The Complete Plays of Frances Burney Vol 2 PDF Download
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Author: Peter Sabor
Publisher: Taylor & Francis
ISBN: 1040243568
Category : Literary Criticism
Languages : en
Pages : 497
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Peter Sabor
Publisher: Taylor & Francis
ISBN: 1040243568
Category : Literary Criticism
Languages : en
Pages : 497
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Peter Sabor
Publisher: Routledge
ISBN: 9781138758834
Category : Comedy
Languages : en
Pages : 0
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Frances Burney
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773565558
Category : Performing Arts
Languages : en
Pages : 783
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Book Description
In the plays, as in her novels, Burney satirizes the social conventions and pretensions of her day. The Witlings (1779), her first play, is a biting satire on the Bluestockings; it was never performed, however, for fear of a possible scandal. The violent, the grotesque, and the macabre also figure strongly in her writings. Contents Volume 1: The Comedies Introduction Chronology The Witlings (1778-80) Love and Fashion (1798-99) A Busy Day (1800-02) The Woman-Hater (1800-02) Volume 2: The Tragedies Edwy and Elgiva (1788-95) Hubert de Vere (1790-97) The Siege of Pevensey (1790-91) Elberta (1791-1814) Appendix: The Triumphant Toadeater (1798)
Author: Peter Sabor
Publisher: Taylor & Francis
ISBN: 1040242863
Category : Literary Criticism
Languages : en
Pages : 510
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Paula R. Backscheider
Publisher: JHU Press
ISBN: 0801870143
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
Revising Women is a collection of essays by a distinguished group of feminist critics. Each essay is a contribution to the history of the English novel, to our understanding of literature's place in cultural debate, and to women's studies. The essays give steady attention to the ways novels participate in social processes and the ways women perceived the public sphere and stubbornly attempted to participate in it. Rich contextualization and adept use of theory reveal both the individual writer's story and the story beneath the text that is a cultural production with the potential to reveal why we and our society are as we are. Each essay develops ways of using history in relation to literature, takes up large historical events and issues, and interprets in fine detail what individuals do with them. Beginning with the fictions of the late seventeenth century, and ending with Maria Edgeworth and Jane Austen, the essays in Revising Women are characterized by informed historicizing, detailed textual explication, sophisticated feminist theory, and dedicated attention to the interrelationships between life and literary works and between everyday existence and political processes.
Author: Diane Long Hoeveler
Publisher: Routledge
ISBN: 1351149822
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.
Author: Various
Publisher: Routledge
ISBN: 1317240189
Category : Literary Criticism
Languages : en
Pages : 7934
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Book Description
This set reissues 28 books on Romanticism originally published between 1940 and 2006. Routledge Library Editions: Romanticism provides an outstanding collection of scholarship which explores not only Romantic literature but the Romantic Movement as a whole, including art, philosophy and science.
Author: Marcie Frank
Publisher: Rutgers University Press
ISBN: 1684481678
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
"The Novel Stage: Narrative Form from the Restoration to Jane Austen traces the novel's relation to the theater over the course of the long eighteenth century, arguing that the familiar account of the novel as 'new' and distinct from other literary genres risks distorting a true reckoning of the form by failing to engage with the borrowings and departures from other more familiar genres, particularly drama. The Novel Stage traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel. These genres were shared across print and performance, media that were not construed as opposites in a world in which individual silent reading took place beside playgoing, play-reading, amateur theatricals, and sociable reading aloud. The book thus expands an overly narrow conception of the novel as the genre of realism or domesticity whose highest achievement is its representation of characters' mental lives by describing the influence of the stage and its genres. Beginning in the later 1600s with Aphra Behn, The Novel Stage concludes with a chapter on some novelists of the Romantic period and a coda about Victorian novels. The Novel Stage's account of the novel provides an enriched, because more specific, sense of its formal accomplishments that drew on this ensemble of cultural forms and turns that lens back onto drama"--Provided by publisher.
Author: Karin Kukkonen
Publisher: Oxford University Press
ISBN: 0190913053
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
When the novel broke into cultural prominence in the eighteenth century, it became notorious for the gripping, immersive style of its narratives. In this book, Karin Kukkonen explores this phenomenon through the embodied style in Eliza Haywood's flamboyant amatory fiction, Charlotte Lennox's work as a cultural broker between Britain and France, Sarah Fielding's experimental novels, and Frances Burney's practice of life-writing and fiction-writing. Four female authors who are often written out of the history of the genre are here foregrounded in a critical account that emphasizes the importance of engaging readers' minds and bodies, and which invites us to revisit our understanding of the rise of the modern novel. Kukkonen's innovative theoretical approach is based on the approach of 4E cognition, which views thinking as profoundly embodied and embedded in social and material contexts, extending into technologies and material devices (such as a pen), and enactive in the inherent links between perceiving the world and moving around in it. 4E Cognition and Eighteenth-Century Fiction investigates the eighteenth-century novel through each of these trajectories and shows how language explores its embodied dimension by increasing the descriptions of inner perception, or the bodily gestures around spoken dialogue. The embodied dimension is then related to the media ecologies of letter-writing, book learning, and theatricality. As the novel feeds off and into these social and material contexts, it comes into its own as a lifeworld technology that might not answer to standards of nineteenth-century realism but that feels 'real' because it is integrated into the lifeworld and embodied experiences. 4E cognition answers one of the central challenges to cognitive literary studies: how to integrate historical and cultural contexts into cognitive approaches.
Author: Barbara Darby
Publisher: University Press of Kentucky
ISBN: 0813193788
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.
