The Crime at Ford's Theater (Classic Reprint) PDF Download
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Author: Edward James Kelly
Publisher: Forgotten Books
ISBN: 9780331276589
Category : Biography & Autobiography
Languages : en
Pages : 42
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Book Description
Excerpt from The Crime at Ford's Theater Above: David E (davy) Herold - drug clerk - 'weak, but faithful. He believed Booth's promise of a glorious future. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Edward James Kelly
Publisher: Forgotten Books
ISBN: 9780331276589
Category : Biography & Autobiography
Languages : en
Pages : 42
Get Book Here
Book Description
Excerpt from The Crime at Ford's Theater Above: David E (davy) Herold - drug clerk - 'weak, but faithful. He believed Booth's promise of a glorious future. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Margaret Truman
Publisher: Ballantine Books
ISBN: 0345458702
Category : Fiction
Languages : en
Pages : 311
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Book Description
It was the site of one of the most infamous assassinations in American history. Now bestselling mystery master Margaret Truman premieres a new murder at Ford’s Theater–one that’s hot off today’s headlines. The body of Nadia Zarinski, an attractive young woman who worked for senator Bruce Lerner–and who volunteered at Ford’s–is discovered in the alley behind the theatre. Soon a pair of mismatched cops–young, studious Rick Klieman and gregarious veteran Moses “Mo” Johnson–start digging into the victim’s life, and find themselves confronting an increasing cast of suspects. There’s Virginia Senator Lerner himself, rumored to have had a sexual relationship with Nadia–and half the women in D.C. under ninety. . . . Clarise Emerson, producer/director of Ford’s Theatre and ex-wife of the Senator, whose nomination to head the National Endowment for the Arts (NEA) is now threatened by the scandal . . . Jeremiah Lerner, her aimless, hot-tempered son, said to have been sleeping with Nadia when his famous father wasn’t . . . Bernard Crowley, the theatre’s controller, whose emotions overflow at the mention of the crime . . . faded British stage star Sydney Bancroft, desperate for recognition and a comeback, and armed with damning information about Clarise Emerson . . . and other complex characters from both sides of the footlights. With her unparalleled understanding of Washington and its players, and her savvy sense of how strange bedfellows cut deals even in the midst of mayhem, Margaret Truman always delivers the most sophisticated and satisfying suspense. Murder at Ford’s Theatre is her most compelling, insightful novel yet, sure to earn her a standing ovation from her many fans and new followers alike.
Author: Tom Taylor
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 122
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Book Description
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
Author: Carl Howard Freedman
Publisher: Intellect (UK)
ISBN: 9781841507248
Category : Crime films
Languages : en
Pages : 0
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Book Description
No society is without crime, prompting Nathaniel Hawthorne's narrator to make his famous statement in The Scarlet Letter that, however high its hopes are, no civilization can fail to allot a portion of its soil as the site of a prison. Crime has also been a prevailing, common theme in films that call us to consider its construction: How do we determine what is lawful and what is criminal? And how, in turn, does this often hypocritical distinction determine society? Film, argues Carl Freedman, is an especially fruitful medium for considering questions like these. With Versions of Hollywood Crime Cinema, he offers a series of critical readings spanning several genres. From among the mob movies, Freedman focuses on Francis Ford Coppola's Godfather trilogy--arguably the foremost work of crime cinema--crafting a convincing argument that the plot's action is principally driven by the shift from Sicily to America, which marks the shift to a capitalist society. Turning his attention to other genres, Freedman also looks at film noir and Westerns, in addition to films for which crime is significant but not central, from horror movies like Stanley Kubrick's The Shining to science fiction and social realist films like The Grapes of Wrath. In recent years, television has welcomed innovative works like Boardwalk Empire, The Wire, and The Sopranos, and Freedman discusses how television's increasingly congenial creative environment has allowed it to turn out productions whose ability to engage with these larger social questions rivals that of films from the height of cinema's Golden Age.
Author: Peter Haining
Publisher:
ISBN:
Category : Crime in literature
Languages : en
Pages : 236
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Book Description
This lavishly illustrated history features rare covers and classic illustrations, revealing how crucial artists were to establishing the identity and popularity of crime fiction. During its “classic era”—from 1850 to 1950—a variety of writers developed every important element of the genre: the police detective, the professional sleuth, the hard-boiled private eye, the secret agent, and of course, the criminal masterminds, crooks, and gangsters. From Sherlock Holmes and James Bond to Edgar Allan Poe and Joseph Conrad, this book explores an exciting cultural history. Crime enthusiasts can here see how famous (and sometimes infamous) works of crime fiction originally looked, and how unknown writers and illustrators became responsible for one of the cornerstones of popular culture.
Author: John Dunning
Publisher: Oxford University Press
ISBN: 9780195076783
Category : Performing Arts
Languages : en
Pages : 854
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Book Description
A wonderful reader for anyone who loves the great programs of old-time radio, this definitive encyclopedia covers American radio shows from their beginnings in the 1920s to the early 1960s.
Author: Francis M. Nevins
Publisher: Lulu.com
ISBN: 1605434582
Category : Literary Criticism
Languages : en
Pages : 458
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Book Description
Over the decades Francis M. Nevins has written dozens of articles and essays on the major influences of crime literature and here he collects them in 450+ pages. Coupled with some current essays on people he's known this makes for a book that any mystery fan will cherish and use as a reference book.
Author:
Publisher:
ISBN:
Category : Paperbacks
Languages : en
Pages : 1614
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Book Description
Author:
Publisher:
ISBN:
Category : Pamphlets
Languages : en
Pages : 322
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Book Description
Author: Karla Oeler
Publisher: University of Chicago Press
ISBN: 0226617963
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
