-century America. Henderson shows how William Hill Brown, Susanna Rowson, and Hannah Webster borrowed from and challenged funeral sermon conventions in their novelistic portrayals of the deaths of fallen women; contrasts the eulogies for George Washington with William Apess's "Eulogy for King Philip" to expose conflicts between national ideology and indigenous history; examines Frederick Douglass's use of the slave cemetery to represent the costs of slavery for African American families; suggests that the ideas about democracy materialized in Civil War cemeteries and monuments influenced Walt Whitman's war elegies; and offers new contexts for analyzing Elizabeth Stuart Phelps's The Gates Ajar and Emily Dickinson's poetry as works that explore the consequences of female writers claiming authority over the mourning process. Informed by extensive archival research, Henderson's study eloquently speaks to the ways in which authors adopted, revised, or rejected the conventions of memorial literature, choices that disclose their location within decisive debates about appropriate gender roles and sexual practices, national identity and citizenship, the consequences of slavery, the nature of democratic representation, and structures of authorship and literary authority.
Author: Verity Smith
Publisher: Routledge
ISBN: 1135314241
Category : Literary Criticism
Languages : en
Pages : 2060
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Book Description
A comprehensive, encyclopedic guide to the authors, works, and topics crucial to the literature of Central and South America and the Caribbean, the Encyclopedia of Latin American Literature includes over 400 entries written by experts in the field of Latin American studies. Most entries are of 1500 words but the encyclopedia also includes survey articles of up to 10,000 words on the literature of individual countries, of the colonial period, and of ethnic minorities, including the Hispanic communities in the United States. Besides presenting and illuminating the traditional canon, the encyclopedia also stresses the contribution made by women authors and by contemporary writers. Outstanding Reference Source Outstanding Reference Book
Author: John Lynch
Publisher: Yale University Press
ISBN: 9780300126044
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Chronicles the life of Simón Bolívar, exploring his political career, leadership dynamics, rule over the people of Spanish America, and impact on world history.
Author: Stephanie N. Saunders
Publisher: Boydell & Brewer
ISBN: 1855663422
Category : Design
Languages : en
Pages : 221
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Book Description
In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature.In the last two decades, the glorification of sewing - whether involving needlework, tailoring, or fashion design - has thrived in Latin American and Iberian cultural works, particularly literature. While fast fashion has relegated the handicraft to maquiladoras in the Global South, Spanish and Latin American authors have created protagonists whose skill with needle and thread allows them to break out of culturally confining roles and spaces. In this fictional realm, seamstresses and tailors enter exciting adventures as spies, peacemakers, or explorers, all facilitated by their artistry and expertise. This book examines the depiction of women and the textile arts in contemporary Hispanic and Brazilian literature. Employing space and gender theories, the book explores how sewing, traditionally viewed as respectable only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.le only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.le only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.le only if practiced at home, gives agency and encourages self-reflection and mobility,allowing protagonists to transgress physical and socially prescribed limits. Texts analyzed include María Dueñas's El tiempo entre costuras (2009), César Aira's La costurera y el viento (1994), Pedro Lemebel's Tengo miedo torero (2001), Frances Ponte de Peebles's The Seamstress (2009), and children's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.en's literature. Encouraging readers to look behind garments to the agents of production, the book shows how contemporary authors, through their celebrations of an age-old skill, help to renew interest in sewing, tailoring, upcycling, and embroidery.
Author: Ana Elena Puga
Publisher: Routledge
ISBN: 113589924X
Category : Art
Languages : en
Pages : 297
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Book Description
In this timely study, Puga compares contemporary Southern Cone playwrights and their aesthetic strategies for subverting ideologies of dictatorship; in the process, she traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory.
