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Author: Sarah Archer
Publisher: Rizzoli International Publications
ISBN: 084783638X
Category : Architecture
Languages : en
Pages : 226
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Book Description
Widely celebrated as the father of the Studio Furniture Movement, Wharton Esherick is one of the most important furniture designers of the twentieth century. Presenting his preserved hillside house and studio, this book showcases seven decades of innovative woodwork and sculpture, embodying his influence on American art and design. Wharton Esherick (1887–1970) stands as a pivotal figure in 20th-century American art, craft, and design. Now known as the Wharton Esherick Museum, the artist’s self-proclaimed “autobiography in three dimensions” on Valley Forge Mountain, constructed between 1926 and 1966, served as his creative epicenter and a vibrant community hub. To introduce Esherick’s visionary work to a broader public, this book draws on the museum’s collection of almost 3,000 objects, many never before seen outside his home and studio, following Esherick’s evolution from paintings and woodcut illustrations to his revolutionary fusion of furniture and organic sculpture. Through fully contextualizing iconic works in Esherick’s own space, this book immerses readers in his creative world while capturing his unparalleled artistic contributions to the realms of furniture, architecture, prints, drawings, and sculpture.
Author: Sarah Archer
Publisher: Rizzoli International Publications
ISBN: 084783638X
Category : Architecture
Languages : en
Pages : 226
Get Book Here
Book Description
Widely celebrated as the father of the Studio Furniture Movement, Wharton Esherick is one of the most important furniture designers of the twentieth century. Presenting his preserved hillside house and studio, this book showcases seven decades of innovative woodwork and sculpture, embodying his influence on American art and design. Wharton Esherick (1887–1970) stands as a pivotal figure in 20th-century American art, craft, and design. Now known as the Wharton Esherick Museum, the artist’s self-proclaimed “autobiography in three dimensions” on Valley Forge Mountain, constructed between 1926 and 1966, served as his creative epicenter and a vibrant community hub. To introduce Esherick’s visionary work to a broader public, this book draws on the museum’s collection of almost 3,000 objects, many never before seen outside his home and studio, following Esherick’s evolution from paintings and woodcut illustrations to his revolutionary fusion of furniture and organic sculpture. Through fully contextualizing iconic works in Esherick’s own space, this book immerses readers in his creative world while capturing his unparalleled artistic contributions to the realms of furniture, architecture, prints, drawings, and sculpture.
Author: Wharton Esherick
Publisher: Schiffer Pub Limited
ISBN: 9780764337888
Category : Architecture
Languages : en
Pages : 160
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Book Description
An exploration of Wharton Esherick's artistic evolution during the early decades of the twentieth century. Based on the exhibition in the Kamin and Kroiz Galleries of the University of Pennsylvania, this work expands upon the exhibition's themes with well over 300 vibrant images and current research, including an essay by Paul Eisenhauer, Curator of the Wharton Esherick Museum. Esherick experimented with woodcarving and printmaking, laying the foundations for his emergence as an artist of remarkable range. He produced paintings and woodblock prints, set designs, sculpture, furniture, and architecture. He and his community of friends created an artistic circle in which arts and crafts were joined, and in which radical new ideas flourished, helping to shape the course of American Modernism. This book will be a treasure for all who appreciate twentieth-century modernism.
Author: Laura Turner Igoe
Publisher:
ISBN: 9781879636040
Category :
Languages : en
Pages :
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Book Description
Daring Design: The Impact of Three Women on Wharton Esherick's Craft explores the significant impact of three women-Helene Fischer, Hanna Weil, and Marjorie Content-on the artistic development and career of sculptor and studio craftsman Wharton Esherick.
Author: Mansfield Bascom
Publisher: Harry N. Abrams
ISBN: 9780810995758
Category : Architecture
Languages : en
Pages : 0
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Book Description
Wharton Esherick (1887- 1970) lived to create. He found his true voice in sculpture, working primarily in local woods he gathered from the forest surrounding his home and studio in rural Pennsylvania. The spiritual father of the contemporary studio furniture movement in America, he pioneered the way for successive generations of woodworking artists to develop their original designs. His work blurs the traditional distinctions between sculpture and furniture, form and function. Written by Esherick's son-in-law, this book features photographs of Esherick's most important artworks as well as the woodland studio he designed, built, and furnished over the course of several decades.
Author: Walt Whitman
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 76
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Book Description
Complete set of the thirteen woodcut illustrations used in the 1924 edition of Song of the Broad-axe by Walt Whitman, published by Centaur Press in Philadelphia. Each woodcut is titled and numbered "16". The titles are (as they appear in the book): No.I, Ship struck in storm, Beauty of woodmen, building, the forger, hell of war, The great city, of the best-bodied mothers, the hammers-men, the headsman, solid forest, the liquor-bar, and No.II.
Author: Tina Skinner
Publisher: Schiffer Craft
ISBN: 9780764332029
Category : Crafts & Hobbies
Languages : en
Pages : 0
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Book Description
Tour the private homes of three of the most esteemed wood artist/craftsmen of the modern era.
