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Author: Evgenija Garbolevsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443830194
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Author: Evgenija Garbolevsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443830194
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Author:
Publisher:
ISBN:
Category : Church history
Languages : en
Pages : 60
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Book Description
Author: Alberto Moravia
Publisher: Signet Book
ISBN: 9780451015969
Category : College students
Languages : en
Pages : 0
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Book Description
Author: Alberto Moravia
Publisher: Prion (GB)
ISBN: 9781853753138
Category : Conformity
Languages : en
Pages : 0
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Book Description
Secrecy and silence are second nature to Marcello Clerici, the hero of The Conformist. He's a man with everything under control - a wife who loves him, colleagues who respect him, and the hidden power that comes with his secret work for the Italian political police during the Mussolini years. But his perfect life becomes a nightmare when he's ordered to kill his former professor to demonstrate his loyalty to the Fascist state. When he also falls in love with a strange woman, a chain of events occur whose repercussions none could foresee. First published in 1951, The Conformist equates the rise of Italian Fascism with the psychosexual life of a man for whom conformity becomes an obsession after a traumatic experience in his youth. In 1970, director Bernardo Bertolucci turned Moravia's classic into an acclaimed film starring Jean-Louis Tritignant.
![Reasons humbly offered to the Conformists, why they should hold Occasional Communion with Protestant Dissenters. By a divine of the Church of England ... The fourth edition [of “The Conformists' Reasons for hearing and joining with the Nonconformists”]. PDF](https://books.google.com/books/content/images/frontcover/o4deAAAAcAAJ?fife=w80-h100)
Author: REASONS.
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
![The Nonconformists Plea for the Conformists: Or, The Church of England and the Dissenters Reconciled, Etc. [Signed: J. C., I.e. James Cheak?] PDF](https://books.google.com/books/content/images/frontcover/cJhkAAAAcAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: R. C.
Publisher:
ISBN:
Category : Dissenters, Religious
Languages : en
Pages : 80
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Book Description
![The Conformists Sayings: Or, the Opinion and Arguments of Kings, Bishops, and Several Divines Lately Assembled in Convocation, in Favour of Those who Dissent from the Present Ceremonies of Publick Worship. By a Minister of the Church of England. [The Preface Signed: R. C.] PDF](https://books.google.com/books/content/images/frontcover/SNSno_2DKG0C?fife=w80-h100)
Author: R. C.
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Martin Parr
Publisher:
ISBN: 9781597112451
Category : Calderdale (England)
Languages : en
Pages : 0
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Book Description
In 1975, fresh out of art school, Martin Parr found poor footing in the London photography scene, so he moved to the picturesque Yorkshire Pennine mill town of Hebden Bridge. Over a period of five years, he documented the town in photographs, showing in particular the aspects of traditional life that were beginning to decline. Susie Parr, whom he had met in Manchester, joined him in documenting a year in the life of a small Methodist chapel, together with its farming community. Such chapels seemed to encapsulate the region's disappearing way of life. Here Martin Parr found his photographic voice, while together he and Susie assembled a remarkable and touching historic document--now published in book form for the first time. The Non-Conformists takes its title from the Methodist and Baptist chapels that then char - acterized this area of Yorkshire and defined the fiercely independent character of the town. In words and pictures, the Parrs vividly and affectionately document cobbled streets, flat-capped mill workers, hardy gamekeepers, henpecked husbands, and jovial shop owners. The best Parr photographs are interleaved with Susie Parr's detailed background descriptions of the society they observed.
