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Author: Girolamo Savonarola
Publisher:
ISBN:
Category : Apologetics
Languages : en
Pages : 316
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Book Description
Author: Girolamo Savonarola
Publisher:
ISBN:
Category : Apologetics
Languages : en
Pages : 316
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Book Description
Author: Florence Morse Kingsley
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 406
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Book Description
Author: Stephen J. Binz
Publisher: Twenty-Third Publications
ISBN: 9781585953172
Category : Religion
Languages : en
Pages : 140
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Book Description
The cross is the both worlds' most contemptible instrument of punishment and the symbol of humanity's greatest hope. In turning this tool of torture into his followers' proudest boast, Jesus produced the most dramatic reversal the world has ever experienced. Worn around our necks, hung in our homes, carried in procession and set on mountaintops, the cross speaks to what we believe about Jesus and about how we understand our lives in relationship to him. This study plumbs the depths of Scripture for the horrible and glorious significance of the world's most beloved symbol. Ideal for Lent and Easter seasons.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199887373
Category : Religion
Languages : en
Pages : 1165
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Book Description
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199714770
Category : Religion
Languages : en
Pages : 366
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Book Description
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.
Author: Wilkinson, Benjamin George
Publisher: Delmarva Publications, Inc.
ISBN:
Category : History
Languages : en
Pages : 674
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Book Description
A much neglected field of study has been opened by the research of the author into the history of the Christian church from its apostolic origins to the close of the eighteenth century. Taking as his thesis the prominence given to the Church in the Wilderness in Bible prophecy, and the fact that “‘the Church in the Wilderness,’ and not the proud hierarchy enthroned in the world’s great capital, was the true church of Christ,” he has spent years developing this subject. In its present form, Truth Triumphant represents much arduous research in the libraries of Europe as well as in America. Excellent ancient sources are most difficult to obtain, but the author has been successful in gaining access to many of them. To crystallize the subject matter and make the historical facts live in modem times, the author also made extensive travels throughout Europe and Asia. The doctrines of the primitive Christian church spread to Ireland, Scotland, and Wales. As grains of a mustard seed they lodged in the hearts of many Godly souls in southern France and northern Italy — people known as the Albigenses and the Waldenses. The faith of Jesus was valiantly upheld by the Church of the East. This term, as used by the author, not only includes the Syrian and Assyrian Churches, but is also the term applied to the development of apostolic Christianity throughout the lands of the East. The spirit of Christ, burning in the hearts of loyal men who would not compromise with paganism, sent them forth as missionaries to lands afar. Patrick, Columbanus, Marcos, and a host of others were missionaries to distant lands. They braved the ignorance of the barbarian, the intolerance of the apostate church leaders, and the persecution of the state in order that they might win souls to God. To unfold the dangers that were ever present in the conflict of the true church against error, to reveal the sinister working of evil and the divine strength by which men of God made truth triumphant, to challenge the Remnant Church today in its final controversy against the powers of evil, and to show the holy, unchanging message of the Bible as it has been preserved for t hose who will “fear God, and keep His commandments” — these are the sincere aims of the author as he presents this book to those who know the truth. MERLIN L. NEFF.
Author: Robin M. Jensen
Publisher: Harvard University Press
ISBN: 0674088808
Category : Religion
Languages : en
Pages : 281
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Book Description
The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.
Author: Girolamo Savonarola
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Ira B. Wilson
Publisher:
ISBN:
Category : Cantatas, Sacred (Women's voices)
Languages : en
Pages : 40
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Book Description
Author: Girolamo Savonarola
Publisher: Library of Alexandria
ISBN:
Category : Religion
Languages : en
Pages : 249
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Book Description
Savonarola was a speaker rather than a writer. His was the eloquent ministry of the living word, rather than the calm apostolate of the lifeless pen. He was more at home when standing in the pulpit of the Duomo in Florence, facing the panting, throbbing crowd, numbering thousands, who, with itching ears and thirsting souls, drank in his every word, as though the words were dewdrops from heaven, than when sitting at the little table—which is still preserved in his lowly cell at San Marco—holding in his emaciated hand a nerveless, passionless pen. His great master-intellect and his large sympathetic heart seemed to long to pour out their rich pent-up treasures, freely and without stint, through the channel of his eloquent tongue; whereas the hand that would perpetuate his thoughts, by stamping them upon paper, at times seemed palsied. Out of the abundance of his heart his mouth preferred to speak. Still he wrote sometimes;—it was generally, however, under moral compulsion, being impelled to do so by circumstances which he could not control. He was accused of error by those, or to those at a distance; his advice was sought by others who were far away—defence or counsel had to be committed to paper. For a time he might not sway the masses, as he would, by the irresistible magic of his burning words; then we have the apostolate of the pen. He retired to the seclusion of his monastic cell, and wrote, as his zeal prompted, his message to his fellow-men. Many of his treatises—short ones for the most part—exist. We have his five books—we might call them chapters, they are so brief—on “The Simplicity of the Christian Life”; a treatise on “Humility”; an exposition of the “Our Father,” and another of the “Hail Mary”; commentaries on some of the Psalms; an explanation of the Mass, and of the ceremonies of the Holy Sacrifice; certain rules for good Christian living (composed when he was in prison), and a number of other letters and booklets. But perhaps the most notable, as well as the most useful, of his writings are the four little “Books,” as he calls them, which these words are to introduce to the English-reading public, and which he himself styles, in the Prologue or Introduction to the First Book, a defence of “the glorious Triumph of the Cross” over “the profane and foolish babble of worldly-wise Philosophers”. Of St. Philip Neri, the Apostle of Rome, who was ever staunch in his loyalty to the memory of the one who, for a time at least, was the Apostle of his own native Florence, it is said, that this was one of his favourite books. The Saint’s biographer, Cardinal Capecelatro, writes: “It is well known that Philip often read the writings of Savonarola, especiallyThe Triumph of the Cross, and that he used them for the instruction of his spiritual children. There are still preserved in the Vallicella, among the books which belonged to St. Philip, and which were given by him to the Congregation, five of Savonarola’s works.” The history and object of The Triumph of The Cross, which may be considered the most important of the works, if we may so call them, of the great Florentine Reformer, is given by Echard, the Continuator of Quetif, in his Scriptores Ordinis Prædicatorum.
