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Author: Elizabeth A. H. Green
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 220
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Book Description
Author: Elizabeth A. H. Green
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 220
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Book Description
Author: Gustav Meier
Publisher: Oxford University Press
ISBN: 0199716900
Category : Music
Languages : en
Pages : 510
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Book Description
Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.
Author: Bruce Pearson
Publisher: Neil a Kjos Music Company
ISBN: 9780849759505
Category : Education
Languages : en
Pages : 638
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Book Description
Author: Bruce Pearson
Publisher: Neil a Kjos Music Company
ISBN: 9780849759789
Category : Music
Languages : en
Pages : 48
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Book Description
Author: Mark Gibson
Publisher: Oxford University Press
ISBN: 0190605871
Category : Music
Languages : en
Pages : 321
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Book Description
In The Beat Stops Here: Lessons on and off the Podium for Today's Conductor, master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms. He employs a variety of everyday activities and motions (brushing the dog, Tinkerbelle, the "door knob") to describe the physical aspects of the role. He advocates a comprehensive, detailed approach to score study, addressing major works bar-by-bar in terms of both musical analysis and conducting method. Finally, Gibson explores the various roles a conductor plays, as a teacher, a scholar and a member of the musical community. His writing is highly focused, with an occasionally tongue-in-cheek, discussing everything from motivic development in Brahms to how to hold a knife and fork in public. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.
Author: Zubin Mehta
Publisher: Hal Leonard Corporation
ISBN: 9781574671742
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Captures the life of this celebrated musician, including a review of his childhood days in Bombay, his early education in music in Europe, his great success with orchestras around the world, and his receipt of the United Nations Lifetime Achievement Peace and Tolerance Award.
Author: Elizabeth A. H. Green
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Frederik Prausnitz
Publisher: W. W. Norton
ISBN: 9780393951547
Category : Conducting
Languages : en
Pages : 530
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Book Description
Author: Frank Battisti
Publisher: Meredith Music
ISBN: 1476850674
Category : Music
Languages : en
Pages : 123
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Book Description
(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.
Author: Hector Berlioz
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 47
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Book Description
The following book is a unique look into what conducting an orchestra is like from the perspective of a composer and conductor of the French Romantic era, Hector Berlioz. Though he only met occasional success in France as a composer, Berlioz was highly regarded in Germany, Britain, and Russia both as a composer and as a conductor.
