The Course of Mexican Music PDF Download
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Author: Janet Sturman
Publisher: Routledge
ISBN: 1317551133
Category : Music
Languages : en
Pages : 369
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Book Description
The Course of Mexican Music provides students with a cohesive introductory understanding of the scope and influence of Mexican music. The textbook highlights individual musical examples as a means of exploring the processes of selection that led to specific musical styles in different times and places, with a supporting companion website with audio and video tracks helping to reinforce readers' understanding of key concepts. The aim is for students to learn an exemplary body of music as a window for understanding Mexican music, history and culture in a manner that reveals its importance well beyond the borders of that nation.
Author: Janet Sturman
Publisher: Routledge
ISBN: 1317551133
Category : Music
Languages : en
Pages : 369
Get Book Here
Book Description
The Course of Mexican Music provides students with a cohesive introductory understanding of the scope and influence of Mexican music. The textbook highlights individual musical examples as a means of exploring the processes of selection that led to specific musical styles in different times and places, with a supporting companion website with audio and video tracks helping to reinforce readers' understanding of key concepts. The aim is for students to learn an exemplary body of music as a window for understanding Mexican music, history and culture in a manner that reveals its importance well beyond the borders of that nation.
Author: Janet Sturman
Publisher: Routledge
ISBN: 1317551125
Category : Music
Languages : en
Pages : 484
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Book Description
The Course of Mexican Music provides students with a cohesive introductory understanding of the scope and influence of Mexican music. The textbook highlights individual musical examples as a means of exploring the processes of selection that led to specific musical styles in different times and places, with a supporting companion website with audio and video tracks helping to reinforce readers' understanding of key concepts. The aim is for students to learn an exemplary body of music as a window for understanding Mexican music, history and culture in a manner that reveals its importance well beyond the borders of that nation.
Author: Michael C. Meyer
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 772
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Book Description
This new edition draws on both classic and current sources to provide a comprehensive survey of Mexican history from the pre-Columbian period to the latest presidential election.
Author: Ramiro Burr
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
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Book Description
"In the 1990s Tejano basked in the media spotlight as one of the fastest-growing subgenres in American music." "This sourcebook recounts the fascinating, never-before-told history of this innovative and influential musical genre - as well as of norteno, conjunto, grupo, mariachi, trio, tropical/cumbia, vallenato, and banda. Organized in an easy-to-use A-Z format, The Billboard Guide to Tejano and Regional Mexican Music features succinct but revealing biographies as well as discographies of 300 of these genres' most innovative and successful artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Steven Joseph Loza
Publisher: University of Illinois Press
ISBN: 9780252067785
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
A multifaceted portrait of "El Rey", the king of Latin music, this is the first in-depth historical, musical, and cultural study to trace the career and influence of Tito Puente. 57 photos.
Author: Steven Joseph Loza
Publisher: University of Illinois Press
ISBN: 9780252062889
Category : Music
Languages : en
Pages : 396
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Book Description
The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent "Eastside Renaissance" in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community.
Author: Daniel Edward Sheehy
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
Accompanying 50-minute CD contains examples of music discussed in the book.
Author: Mario Rolando Castro
Publisher:
ISBN: 9781085634656
Category : Dissertations, Academic
Languages : en
Pages : 36
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Book Description
The purpose of this paper is to demonstrate the need for a "History of Mexican Music" course at California State University, Los Angeles (CSULA). The class will include a performance ensemble(lab), curriculum based on the History of Mexican music (lecture) and will be considered an open elective making it accessible to the general student body. This course will give birth to the first ever Mexican "Banda" at CSULA, Banda Aguilas de Los Angeles. This project report will review literature that explains a need for curriculum that focus specifically on Mexican music, how Mexican music influenced the United States, and why "Banda" was chosen as the specific performance ensemble.
Author: Jesús A. Ramos-Kittrell
Publisher: Rowman & Littlefield
ISBN: 1498573185
Category : Music
Languages : en
Pages : 281
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Book Description
winner of the 2021 Ellen Koskoff Edited Volume Prize Decentering the Nation: Music, Mexicanidad, and Globalization considers how neoliberal capitalism has upset the symbolic economy of “Mexican” cultural discourse, and how this phenomenon touches on a broader crisis of representation affecting the nation-state in globalization. This book argues that, while mexicanidad emerged in the early twentieth century as a cultural trope about national origins, culture, and history, it was, nonetheless a trope steeped in ‘otherization’ and used by nation-states (Mexico and the United States) to legitimize narratives of cultural and socioeconomic development stemming out of nationalist political projects that are now under strain. Using music as a phenomenological platform of inquiry, contributors to this book focus on a critique of mexicanidad in terms of the cultural processes through which people contest ideas about race, gender, and sexuality; reframe ideas of memory, history, and belonging; and negotiate the experiences of dislocation that affect them. The volume urges readers to find points of resonance in its chapters, and thus, interrogate the asymmetrical ways in which power traverses their own historical experience. In light of the crisis in representation that currently affects the nation-state as a political unit in globalization, such resonance is critical to make culture an arena of social collusion, where alliances can restore the fiber of civil society and contest the pressures that have made disenfranchisement one of the most alarming features characterizing the complex relationships between the state and the neoliberal corporate system that seeks to regulate it. Scholars of history, international relations, cultural anthropology, Latin American studies, queer and gender studies, music, and cultural studies will find this book particularly useful.
Author: Manuel Peña
Publisher: University of Texas Press
ISBN: 0292787936
Category : Music
Languages : en
Pages : 241
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Book Description
Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.
