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Author: Pier Alessio Rizzardi
Publisher: Artifice
ISBN: 9781911339106
Category :
Languages : en
Pages : 160
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Book Description
China accounts for only 1 per cent of the world's total architects, but produces 10 per cent of the world's buildings and uses 33 per cent of the world's reinforced concrete. How does this condition affect architecture? Translated for the first time into English, The Condition of Chinese Architecture is the result of a five-year immersive investigation by TCA Think Tank into this paradigm. The research presented in this publication provides an insider's perspective to decode what is occurring in the midst of Asia's most recent construction boom, the extent of its global impact and the circumstances in which its actors must operate. This book rejects the standard approaches to studying this condition, in which sweeping conclusions are cast from big data and a fetishisation of statistics including the growth, size and quantity of projects; the speed of their production and demolition; and the relationship between a project and its context (or, in many cases, its non-context). Instead, Pier Alessio Rizzardi and Zhang Hankun trace a line from the significance of building culture in Chinese history and identity, dissecting how the longstanding influence of Western movements from Baroque to Soviet architecture, megastructural modernism and the latest generation of avant-garde and post-critical 'global' movements meld together to form this current state. In addition to interviewing key voices of contemporary Chinese architecture--including such icons as Chang Yong Ho, Liu Jiakun, Ma Yansong, Liu Xiaodu, LU Wenyu, Zhang Ke, Li Xiaodong, Li Hu, Chen Yifeng, Zhu Pei, Zhang Lei, Qi Xin, Rocco Yim, Zhang Bin, Liu Yuyang and Xu Tiantian--the authors weave together the entire spectrum of individuals involved in this condition, from construction workers to developers, curators, critics and artists. The result is a groundbreaking, cumulative reckoning of the history and future of Chinese architecture that is teased out through layers of personal accounts and crossdisciplinary research drawing on architectural history, design and aesthetics, technology, philosophy, politics and society.
Author: Pier Alessio Rizzardi
Publisher: Artifice
ISBN: 9781911339106
Category :
Languages : en
Pages : 160
Get Book Here
Book Description
China accounts for only 1 per cent of the world's total architects, but produces 10 per cent of the world's buildings and uses 33 per cent of the world's reinforced concrete. How does this condition affect architecture? Translated for the first time into English, The Condition of Chinese Architecture is the result of a five-year immersive investigation by TCA Think Tank into this paradigm. The research presented in this publication provides an insider's perspective to decode what is occurring in the midst of Asia's most recent construction boom, the extent of its global impact and the circumstances in which its actors must operate. This book rejects the standard approaches to studying this condition, in which sweeping conclusions are cast from big data and a fetishisation of statistics including the growth, size and quantity of projects; the speed of their production and demolition; and the relationship between a project and its context (or, in many cases, its non-context). Instead, Pier Alessio Rizzardi and Zhang Hankun trace a line from the significance of building culture in Chinese history and identity, dissecting how the longstanding influence of Western movements from Baroque to Soviet architecture, megastructural modernism and the latest generation of avant-garde and post-critical 'global' movements meld together to form this current state. In addition to interviewing key voices of contemporary Chinese architecture--including such icons as Chang Yong Ho, Liu Jiakun, Ma Yansong, Liu Xiaodu, LU Wenyu, Zhang Ke, Li Xiaodong, Li Hu, Chen Yifeng, Zhu Pei, Zhang Lei, Qi Xin, Rocco Yim, Zhang Bin, Liu Yuyang and Xu Tiantian--the authors weave together the entire spectrum of individuals involved in this condition, from construction workers to developers, curators, critics and artists. The result is a groundbreaking, cumulative reckoning of the history and future of Chinese architecture that is teased out through layers of personal accounts and crossdisciplinary research drawing on architectural history, design and aesthetics, technology, philosophy, politics and society.
