The Contemporary Arranger PDF Download
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Author: Don Sebesky
Publisher: Alfred Music Publishing
ISBN: 9780882840321
Category : Music
Languages : en
Pages : 256
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Book Description
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Author: Don Sebesky
Publisher: Alfred Music Publishing
ISBN: 9780882840321
Category : Music
Languages : en
Pages : 256
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Book Description
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Author: Russell Garcia
Publisher: Alfred Music Publishing
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 176
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Book Description
Designed for the musician who wants to become a professional arranger-composer. Includes a section of dance band harmony and voicing.
Author: Sammy Nestico
Publisher:
ISBN: 9781502745118
Category :
Languages : en
Pages : 422
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Book Description
A reference guide and how-to book that no serious student of arranging should ever be without - comprehensive, practical and versatile. 2 CD's containing 100 tracks demonstrate solo and ensemble instrumental colors, textures and styles. The presentation is thorough and logical - basics first, specific components next, then advanced techniques for putting it all together. Includes chapters on special purpose instruments, making MIDI work for you, and the symphonic band. 430-page book and 2 CDs available for download.
Author: Richard Sorce
Publisher: Linus Learning
ISBN: 1607975343
Category : Music
Languages : en
Pages : 417
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Book Description
Except for the most conservative music departments, most colleges and universities have instituted music major programs to accommodate the contemporary student whose interest lies in current practice, e.g., popular music, music business and/or industry and music production. Those involved in the creation of popular music are usually more aurally oriented, and create music based on what sounds as that which is accepted as popular music. These students typically attempt song writing, and perform either as soloists or with bands. Music business and industry majors demonstrate interest in pursuing careers in music production, recording, publishing, management, promotion, and essentially any area that does not involve primarily the creative aspect of composition or performance. However, regardless of a music major’s primary area of interest, he or she is still required to fulfill certain departmental musicianship requirements. While traditional majors in performance, composition or teaching for example, must successfully complete historically established musicianship courses, the current trend in musicianship offerings is an attempt to be more accommodating to various needs and concentrations. Musicianship for the Contemporary Musician, which can be completed in two semesters, will satisfy this alternative approach and still fully prepare the graduate to move freely in other facets of the profession. The author is a classically and formally trained pianist, composer and theorist, who has spent many years as a performer of classical, jazz, popular, rock and liturgical music, touring and studio musician, and professor of music. He is a multiple-charted and award-winning songwriter, commissioned composer, producer, arranger/orchestrator and lyricist (Billboard, et. al.), and a published author, composer and songwriter. His works—popular, piano, choral and instrumental—have been recorded and published by numerous record companies and publishers in the United States and abroad. The author speaks from dozens of years of experience in the music profession.
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863210
Category : Music
Languages : en
Pages : 469
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Book Description
(Instructional). This comprehensive method, called "Solid, readable and relevant" by Keyboard magazine and "The major work for today's pianists" by International Musician , is divided into four sections. The first, "A Philosophy of Music," deals with communication, cause-effect principles and practice disciplines. The second section, "Mechanics," covers all the basics of keyboard music and playing (notation, harmony, improv, sight reading, etc.), as well as their applications. The third section, "The Business Scene," contains guidelines and industry advice for contemporary keyboardists. Section four, "Interviews," provides insights into the artistry and technique of famous players such as Herbie Hancock, Henry Mancini, Edgar Winter, Keith Emerson, Paul Shaffer and many more. Includes an index.
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 0313387893
Category : Music
Languages : en
Pages : 200
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Book Description
Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.
Author: Andrea Pejrolo
Publisher: CRC Press
ISBN: 1136124144
Category : Music
Languages : en
Pages : 309
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Book Description
Unites traditional orchestration and MIDI sequencing skills to provide the appropriate skills required in today?s commercial music world.
Author: Richard Sussman
Publisher: OUP USA
ISBN: 0195381009
Category : Music
Languages : en
Pages : 532
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Book Description
This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.
Author: Paris Rutherford
Publisher: Hal Leonard Corporation
ISBN: 1480358983
Category : Music
Languages : en
Pages : 240
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Book Description
(Jazz Instruction). Renowned educator and writer Paris Rutherford has adapted the text he used for over 30 years in teaching university-level arranging at one of the nation's most illustrious jazz schools. For anyone wanting to enter the exciting world of jazz arranging, this book is a must-have resource! Useful as a classroom teaching tool for beginning arrangers or as a self-study book, this clearly written and engaging text will get you off to a great start that will have players and audiences alike enjoying your music! Includes Rutherford's original compositions and small group charts, along with audio that features both full performances and rhythm-section-only tracks for personal or group practice.
Author: John S. Davis
Publisher: Rowman & Littlefield
ISBN: 1538128152
Category : Music
Languages : en
Pages : 559
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Book Description
Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form. This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and band leaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.
