Concise History of Theatre PDF Download
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Author: Jim Aris Patterson
Publisher:
ISBN: 9780205930043
Category : Drama
Languages : en
Pages : 381
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Book Description
"This streamlined, engaging text helps students understand the events, places and people that have influenced the history of theatre... Upon completing this book, readers will be able to: Identify the major time periods and geographic areas associated with the history of theatre; Distinguish relevant characteristics of theatre in diverse times and places; Describe the underlying cultural, economic, and political environments as they affected theatre in different times and places; Associate major participants who made theatre within their historical and regional context."--Publisher description.
Author: Jim Aris Patterson
Publisher:
ISBN: 9780205930043
Category : Drama
Languages : en
Pages : 381
Get Book Here
Book Description
"This streamlined, engaging text helps students understand the events, places and people that have influenced the history of theatre... Upon completing this book, readers will be able to: Identify the major time periods and geographic areas associated with the history of theatre; Distinguish relevant characteristics of theatre in diverse times and places; Describe the underlying cultural, economic, and political environments as they affected theatre in different times and places; Associate major participants who made theatre within their historical and regional context."--Publisher description.
Author: Phyllis Hartnoll
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 288
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Book Description
Author: John Russell Brown
Publisher: Oxford Illustrated History
ISBN: 9780192854421
Category : Art
Languages : en
Pages : 598
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Book Description
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
Author: Neil Grant
Publisher: Hamlyn (UK)
ISBN: 9780600596325
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
In this sweeping chronicle of plays and performances, key dramatists, major actors, and important critics take their bows, backed up by memorable quotations and more than 150 illustrations. “A real treat...includes a mixture of literary, archaeological, and historical evidence, and...metaphorical prose provides a pleasurable and insightful discussion of theater in a social context...an attractive, quality coffee-table book meant for browsing.”—Library Journal.
Author: Calhoun Winton
Publisher: University Press of Kentucky
ISBN: 0813159369
Category : Drama
Languages : en
Pages : 232
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Book Description
The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century—and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions. But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognized the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre, but also on the politics and culture of his era.
Author: Jerzy Lukowski
Publisher: Cambridge University Press
ISBN: 052185332X
Category : History
Languages : en
Pages : 34
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Book Description
An updated and expanded second edition covering Polish history from medieval times to the present day.
Author: George Sampson
Publisher: Cambridge University Press
ISBN: 9780521095815
Category : Literary Criticism
Languages : en
Pages : 998
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Book Description
Based on The Cambridge history of English literature.
Author: W. E. Yates
Publisher: Cambridge University Press
ISBN: 9780521022576
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Vienna is of central importance in the whole history of drama, opera and operetta, and for more than a century was the only German-speaking city to sustain a theatrical life comparable to that of Paris or London. This is the first general history in English of modern theater in Vienna, covering the period from its beginnings in the 1770s up to the present. It takes full account of the social, political and intellectual contexts of theatrical culture, and provides a wealth of factual information based on original documents and up-to-date scholarship. All quotations are given in English to promote maximum accessibility.
Author: Tim Donahue
Publisher: Univ of South Carolina Press
ISBN: 1643360752
Category : History
Languages : en
Pages : 182
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Book Description
For decades roughly 80 percent of commercial Broadway productions have failed to recoup their original investments. In light of this shocking and harsh reality, how does the show go on? Tim Donahue and Jim Patterson answer this question and many others in this updated edition of their popular, straightforward guide to understanding professional theater finances and the economic realities of theater production. This revised edition of Stage Money not only includes the latest financial information and illuminating examples of key concepts; it has been enhanced with a discussion of the stagehands' union plus a new chapter on marketing for the theater. These new elements combined with the essentials of the first edition create an expansive overview of the contemporary theater business. Stage Money is designed for theater enthusiasts and professionals interested in understanding the inner workings of this industry today and its challenges for the future. Ken Davenport, two-time Tony Award winner, Broadway and Off Broadway theater producer, blogger, writer, and owner of Davenport Theatrical Enterprises writer, offers a foreword.
Author: Herbert Blau
Publisher: Routledge
ISBN: 1136343261
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.