Author: The Wharton Esherick Museum
Publisher: Schiffer Publishing
ISBN: 9780764336775
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Harold Mason, owner of the Centaur Bookshop in Philadelphia asked Wharton Esherick to illustrate Walt Whitman's "Song of the broad-axe", which Mason published in a limited edtion in 1924. Esherick created a hand-bound prototype book of Whitman's poem, using prints made directly from his blocks and hand-lettering it in Esherick's own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result was a work of art, 17 x 12 inches, with pages of handmade paper, folded and uncut. This book is a reproduction of Esherick's prototype, authorized by the Wharton Esherick Museum in Paoli, Pennsylvania. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist's vision and skill and, for the first time, makes this work available to the general public.
Author: Oscar P. Fitzgerald
Publisher: Fox Chapel Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 232
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Book Description
Exquisitely photographed and beautifully designed, this complementary catalog of America's finest studio furniture highlights 84 pieces from the Smithsonian's Renwick Gallery. Inside, the pages reveal the importance of wooden furniture in the modern American craft arena, and how first- and second-generation artists shaped the studio furniture movement. Artist statements accompany gorgeous photography of the Renwick collection and provide insight into the makers' training and professional experience, theories on art, artistic techniques, and even personal inspirations. Such artists include the patriarch of studio furniture, Wharton Esherick, and Wendle Castle, the maker of the most popular piece among gallery visitors-the infamous Ghost Clock. The treasures of the Renwick collection-Judy's McKee's Monkey Settee, Sam Maloof's Rocking Chair, John Cederquist's Ghost Boy, and George Nakashima's Conoid Bench-are also included among the many pieces from makers whose work is functional, artistic, and of the finest craftsmanship. About the Authors Dr. Oscar Fitzgerald earned his M.A. and Ph.D. in history from Georgetown University and served as director of the Navy Museum in Washington, D.C., until he decided to pursue full time his passion as a furniture historian and decorative arts consultant. He is currently on the faculty of the Smithsonian Institution/Corcoran School Master's Program in the Decorative Arts where he developed and teaches a core course on the studio furniture movement. His book, Four Centuries of American Furniture, which includes coverage of the studio furniture movement, is the standard reference work in the field. In 2004, he was awarded a prestigious James Renwick Research Fellowship, which funded research for an essay published in the 2005 issue of Furniture Studio. Paul Greenhalgh is a world-renowned scholar of the decorative arts and a leading figure in the international museum and academic world. He is currently director and president of the Corcoran Gallery of Art and the Corcoran College of Art and design, in Washington, D.C. His previous posts have included the presidency of NSCAL University, one of the leading Canadian institutions of art and design (2001-2006); head of research at the Victoria & Albert Museum (1992-94); deputy keeper of ceramics and glass at the V&A (1990-1992). Over the past two decades he has also written and edited a number of defining texts in the field of the crafts, decorative arts, and cultural history, including Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau, 1890-1914 (2000) The Persistence of Craft (200), and The Modern Ideal (2005). He also curated the seminal exhibition Art Nouveau, 1890-1914 at the V&A in 2000.
Author: Jennifer Stettler Parsons
Publisher: Wesleyan University Press
ISBN: 9781880897317
Category : Art
Languages : en
Pages : 0
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Book Description
Contemporary artists probe the impact of human intervention on the environment Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in their art. Motivated by the inexorable rise of urban-industrial development and the subsequent deterioration of our planet, artists confront the vulnerability of our environment and the effects of global climate change to illustrate the continued relevance of ecology and nature conservation to contemporary artistic practice. In Fragile Earth: The Naturalist Impulse in Contemporary Art, leading artists Jennifer Angus, Mark Dion, Courtney Mattison, and James Prosek make natural elements their medium conceptually and literally, from prints created with eel bodies, to ceramic sculpture mimicking coral bleaching, cabinets filled with colorful plastic collected from oceans and rivers, and walls covered with shockingly beautiful, preserved insects. Bringing an artistic perspective to natural science, these essays and written conversations showcase the persuasive role artists can play in advocating for the preservation of our earth.
Author: Kate Moross
Publisher: National Geographic Books
ISBN: 3791349104
Category : Design
Languages : en
Pages : 0
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Book Description
One of today’s most refreshing young creatives gives the inside scoop on how to make it as a graphic artist. From art school student to designer for Nike, Topshop, and Google, Kate Moross has lived the life that young graphic artists dream of. But it hasn’t always been a smooth ride, and in this informative memoir and guide Moross offers true insider’s tips on how to make it in a highly competitive field. Written in an approachable, forthright, and refreshingly honest tone, Make Your Own Luck features chapters on how to thrive in art school, developing your own style, how to self-promote, collaboration with other artists, how to deal with "copycats", and when to consider working for free. She also touches on the fine points of music packaging and videos, how to find an agent, and looks back on the touchstone moments that helped shape her career. Designed to mimic Moross’s signature bold, brightly colored style, this book is filled with dozens of examples of her work for publications including The Guardian, Vice and FACT Magazine, companies such as Adidas and Nokia, and musicians including Simian Mobile Disco, Jessie Ware, Zomby, and Pictureplane. Irreverent and packed with helpful tips for designers of all stripes, Make Your Own Luck is certain to become an indispensable guide for anyone interested in graphic art as a vocation or hobby.
