Author:
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 424
Book Description
The Crystal Palace, and Its Contents
Author:
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 424
Book Description
The Crystal Palace, and Its Contents; Being an Illustrated Cyclopaedia of the Great Exhibition of the Industry of All Nations, 1851. Embellished with Upwards of Five Hundred Engravings. With a Copious Analytical Index
Author: Great Exhibition of the Works of Industry of All Nations of 1851 (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
The Crystal Palace and Its Contents
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
The First Proofs of the Universal Catalogue of Books on Art
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1142
Book Description
Universal Catalogue of Books on Art: L to Z
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
Open Houses
Author: Barbara Leckie
Publisher: University of Pennsylvania Press
ISBN: 081229517X
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form. As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity.
Publisher: University of Pennsylvania Press
ISBN: 081229517X
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form. As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity.
The Military and Political Life of Arthur Wellesley
Author: Citizen of the World
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 752
Book Description
Building the Nineteenth Century
Author: Tom Frank Peters
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 560
Book Description
The Sayn Foundry in Bendorf, a German town on the Rhine near the Dutch border, is a fascinating example of complex technological thinking. Although the structural detailing is typical of its period (1830), Prussian engineer and iron founder Karl Ludwig Althans used and varied the many architectural and engineering models at hand in a sophisticated and complex building with structural elements that can be read as advertisements, machine parts, religious forms, or simply as building elements. The foundry, which is still standing, is just one of the many projects Peters examines in this broad synthesis of nineteenth-century technological thought and methods of design that form the basis of the modern built world. Through such examples, he traces the growth of technological thinking as one of our culture's chief modes of thought and establishes its primacy over other forms such as scientific or humanistic thinking as the major component of building design.
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 560
Book Description
The Sayn Foundry in Bendorf, a German town on the Rhine near the Dutch border, is a fascinating example of complex technological thinking. Although the structural detailing is typical of its period (1830), Prussian engineer and iron founder Karl Ludwig Althans used and varied the many architectural and engineering models at hand in a sophisticated and complex building with structural elements that can be read as advertisements, machine parts, religious forms, or simply as building elements. The foundry, which is still standing, is just one of the many projects Peters examines in this broad synthesis of nineteenth-century technological thought and methods of design that form the basis of the modern built world. Through such examples, he traces the growth of technological thinking as one of our culture's chief modes of thought and establishes its primacy over other forms such as scientific or humanistic thinking as the major component of building design.