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Author:
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Category : Photography
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages :
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Book Description
Author: Cornell Capa
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages :
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Book Description
Author:
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ISBN:
Category : Documentary photography
Languages : en
Pages : 184
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Book Description
Author: Cornell Capa
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
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Book Description
More than 150 photographs by eight leading photographers show some of the sadder aspects of the human condition.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Russell Miller
Publisher: Random House
ISBN: 1409002640
Category : History
Languages : en
Pages : 346
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Book Description
This book is a biography of Magnum, told largely in the words of its photographers. It offers a unique perspective on half a century of world history from an extraordinary group of men and women who were front line witnesses at virtually every major event in the last fifty years. Wars, famines, natural disasters, social, political and environmental crises - Magnum photographers were there. They have been acute observers of the human condition, photographing the richest people in the world, the poorest, the least known and the most celebrated, from Marilyn Monroe to Che Guevara, JFK to Nelson Mandela, Picasso to Krushchev. This is a multi-layered story. At one level, it tells how a small group of photographrs - among them Robert Capa, Henri Cartier-Bresson and George Rodger - came together, established and nurtured a co-operative photographic agency that has survived against all the odds to become the most famous in the world. At a secondary level, it is the richly anecdotal story of the photographers themselves, their adventures around the world and their feelings about, and reactions to, their assignments.
Author: Terence Wright
Publisher: Routledge
ISBN: 1134819943
Category : Social Science
Languages : en
Pages : 218
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Book Description
The Photography Handbook provides an introduction to the principles of photographic practice and theory and offers guidelines for the systematic study of photographic media. It explores the history of lens-based picture making and examines the mediums' characteristics, scope and limitations. Equipping the reader with a vocabulary for photographic phenomena and helping develop visual awareness and visual literacy, The Photography Handbook will enable students to familiarize themselves with current theoretical viewpoints and to evolve critical frameworks for their own photographic practice. The Photography Handbook includes: * an analysis of photographic theory * an introduction to conceptual skills necessary for photography * the historical background and rationale for photographic representation * the camera as a documentary tool * interviews with editors, photographers, picture editors and readers * the effect of new technologies on photographic practice and an exploration of the shift from analogue to digital imagery * over seventy images.
Author: Mark Galer
Publisher: Taylor & Francis
ISBN: 0240520505
Category : Photography
Languages : en
Pages : 248
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Book Description
This third edition maintains the aim of providing a clear and comprehensive explanation of the fundamental photographic techniques. The key focus is to update the digital content in line with developments, modifying the existing content to embrace digital capture and output.
Author: Stuart Allan
Publisher: Taylor & Francis
ISBN: 113647367X
Category : Language Arts & Disciplines
Languages : en
Pages : 288
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Book Description
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
