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Author: Warwick Wadlington
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 331
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Book Description
Author: Warwick Wadlington
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 331
Get Book Here
Book Description
Author: Warwick Wadlington
Publisher: Princeton University Press
ISBN: 1400871646
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Drawing on modern studies of rhetoric and the concept of the Trickster, the author examines Herman Melville, Mark Twain, and Nathanael West as creators of a fictive experience centered in deceptive or problematic transactions of confidence. The model of a confidence game, suggested by the writers' own thematic preoccupations, permits an analysis of the social motivations inherent in the fiction. The author concentrates on the process by which confidence is established and the ways in which deception leads to regeneration and an altered perception of authority. His approach increases our understanding of the interrelation between the writer, his reader, and the world each envisions. Warwick Wadlington examines individual texts, as well as the pattern of each writer's total work. His book distinctively combines an enlarging archetypal frame with rhetorical analysis of the writer-reader imaginative act. Treated as different forms of a coherent mode of fictive experience, the works of these important authors illuminate each other. Professor Wadlington's method results in decisively new readings of each text and contributes to a phenomenology of reading three writers whose works represent crucial "moments" in the artist-audience negotiation of mutual faith. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David H. Evans
Publisher: LSU Press
ISBN: 0807149284
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.
Author: Sarah Meer
Publisher: Oxford University Press
ISBN: 0192540610
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book recovers a major nineteenth-century literary figure, the American Claimant. For over a century, claimants offered a compelling way to understand cultural difference across the Anglophone Atlantic, especially between Britain and the United States. They also formed a political talisman, invoked against slavery and segregation, or privileges of gender and class. Later, claimants were exported to South Africa, becoming the fictional form for explaining black students who acquired American degrees. American Claimants traces the figure back to lost-heir romance, and explores its uses. These encompassed real, imagined, and textual ideas of inheritance, for writers and editors, and also for missionaries, artists, and students. The claimant dramatized tensions between tradition and change, or questions of exclusion and power: it offered ways of seeing activism, education, sculpture, and dress. The premise for dozens of novels and plays, a trope, a joke, even the basis for real claims: claimants matter in theatre history and periodical studies, they touch on literary marketing and reprinting, and they illuminate some unexpected texts. These range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass' Paper; writers discussed include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain. The focus on claimants yields remarkable finds: new faces, fresh angles, a lost column, and a forgotten theatrical genre. It reveals the pervasiveness of this form, and its centrality in imagining cultural contact and exchange.
Author: Herman Melville
Publisher: Northwestern University Press
ISBN: 9780810103252
Category : Fiction
Languages : en
Pages : 532
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Book Description
In Moby Dick Melville set out to write a "mighty book" on "a mighty theme." The editors of this critical text affirm that he succeeded. Nevertheless, their prolonged examination of the novel reveals textual flaws and anomalies that help to explain Melville's fears that his great work was in some ways a hash or a botch. A lengthy historical note also gives a fresh account of Melville's earlier literary career and his working conditions as he wrote; it also analyzes the book's contemporary reception and outlines how it finally achieved fame. Other sections review theories of the book's genesis, detail the circumstances of its publication, and present documents closely relating to the story. -- Amazon.com.
Author: Jeff Forret
Publisher: LSU Press
ISBN: 080717534X
Category : History
Languages : en
Pages : 264
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Book Description
The history of capitalist development in the United States is long, uneven, and overwhelmingly focused on the North. Macroeconomic studies of the South have primarily emphasized the role of the cotton economy in global trading networks. Until now, few in-depth scholarly works have attempted to explain how capitalism in the South took root and functioned in all of its diverse—and duplicitous—forms. Southern Scoundrels explores the lesser-known aspects of the emergence of capitalism in the region: the shady and unscrupulous peddlers, preachers, slave traders, war profiteers, thieves, and marginal men who seized available opportunities to get ahead and, in doing so, left their mark on the southern economy. Eschewing conventional economic theory, this volume features narrative storytelling as engaging and seductive as the cast of shifty characters under examination. Contributors cover the chronological sweep of the nineteenth-century South, from the antebellum era through the tumultuous and chaotic Civil War years, and into Reconstruction and beyond. The geographic scope is equally broad, with essays encompassing the Chesapeake, South Carolina, the Lower Mississippi Valley, Texas, Missouri, and Appalachia. These essays offer a series of social histories on the nineteenth-century southern economy and the changes wrought by capitalist transformation. Tracing that story through the kinds of oily individuals who made it happen, Southern Scoundrels provides fascinating insights into the region’s hucksters and its history. Contents Introduction, Jeff Forret and Bruce E. Baker “Preachers and Peddlers: Credit and Belief in the Flush Times,” John Lindbeck “A Gentleman and a Scoundrel? Alexander McDonald, Financial Reputation, and Slavery’s Capitalism,” Alexandra J. Finley “‘How Deeply They Weed into the Pockets’: Slave Traders, Bank Speculators, and the Anatomy of a Chesapeake Wildcat, 1840–1843,” Jeff Forret “Bernard Kendig: Orchestrating Fraud in the Market and the Courtroom,” Maria R. Montalvo “William A. Britton v. Benjamin F. Butler: Occupied New Orleans, Confiscation, and the Disruption of the Cotton Trade in Wartime Natchez,” Jeff Strickland “Devils at the Doorstep: Confederate Judges, Masters of Sequestration,” Rodney J. Steward “‘Irresistibly Impelled toward Illegal Appropriation’: The Civil War Schemes of William G. Cheeney,” Jimmy L. Bryan, Jr. “Das Kapital on Tchoupitoulas Street: The Marketing of Stolen Goods and the Reserve Army of Labor in Reconstruction-Era New Orleans,” Bruce E. Baker “The Violent Lives of William Faucett,” Elaine S. Frantz “Eureka! Law and Order for Sale in Gilded Age Appalachia,” T. R. C. Hutton
