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Author: Paola Loreto
Publisher: Rodopi
ISBN: 9042026391
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott’s revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet’s Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various ‘Walcott events’ that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott’s gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
Author: Paola Loreto
Publisher: Rodopi
ISBN: 9042026391
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott’s revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet’s Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various ‘Walcott events’ that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott’s gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
Author: Story Pirates
Publisher: Random House Books for Young Readers
ISBN: 0593120639
Category : Juvenile Fiction
Languages : en
Pages : 290
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Book Description
A hidden lost world. A powerful crystal crown. This gripping fantasy adventure (inspired by a real kid's idea) doubles as a creative writing guide for young writers! An enchanted arrow pierces the wall of Hillview--the city is under attack! Years ago, a powerful crystal crown was stolen from a group of magic wielders called Lysors. Lacking the crown's protection, the Lysors hid themselves behind the city walls, shut off from the rest of the world. But with danger upon them once more, can Laura, a spunky girl with a knack for adventure, journey outside Hillview . . . and reclaim the crystal crown? "Changing kids' lives, one story at a time" is the motto of the Story Pirates, a group of professional comedians and teachers who bring kids' writing to life in animated short films, on their hit podcast, and in theaters and schools across America. Like the first two books, Stuck in the Stone Age and Digging Up Danger, this imaginative fantasy is based on an idea from a real kid! The story is also a jumping-off point for an introduction to the basics of creative writing. With the help of Story Pirate Captain Vincent Rolo and the Fantasy Creation Zone, readers can use this novel as inspiration to create their OWN great fantasy adventure!
Author: Hanif Abdurraqib
Publisher: University of Texas Press
ISBN: 1477318445
Category : Music
Languages : en
Pages : 216
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Book Description
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
Author: Hanif Abdurraqib
Publisher: Button Poetry
ISBN: 1943735239
Category : Poetry
Languages : en
Pages : 131
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Book Description
2017 Eric Hoffer Book Award - Poetry Honorable Mention 2017 Eric Hoffer Book Award - Grand Prize Short List 2017 Hurston/Wright Legacy Award Nominee The Crown Ain't Worth Much, Hanif Abdurraqib's first full-length collection, is a sharp and vulnerable portrayal of city life in the United States. A regular columnist for MTV.com, Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Abdurraqib "bridges the bravado and bling of praise with the blood and tears of elegy." The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.
Author: Mattia Mantellato
Publisher: Cambridge Scholars Publishing
ISBN: 1527588076
Category : Performing Arts
Languages : en
Pages : 383
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Book Description
This book focuses on Derek Walcott’s literary and artistic wor(l)d. Western postcolonial critique has depicted the Nobel Prize laureate as one of the greatest poets of the 20th century world. This, however, devalues his fundamental contribution to the realm of Caribbean theatre and art. The text examines Walcott’s multimodal production, a combination of West Indian folkloric forms and Western-oriented structures and themes, by discussing three of his works—two plays, The Joker of Seville and Pantomime, and a long poem, Tiepolo’s Hound. These epitomise respectively a response to Spanish, English, and French cultural legacies in the New World as postcolonial re-writings of Don Juan, Robinson Crusoe, and Camille Pissarro’s stories. Following Quijano and Mignolo’s decolonial approaches and Riane Eisler’s partnership perspective, the book uncovers the strategies used by Walcott to respond to the colonial matrix of power.
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 618
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Author: Sean Seeger
Publisher: Routledge
ISBN: 1351180096
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Nonlinear Temporality in Joyce and Walcott is the first dedicated comparative study of James Joyce and Derek Walcott. The book examines the ways in which both Joyce’s fiction and Walcott’s poetry articulate a nonlinear conception of time with radical cultural and political implications. For Joyce and Walcott equally, the book argues, it is only by reconceiving time in this way that it becomes possible to envisage a means of escape from what Joyce calls “force, hatred, history” and what Walcott calls the “madness of history seen as sequential time”. A starting point for the comparisons drawn between Joyce and Walcott is their relationship to Homer. Joyce’s Ulysses is in one respect a rewriting of Homer’s Odyssey; Walcott’s Omeros stands in an analogous relationship to the Iliad. This book argues that these acts of rewriting, far from being instances of influence, intertexuality, or straightforward repetition, exemplify Joyce and Walcott’s complex stance, not just toward literary history, but toward the idea of history as such. The book goes on to demonstrate how an enhanced appreciation of the role of nonlinear temporality in Joyce and Walcott can help to illuminate numerous other aspects of their work.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 614
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Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1080
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Book Description
Author: Leslie Nathan Broughton
Publisher: New York ; Leipzig : G.E. Stechert
ISBN:
Category :
Languages : en
Pages : 1334
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Book Description
