The Computer-animated Film

The Computer-animated Film PDF Author: Christopher Holliday
Publisher:
ISBN: 9781474427883
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
An exploration of first person narrative documentary in China's post-Mao era

The Computer-animated Film

The Computer-animated Film PDF Author: Christopher Holliday
Publisher:
ISBN: 9781474427883
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
An exploration of first person narrative documentary in China's post-Mao era

The Computer-Animated Film

The Computer-Animated Film PDF Author: Christopher Holliday
Publisher:
ISBN: 9781474427890
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre persuasively argues that this body of work constitutes a unique genre of mainstream cinema

Computer Animation

Computer Animation PDF Author: Rita Street
Publisher:
ISBN:
Category : Animation
Languages : en
Pages : 164

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Book Description
Chapters include a brief history of the industry, step-by-step breakdowns of animation projects-from concept to completion, an inside look at eleven top animation studios and software developers, including Pixar, Microsoft Softimage, Industrial Light & Magic, Mainframe, Medialab, Pacific Data Images, Alias/Wavefrount, and many more.

Understanding Motion Capture for Computer Animation

Understanding Motion Capture for Computer Animation PDF Author: Alberto Menache
Publisher: Elsevier
ISBN: 9780123814975
Category : Computers
Languages : en
Pages : 276

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Book Description
Understanding Motion Capture for Computer Animation discusses the latest technology developments in digital design, film, games, medicine, sports, and security engineering. Motion capture records a live-motion event and translates it into a digital context. It is the technology that converts a live performance into a digital performance. In contrast, performance animation is the actual performance that brings life to the character, even without using technology. If motion capture is the collection of data that represents motion, performance animation is the character that a performer represents. The book offers extensive information about motion capture. It includes state-of-the-art technology, methodology, and developments in the current motion-capture industry. In particular, the different ways to capture motions are discussed, including using cameras or electromagnetic fields in tracking a group of sensors. This book will be useful for students taking a course about digital filming, as well as for anyone who is interested in this topic. Completely revised to include almost 40% new content with emphasis on RF and Facial Motion Capture Systems Describes all the mathematical principles associated with motion capture and 3D character mechanics Helps you budget by explaining the costs associated with individualized motion capture projects

The Computer-animated Film

The Computer-animated Film PDF Author: Christopher David Holliday
Publisher:
ISBN: 9781474449618
Category : Animated films
Languages : en
Pages :

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Book Description
Covering thirty years of computer-animated film history, and analysing over 200 different examples, 'The Computer-Animated Film' persuasively argues that this body of work constitutes a unique genre of mainstream cinema.

The CG Story

The CG Story PDF Author: Christopher Finch
Publisher: The Monacelli Press, LLC
ISBN: 1580933572
Category : Performing Arts
Languages : en
Pages : 289

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Book Description
The Art of Walt Disney author Christopher Finch tells the story of the pioneers of CG films: producer/directors like George Lucas, Steven Spielberg, and Ridley Scott; and John Lasseter and Ed Catmull, founders of Pixar. Computer generated imagery, commonly called “CG,” has had as big an impact on the movie industry as the advent of sound or color. Not only has it made possible a new kind of fully animated movie, but it also has revolutionized big-budget, live-action filmmaking. The CG Story is one of determined experimentation and brilliant innovation carried out by a group of gifted, colorful, and competitive young men and women, many of whom would become legendary in the digital world. George Lucas, Steven Spielberg, and Ridley Scott embraced the computer to create believable fantasy worlds of a richness that had seldom if ever been realized on screen. Their early efforts helped inspire a revolution in animation, enabled by technical wizardry and led by the founders of Pixar, including John Lasseter and Ed Catmull, who would create the entirely computer-produced worlds of Toy Story and subsequent Pixar films. Meanwhile, directors like James Cameron used the new technology to make hybrid live-action and CG films, including the extraordinary Avatar. Finch covers these and more, giving a full account of today’s most significant CG films.

Computer-Animated Film

Computer-Animated Film PDF Author: Christopher Holliday
Publisher: Edinburgh University Press
ISBN: 1474427901
Category : Performing Arts
Languages : en
Pages :

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Book Description
Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre persuasively argues that this body of work constitutes a unique genre of mainstream cinema

Moving Innovation

Moving Innovation PDF Author: Tom Sito
Publisher: MIT Press
ISBN: 0262528401
Category : Computers
Languages : en
Pages : 373

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Book Description
A behind-the-scenes history of computer graphics, featuring a cast of math nerds, avant-garde artists, cold warriors, hippies, video game players, and studio executives. Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: “Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons.” This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry. In Moving Innovation, Tom Sito—himself an animator and industry insider for more than thirty years—describes the evolution of CG. His story features a memorable cast of characters—math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible.

Animated Film and Disability

Animated Film and Disability PDF Author: Slava Greenberg
Publisher: Indiana University Press
ISBN: 0253064511
Category : Performing Arts
Languages : en
Pages : 223

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Book Description
While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience. In Animated Film and Disability, Slava Greenberg analyzes over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Greenberg explores physical and sensory accessibility in theaters and suggests new ways to accommodate cinematic screenings. Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

Interactive Computer Animation

Interactive Computer Animation PDF Author: Nadia Magnenat-Thalmann
Publisher: Prentice Hall PTR
ISBN:
Category : Computer animation..
Languages : en
Pages : 316

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Book Description
Examines specific computer animation techniques such as facial animation and the coordination of animated objects