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Author: William L. Blizek
Publisher: A&C Black
ISBN: 0826499910
Category : Religion
Languages : en
Pages : 438
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Book Description
The definitive guide to the study of film and religion.
Author: William L. Blizek
Publisher: A&C Black
ISBN: 0826499910
Category : Religion
Languages : en
Pages : 438
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Book Description
The definitive guide to the study of film and religion.
Author: William L. Blizek
Publisher: Bloomsbury Publishing
ISBN: 1441138781
Category : Religion
Languages : en
Pages : 508
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Book Description
Originally published as the The Continuum Companion to Religion and Film, this Companion offers the definitive guide to study in this growing area. Now available in paperback, the Bloomsbury Companion to Religion and Film covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this evolving research area. Featuring chapters on methodology, religions of the world, and popular religious themes, as well as an extensive bibliography and filmography, this is the essential tool for anyone with an interest in the intersection between religion and film.
Author: William L. Blizek
Publisher:
ISBN: 9781472549426
Category : Electronic books
Languages : en
Pages : 426
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Book Description
The Continuum Companion to Religion and Film offers the definitive guide to study in this growing area. The book covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research.€Twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this growing area. Featuring a series of indispensable research tools, including a detailed list of resources, ch.
Author: Jessica Frazier
Publisher: A&C Black
ISBN: 082649966X
Category : Religion
Languages : en
Pages : 423
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Book Description
Featuring chapters by an international team of leading scholars in the field, this is a comprehensive reference guide to Hindu Studies.
Author: Debbie Olson
Publisher: Lexington Books
ISBN: 1666918687
Category : Social Science
Languages : en
Pages : 233
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Book Description
This collection examines the child’s role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the “rightness” of past systems of social order.
Author: Paul O'Connor
Publisher: Springer Nature
ISBN: 3030248577
Category : Sports & Recreation
Languages : en
Pages : 312
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Book Description
This book explores the ways in which religion is observed, performed, and organised in skateboard culture. Drawing on scholarship from the sociology of religion and the cultural politics of lifestyle sports, this work combines ethnographic research with media analysis to argue that the rituals of skateboarding provide participants with a rich cultural canvas for emotional and spiritual engagement. Paul O’Connor contends that religious identification in skateboarding is set to increase as participants pursue ways to both control and engage meaningfully with an activity that has become an increasingly mainstream and institutionalised sport. Religion is explored through the themes of myth, celebrity, iconography, pilgrimage, evangelism, cults, and self-help.
Author: Sarah K. Balstrup
Publisher: Bloomsbury Publishing
ISBN: 1350130184
Category : Religion
Languages : en
Pages : 240
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Book Description
The secular, pluralist culture of the West encourages a subjective approach to spiritual truth where stimulating emotional experiences, such as those provided by film, can contribute to personal conceptions of the sacred. Examining Stanley Kubrick's 2001: A Space Odyssey (1968) as the principal case-study and Gaspar Noé's Enter the Void (2009) and Lars von Trier's Melancholia (2011) as comparative examples, Sarah Balstrup argues that these directors harness the affective properties of film to generate altered states of perception in a manner analogous to religious practice. Powerful feelings of dissociation and indescribable significance typical of mystical testimony appear in viewer responses to these films, demonstrating the continued sacralisation of such states of mind. In their own way, each film confronts the viewer with an apocalyptic revelation of the impersonal forces of the universe, moving away from personhood and the human narrative, into pure sensation. They present a non-deterministic spiritual truth that can be intuited but not explained, mirroring developments in the religious sphere. Investigating the relationship between cinematic technique and religious experience, Spiritual Sensations offers an alternative approach to the study of religion and film that has been principally focused on narrative symbolism and the dramatisation of values. Spiritual Sensations makes a further contribution to the field by analysing films contextually, considering viewers' subjective responses in light of religious and cultural change.
Author: Rhonda Burnette-Bletsch
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1614513260
Category : Religion
Languages : en
Pages : 940
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Book Description
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author: Richard Walsh
Publisher: Bloomsbury Publishing
ISBN: 0567666212
Category : Religion
Languages : en
Pages : 429
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Book Description
The first decades of the twenty-first century saw a resurgence of the biblical epic film, such as Noah and Exodus: Gods and Kings, which was in turn accompanied by a growth of biblical film criticism. This companion surveys that field of study by framing it in light of significant and recent biblical films as well as the voices of key biblical film critics. Non-Hollywood and seemingly “non-biblical” films also come under investigation. The contributors concentrate on three points: “context”, focusing on the 'Bible in' specific film genres and cultural situations; “theory”, applying theory from both religion and film studies, with an eye to their possible intersections; and “recent and significant texts”, reflecting on which texts and themes have been most important in 'biblical film' and which are currently at the fore. Exploring cinema across the globe, and accompanied by extended introductory essays for each of the three sections, this companion is an important resource for scholars in both film and biblical reception.
Author: Mark Cauchi
Publisher: Bloomsbury Publishing USA
ISBN: 150138886X
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aesthetics, film history, and throughout global cinema. The emergence of moving images and the history of cinema historically coincide with the emergence of secularism as a concept and discourse. More than historically coinciding, however, cinema and secularism would seem to have-and many contemporary theorists and critics seem to assume-a more intrinsic, almost ontological connection to each other. While early film theorists and critics explicitly addressed questions about secularism, religion, and cinema, once the study of film was professionalized and secularized in the Western academy in both film studies and religious studies, explicit and critical attention to the relationship between cinema and secularism rapidly declined. Indeed, if one canvases film scholarship today, one will find barely any works dedicated to thinking critically about the relationship between cinema and secularism. Extending the recent “secular turn” in the humanities and social sciences, Cinema and Secularism provokes critical reflection on its titular concepts. Making contributions to theory, philosophy, criticism, and history, the chapters in this pioneering volume collectively interrogate the assumption that cinema is secular, how secularism is conceived and related to cinema differently in different film cultures, and whether the world is disenchanted or enchanted in cinema. Coming from intellectually diverse backgrounds in film studies, religious studies, and philosophy, the interdisciplinary contributors to this book cover films and traditions of thought from America, Europe, Africa, the Middle East, South Asia, and East Asia. In these ways, Cinema and Secularism opens new areas of inquiry in the study of film and contributes to the ongoing interrogation of secularism more broadly.