Author: Peter G. Rowe
Publisher: MIT Press
ISBN: 9780262681513
Category : Architecture
Languages : en
Pages : 312
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Book Description
A study of traditional and modernist attitudes toward architecture in China from the 1840s to the present. Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or "essence" and "form," Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from "Chinese learning for essential principles and Western learning for practical application" to "socialist essence and cultural form" and an almost complete reversal to "modern essence and Chinese form." The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of "big roofs" and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.
Author: Pier Alessio Rizzardi
Publisher: TCA Think Tank
ISBN: 1916453708
Category : Architecture
Languages : en
Pages : 480
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Book Description
In China, 1% of the world's architects have to design 50% of all the buildings and must do so for 15% of the profit. This extreme situation in which architects have to operate, design and build, creates the theoretical basis for 'The Condition of Chinese Architecture'. In addition to interviewing the critical voices of contemporary Chinese architecture, the authors report the nowadays reality of the country, the architectural evolution since the first contacts with the West in 1582 and the issues affecting its contemporary practice. The result is a groundbreaking, cumulative reckoning teased out through layers of personal accounts and cross-disciplinary research, drawing on architecture, aesthetics, philosophy, politics, and society. © 2018 TCA Think Tanktcathinktank.com'The Condition of Chinese Architecture'Pier Alessio RizzardiZhang HankunContributing AuthorsLi XiangningHarry den HartogRory StottCharlie Q. L. XueIntervieweesChang Yong Ho, Atelier FCJZLiu Jiakun, Jiakun ArchitectsMa Yansong, MAD architectsLiu Xiaodu, URBANUS Architecture & DesignZhang Ke, Zao/StandardarchitectureQi Xin, Qi Xin Architects and EngineersChen Yifeng, Atelier DeshausRocco Yim, ROCCO Design Architects LimitedLi Xiaodong, Li Xiaodong AtelierLi Hu, OPEN ArchitectureZhang Lei, AZL Atelier ZhangleiZhang Bin, Atelier Z+Zhu Pei, Studio Pei-ZhuXu Tiantian, DnA Design and ArchitectureLiu Yuyang, LYA Atelier Liu Yuyang ArchitectsLu Wenyu, Amateur Architecture
Author: Paul Decker
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Yanxin Cai
Publisher: Cambridge University Press
ISBN: 0521186447
Category : Architecture
Languages : en
Pages : 187
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Book Description
This book provides an illustrated introduction to Chinese architecture, a reference for modern design and a window into China's history.
Author: David Wang
Publisher: Taylor & Francis
ISBN: 1317505670
Category : Architecture
Languages : en
Pages : 227
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Book Description
A Philosophy of Chinese Architecture: Past, Present, Future examines the impact of Chinese philosophy on China’s historic structures, as well as on modern Chinese urban aesthetics and architectural forms. For architecture in China moving forward, author David Wang posits a theory, the New Virtualism, which links current trends in computational design with long-standing Chinese philosophical themes. The book also assesses twentieth-century Chinese architecture through the lenses of positivism, consciousness (phenomenology), and linguistics (structuralism and poststructuralism). Illustrated with over 70 black-and-white images, this book establishes philosophical baselines for assessing architectural developments in China, past, present and future.
Author: Jiren Feng
Publisher: University of Hawaii Press
ISBN: 0824861167
Category : History
Languages : en
Pages : 322
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Book Description
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati’s greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture.
Author: Jeffrey W. Cody
Publisher: University of Hawaii Press
ISBN: 0824861019
Category : Architecture
Languages : en
Pages : 410
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Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Author: Laurence G. Liu
Publisher:
ISBN: 9780856709807
Category : Architecture
Languages : en
Pages : 297
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Book Description
Author: Ronald G. Knapp
Publisher: Tuttle Publishing
ISBN: 1462906680
Category : Architecture
Languages : en
Pages : 650
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Book Description
Winner of ForeWord Magazine's Architecture "Book of the Year" Award! Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional Chinese homes, presenting examples from a range of rural and metropolitan areas throughout China. The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen. Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience.
