Author: John Banim
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 316
Book Description
The Croppy
Author: John Banim
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 316
Book Description
The Croppy
Author: Michael Banim
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 448
Book Description
Slieve Bawn and the Croppy Scout
Author: James Joseph Gibbons
Publisher:
ISBN:
Category : Connacht (Ireland)
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Connacht (Ireland)
Languages : en
Pages : 312
Book Description
The Croppy; a tale of the Irish rebellion of 1798
Author: John Banim
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 456
Book Description
The Croppy, a tale, by the authors of 'The O'Hara tales' [really M. Banim alone].
Author: O'Hara family pseud
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
The Croppy; a Tale of 1798. By the Authors of “The O'Hara Tales” [i.e. John and Michael Banim], Etc. [Or Rather, by Michael Banim Alone.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
The Croppy
Author: John Banim
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 336
Book Description
Musical Allusions in the Works of James Joyce
Author: Zack R. Bowen
Publisher: SUNY Press
ISBN: 9780873952484
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters--bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography.
Publisher: SUNY Press
ISBN: 9780873952484
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters--bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography.
Ulysses Annotated
Author: Don Gifford
Publisher: Univ of California Press
ISBN: 9780520253971
Category : Fiction
Languages : en
Pages : 700
Book Description
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
Publisher: Univ of California Press
ISBN: 9780520253971
Category : Fiction
Languages : en
Pages : 700
Book Description
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
Ulysses and the Irish God
Author: Frederick K. Lang
Publisher: Bucknell University Press
ISBN: 9780838751503
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
"This is the most comprehensive and original of the studies dealing with Joyce's response to the idea of God accepted in Ireland and to the sacred images and rituals prevalent there. It shows how in Ulysses he undermines and exploits the crucial elements of his rejected faith: how he recalls the omnipotent Father to reveal his artistic powers, the incarnated Son to celebrate his own human images, and the consecrated host to imply his hidden spiritual presence." "Frederick K. Lang has closely analyzed both Joyce's texts and his sources, including important sources previously unidentified. First, he reveals that Joyce's transubstantiation of theology and liturgy in Ulysses is foreshadowed in his first short story. There, by setting the Latin Mass in an Irish home, Joyce casts doubt upon the Church's ability to transform matter, and, in his revised version of the story, he casts further doubt by including parallels with the Greek liturgy, a rite he regarded as subversive of the Latin Mass. Next, Lang reinterprets Joyce's theory of literary art in light of its specific origins in Aquinas and the New Testament, and in doing so he reveals the precise meaning of the term "epiphany." He proceeds to demonstrate that the earlier theory, including the concept of epiphany, underlies the Hamlet theory, and that the famous reference to "love" is linked to God's narcissism and creativity. How the literary artist resembles God is implied not only in the Hamlet theory but in the references to orthodox and heretical views of the Father-Son relation and the Eucharist, views that explain Joyce's reincarnation as both Stephen Dedalus and Leopold Bloom." "In Ulysses the word "reincarnation" has an additional meaning. Not only does Joyce's soul assume new flesh, but so does the Word of God. Along with the feast of Christ celebrated in Ireland on 16 June 1904, the novel assimilates first the Mass, then the black mass, and finally the Good Friday liturgy. At the end of Ulysses, Molly Bloom emerges as "the genuine christine" prophecied on the first page. Joyce's offering of her body, blood, and water evokes both the Crucifixion and the Eucharist, and thus makes flesh a Gospel read in Irish churches on the day he chose as Bloomsday." "This book is lucid and provocative. Free of theory and jargon, it not only gives Joyce scholars fresh information and new interpretations, but would interest and enlighten any reader of Ulysses."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838751503
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
"This is the most comprehensive and original of the studies dealing with Joyce's response to the idea of God accepted in Ireland and to the sacred images and rituals prevalent there. It shows how in Ulysses he undermines and exploits the crucial elements of his rejected faith: how he recalls the omnipotent Father to reveal his artistic powers, the incarnated Son to celebrate his own human images, and the consecrated host to imply his hidden spiritual presence." "Frederick K. Lang has closely analyzed both Joyce's texts and his sources, including important sources previously unidentified. First, he reveals that Joyce's transubstantiation of theology and liturgy in Ulysses is foreshadowed in his first short story. There, by setting the Latin Mass in an Irish home, Joyce casts doubt upon the Church's ability to transform matter, and, in his revised version of the story, he casts further doubt by including parallels with the Greek liturgy, a rite he regarded as subversive of the Latin Mass. Next, Lang reinterprets Joyce's theory of literary art in light of its specific origins in Aquinas and the New Testament, and in doing so he reveals the precise meaning of the term "epiphany." He proceeds to demonstrate that the earlier theory, including the concept of epiphany, underlies the Hamlet theory, and that the famous reference to "love" is linked to God's narcissism and creativity. How the literary artist resembles God is implied not only in the Hamlet theory but in the references to orthodox and heretical views of the Father-Son relation and the Eucharist, views that explain Joyce's reincarnation as both Stephen Dedalus and Leopold Bloom." "In Ulysses the word "reincarnation" has an additional meaning. Not only does Joyce's soul assume new flesh, but so does the Word of God. Along with the feast of Christ celebrated in Ireland on 16 June 1904, the novel assimilates first the Mass, then the black mass, and finally the Good Friday liturgy. At the end of Ulysses, Molly Bloom emerges as "the genuine christine" prophecied on the first page. Joyce's offering of her body, blood, and water evokes both the Crucifixion and the Eucharist, and thus makes flesh a Gospel read in Irish churches on the day he chose as Bloomsday." "This book is lucid and provocative. Free of theory and jargon, it not only gives Joyce scholars fresh information and new interpretations, but would interest and enlighten any reader of Ulysses."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved