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Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786414994
Category : Art
Languages : en
Pages : 184
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Book Description
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786414994
Category : Art
Languages : en
Pages : 184
Get Book Here
Book Description
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
Author: James Romaine
Publisher: Penn State University Press
ISBN: 9780271077741
Category : African American art
Languages : en
Pages : 0
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Book Description
A collection of essays exploring prominent African American artists' engagement with Christian themes. Essays examine the ways in which an artist's engagement with religious symbols can be an expression of concerns related to racial, political, and socio-economic identity.
Author: Evelyn Underhill
Publisher: SPCK
ISBN: 0281078742
Category : Religion
Languages : en
Pages : 152
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Book Description
'Carefully edited, this beautiful little volume is a rare gem . . . highly recommended for anyone seeking new inspiration in prayer.' - The Reader Between 1924 and 1938, Evelyn Underhill compiled two personal prayer books for use when conducting spiritual retreats at Pleshey (the retreat house for the diocese of Chelmsford). The prayers were carefully selected and include quotes from a variety of theologians and writers in Christian spirituality, as well as her own very rich, metaphorical and theologically deep prayers. These collections are now available for the first time.
Author: Alex Beam
Publisher: Public Affairs
ISBN: 1610393139
Category : History
Languages : en
Pages : 354
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Book Description
On June 27, 1844, a mob stormed the jail in the dusty frontier town of Carthage, Illinois. Clamorous and angry, they were hunting down a man they saw as a grave threat to their otherwise quiet lives: the founding prophet of Mormonism, Joseph Smith. They wanted blood. At thirty-nine years old, Smith had already lived an outsized life. In addition to starting the Church of Latter-day Saints and creating his own “Golden Bible” – the Book of Mormon – he had worked as a water-dowser and treasure hunter. He’d led his people to Ohio, then Missouri, then Illinois, where he founded a city larger than fledgling Chicago. He was running for President. And, secretly, he had married more than thirty women. In American Crucifixion, Alex Beam tells how Smith went from charismatic leader to public enemy: how his most seismic revelation – the doctrine of polygamy – created a rift among his people; how that schism turned to violence; and how, ultimately, Smith could not escape the consequences of his ambition and pride. Mormonism is America’s largest and most enduring native religion, and the “martyrdom” of Joseph Smith is one of its transformational events. Smith’s brutal assassination propelled the Mormons to colonize the American West and claim their place in the mainstream of American history. American Crucifixion is a gripping story of scandal and violence, with deep roots in our national identity.
Author: John Hilton III
Publisher:
ISBN: 9781629728711
Category :
Languages : en
Pages :
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Book Description
Author: Richard Harries
Publisher: Routledge
ISBN: 1351884425
Category : Religion
Languages : en
Pages : 169
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Book Description
Jesus was not depicted on the cross until the early fifth century. Since then this scene has been painted or carved in sharply differing ways. With the aid of over thirty full-page plates, The Passion in Art explores the historical contexts and theologies that led to such differing depictions. Because the first Christians saw the Crucifixion and Resurrection of Jesus as different aspects of a unified victory over sin and death, scenes of the Passion are juxtaposed with some of the Resurrection, which again are highly varied in what they do and do not show. This is the first book to consider the Passion as portrayed in the whole sweep of Christian history. Each picture is considered both from the point of view of its context and its theological standpoint. Spanning the centuries, the images reproduced and discussed include: scenes from the Passion of Christ in the Catacombs of Domitilla, mosaics in Ravenna, the Rabbula Crucifixion and Resurrection, the Crucifixion Plaque from Metz, the Gero Crucifix, Cimabue's Crucifix, Giotto's Noli me Tangere, Piero della Francesca's Resurrection, the Isenheim altarpiece, Caravaggio's Supper at Emmaus, Rembrandt's Christ on the Cross, Chagall's White Crucifixion, contemporary paintings by Stanley Spencer, Graham Sutherland, Nicholas Mynheer, and many more works of great acclaim.
Author: Jane Dillenberger
Publisher: Univ of California Press
ISBN: 0520276299
Category : Art
Languages : en
Pages : 125
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Book Description
This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
Author: Fleming Rutledge
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802875343
Category : Religion
Languages : en
Pages : 695
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Book Description
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
Author: Michael R. Candelaria
Publisher: University of New Mexico Press
ISBN: 0826358802
Category : Religion
Languages : en
Pages : 249
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Book Description
This exploration of Iberian, Latin American, and US-Hispanic representations of Christ focuses on outliers in art, literature, and theology: Spanish painter Salvador Dalí, Mexican muralist José Clemente Orozco, Argentine writer Jorge Luis Borges, Spanish existentialist Miguel de Unamuno, Brazilian theologian Leonardo Boff, and Mexican philosopher José Vasconcelos, some of the most brilliant stars in the Spanish and Latin American firmament. Their work, and that of others, stands out from the conventional and the traditional, stretching our imagination by opening our eyes to what we do not want to see. The author also reflects on such significant lesser-known writers as New Mexican author, painter, and priest Fray Angélico Chávez; Argentine writer and political leader Ricardo Rojas, author of The Invisible Christ; Mexican American theologian Virgilio Elizondo; and Chicana feminist Gloria Anzaldúa, author of Borderlands/La Frontera: The New Mestiza. He shows how artists project their concerns onto representations of Christ and how the perceptions of the reader and viewer reflect their culture and their psychology. Along the way, Candelaria explores the philosophical issues of representation in aesthetics and the problems of hermeneutics and identity.
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