Author: Karen Halttunen
Publisher: Yale University Press
ISBN: 9780300037883
Category : Social Science
Languages : en
Pages : 284
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Book Description
Karen Halttunen draws a vivid picture of the social and cultural development of the upwardly mobile middle class, basing her study on a survey of the conduct manuals and fashion magazines of mid-nineteenth-century America. "An ingenious book: original, inventive, resourceful, and exciting. ... This book adds immeasurably to the current work on sentimental culture and American cultural history and brings to its task an inquisitive, fresh, and intelligent perspective. ... Essential reading for historians, literary critics, feminists, and cultural commentators who wish to study mid-nineteenth-century American culture and its relation to contemporary values."--Dianne F. Sadoff, American Quarterly "A compelling and beautifully developed study. ... Halttunen provides us with a subtle book that gently unfolds from her mastery of the subject and intelligent prose."--Paula S. Fass, Journal of Social History "Halttunen has done her homework--the research has been tremendous, the notes and bibliography are impressive, and the text is peppered with hundreds of quotes--and gives some real insight into an area of American culture and history where we might have never bothered to look."--John Hopkins, Times Literary Supplement "The kind of imaginative history that opens up new questions, that challenges conventional historical understanding, and demonstrates how provocative and exciting cultural history can be."--William R. Leach, The New England Quarterly "A stunning contribution to American cultural history."--Alan Trachtenberg
Author: Brenda Murphy
Publisher: Univ of South Carolina Press
ISBN: 1611172004
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
Understanding David Mamet analyzes the broad range of David Mamet's plays and places them in the context of his career as a prolific writer of fiction and nonfiction prose as well as drama. Over the past three decades, Mamet has written more than thirty produced plays and garnered recognition as one of the most significant and influential American playwrights of the post-World War II generation. In addition to playwriting and directing for the theater, Mamet also writes, directs, and produces for film and television, and he writes essays, fiction, poetry, and even children's books. The author remains best known for depicting men in gritty, competitive work environments and for his vernacular dialogue (known in the theater as "Mametspeak"), which has raised the expletive to an art form. In this insightful survey of Mamet's body of work, Brenda Murphy explores the broad range of his writing for the theater and introduces readers to Mamet's major writing in other literary genres as well as some of his neglected pieces. Murphy centers her discussion around Mamet's most significant plays—Glengarry Glen Ross, Oleanna, American Buffalo, Speed-the-Plow, The Cryptogram, Sexual Perversity in Chicago, Edmond, The Woods, Lakeboat, Boston Marriage, and The Duck Variations—as well as his three novels—The Village, The Old Religion, and Wilson. Murphy also notes how Mamet's one-act and less known plays provide important context for the major plays and help to give a fuller sense of the scope of his art. A chapter on his numerous essays, including his most anthologized piece of writing, the autobiographical essay "The Rake," reflects Mamet's controversial and evolving ideas about the theater, film, politics, religion, and masculinity. Throughout her study Murphy incorporates references to Mamet's popular films as useful waypoints for contextualizing his literary works and understanding his continuing evolution as a writer for multiple mediums.
Author: Peter Knight
Publisher: JHU Press
ISBN: 1421420619
Category : History
Languages : en
Pages : 330
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Book Description
America’s fascination with the stock market dates back to the Gilded Age. Winner of the BAAS Book Prize of the British Association of American Studies Americans pay famously close attention to “the market,” obsessively watching trends, patterns, and swings and looking for clues in every fluctuation. In Reading the Market, Peter Knight explores the Gilded Age origins and development of this peculiar interest. He tracks the historic shift in market operations from local to national while examining how present-day ideas about the nature of markets are tied to past genres of financial representation. Drawing on the late nineteenth-century explosion of art, literature, and media, which sought to dramatize the workings of the stock market for a wide audience, Knight shows how ordinary Americans became both emotionally and financially invested in the market. He analyzes popular investment manuals, brokers’ newsletters, newspaper columns, magazine articles, illustrations, and cartoons. He also introduces readers to fiction featuring financial tricksters, which was characterized by themes of personal trust and insider information. The book reveals how the popular culture of the period shaped the very idea of the market as a self-regulating mechanism by making the impersonal abstractions of high finance personal and concrete. From the rise of ticker-tape technology to the development of conspiracy theories, Reading the Market argues that commentary on the Stock Exchange between 1870 and 1915 changed how Americans understood finance—and explains what our pervasive interest in Wall Street says about us now.
Author: William Frank Monroe
Publisher: University of Illinois Press
ISBN: 9780252066573
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
William Monroe addresses what William J. Bennett ignores in The Book of Virtues: How do readers use literature as "equipment for living"? Tackling modernism and postmodernism, Monroe outlines "virtue criticism," an alternative to current theory. Focusing on works by T. S. Eliot, Vladimir Nabokov, and Donald Barthelme, he demonstrates that these alienistic texts are not just filled with belligerence but are also endowed with virtues, such as trust and the promise of solidarity with the reader. By considering these vital texts as responses to personal situations and institutional practices, Monroe brings literature back to the common reader and shows how it offers functional responses to the dysfunctional situations of modern life. Readers interested in literary criticism, American culture, and the relationship between ethics and literature will be fascinated by virtue criticism and this fresh look at the virtues and vices of alienation. Chosen as a Choice Magazine's Outstanding Academic Book for 1999.
