The Country Dance Book: Thirty-five country dances from The English dancing master, described by Cecil J. Sharp and George Butterworth. 2d. 1927 PDF Download
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Author: Cecil James Sharp
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 128
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Book Description
Author: Cecil James Sharp
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: Cleveland Public Library. John G. White Department
Publisher: Boston, Mass. : G. K. Hall
ISBN:
Category : Music
Languages : en
Pages : 798
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Book Description
Author: Cleveland Public Library. John G. White Department
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 738
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Book Description
Author: Cecil J. Sharp
Publisher: Read Books Ltd
ISBN: 1528767063
Category : Music
Languages : en
Pages : 91
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Book Description
This is part IV of “The Country Dance Book”, a classic guide to country dance containing instructions for 43 different dances. Written in simple, clear language and profusely illustrated, this timeless volume is not to be missed by country dancers new and old, and it would make for a fantastic addition to allied collections. Contents include: “The Dance”, “The Room”, “Technical Terms and Symbols”, “The Music”, “Steps”, “The Figures”, “The Hey”, “General Instructions”, “Notation”, “Put on thy Smock on a Monday (Round for Six)”, “The Gelding of the Devil”, “Oaken Leaves”, “Sellenger's Round, or, The Beginning of the World”, “Hit and Miss”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on folk music.
Author: Cecil James Sharp
Publisher:
ISBN:
Category : Country-dances (Music)
Languages : en
Pages : 0
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Book Description
Author: Cecil James Sharp
Publisher: Literary Licensing, LLC
ISBN: 9781498180917
Category :
Languages : en
Pages : 110
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Book Description
This Is A New Release Of The Original 1912 Edition.
Author: Ralph P. Locke
Publisher: Univ of California Press
ISBN: 9780520083950
Category : Social Science
Languages : en
Pages : 384
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Book Description
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Author: David Harker
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
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Book Description
"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us feel our roots in the Britain of 1900 or 1800 or even 1700. The only problem with this way of thinking is that it is based on myths. What we now know as 'folksongs' and 'ballads' were sought after, collected, edited and published by individuals who were either members of the rising bourgeoisie, or were ideologically sympathetic to bourgeois culture and values. The working people who sang their songs, and had them chopped up, amended and sometimes re-written or invented on their behalf, are remarkably absent from the story of 'folksong'. Before we can begin to piece together the real history of our ancestors' culture, we have to penetrate the 'mediations' of people like Cecil Sharp, Francis James Child and Albert Lancaster Lloyd, and to begin building again on firmer foundations. This book sets out to clear the ground"--Page 4 of cover.
Author: Cecil James Sharp
Publisher:
ISBN:
Category : Country-dance
Languages : en
Pages :
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Book Description
