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Author: Tang Xianzu
Publisher: Bloomsbury Publishing
ISBN: 1912392003
Category : Performing Arts
Languages : en
Pages : 1067
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Book Description
Tang Xianzu (1550–1616) is acclaimed as the 'Shakespeare of the East' and widely regarded as China's greatest playwright, yet his work has not reached Western readers in its entirety. The Complete Dramatic Works of Tang Xianzu represents a literary landmark: this is the first English-language collection of the revered dramatist's most important works to be made available outside China. Translated over two decades, the collection showcases the playwright's major pieces, including The Purple Flute, The Purple Hairpins, The Nanke Dream, The Handan Dream – and The Peony Pavilion. The Peony Pavilion is the playwright's most celebrated work and has drawn comparisons to Homer's Odyssey, Virgil's Aeneid, Dante's Divine Comedy and John Milton's Paradise Lost. Known for his lyrical use of metaphor, Tang Xianzu weaves the beauty of nature with the tragedy of emotion. His plays offer an extensive exploration of love, and remain at the heart of Chinese culture. This important collection represents an opportunity for a wider audience to discover the profound and poetic works of this classic playwright.
Author: Tang Xianzu
Publisher: Bloomsbury Publishing
ISBN: 1912392003
Category : Performing Arts
Languages : en
Pages : 1067
Get Book Here
Book Description
Tang Xianzu (1550–1616) is acclaimed as the 'Shakespeare of the East' and widely regarded as China's greatest playwright, yet his work has not reached Western readers in its entirety. The Complete Dramatic Works of Tang Xianzu represents a literary landmark: this is the first English-language collection of the revered dramatist's most important works to be made available outside China. Translated over two decades, the collection showcases the playwright's major pieces, including The Purple Flute, The Purple Hairpins, The Nanke Dream, The Handan Dream – and The Peony Pavilion. The Peony Pavilion is the playwright's most celebrated work and has drawn comparisons to Homer's Odyssey, Virgil's Aeneid, Dante's Divine Comedy and John Milton's Paradise Lost. Known for his lyrical use of metaphor, Tang Xianzu weaves the beauty of nature with the tragedy of emotion. His plays offer an extensive exploration of love, and remain at the heart of Chinese culture. This important collection represents an opportunity for a wider audience to discover the profound and poetic works of this classic playwright.
Author: Tang Xianzu
Publisher: Bloomsbury Publishing
ISBN: 191239202X
Category : Performing Arts
Languages : en
Pages : 1068
Get Book Here
Book Description
Tang Xianzu (1550–1616) is acclaimed as the 'Shakespeare of the East' and widely regarded as China's greatest playwright, yet his work has not reached Western readers in its entirety. The Complete Dramatic Works of Tang Xianzu represents a literary landmark: this is the first English-language collection of the revered dramatist's most important works to be made available outside China. Translated over two decades, the collection showcases the playwright's major pieces, including The Purple Flute, The Purple Hairpins, The Nanke Dream, The Handan Dream – and The Peony Pavilion. The Peony Pavilion is the playwright's most celebrated work and has drawn comparisons to Homer's Odyssey, Virgil's Aeneid, Dante's Divine Comedy and John Milton's Paradise Lost. Known for his lyrical use of metaphor, Tang Xianzu weaves the beauty of nature with the tragedy of emotion. His plays offer an extensive exploration of love, and remain at the heart of Chinese culture. This important collection represents an opportunity for a wider audience to discover the profound and poetic works of this classic playwright.
Author: Jing Shen
Publisher: Lexington Books
ISBN: 073913857X
Category : Biography & Autobiography
Languages : en
Pages : 335
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Book Description
Playwrights and Literary Games in Seventeenth-Century China: Plays by Tang Xianzu, Mei Dingzuo, Wu Bing, Li Yu, and Kong Shangren is a full-length study of chuanqi (romance) drama, a sophisticated form with substantial literary and meta-theatrical value that reigned in Chinese theater from the sixteenth to eighteenth centuries and nourished later theatrical traditions including jingju (Beijing Opera). Highly educated dramatists used chuanqi to present in artistic form personal, social, and political concerns of their time. There were six outstanding examples of these trends, considered masterpieces in their time and ever since. This study presents them in their social and cultural context during the long seventeenth century (1580D1700), the period of great experimentation and political transition. The romantic spirit and independent thinking of the late Ming elite stimulated the efflorescence of the chuanqi, and that legacy was inherited and investigated during the second half of the seventeenth-century in early Qing. Jing Shen examinees the texts to demonstrate that the playwrights appropriate, convert, or misinterpret other genres or literary works of enduring influence into their plays to convey subtle and subversive expressions in the fine margins between tradition and innovation, history and theatrical re-presentation. By exploring the components of romance in texts from late Ming to early Qing, Shen reveals creative readings of earlier themes, stories, plays and the changing idea of romanticism for chuanqi drama. This study also shows the engagement of literati playwrights in closed literary circles in which chuanqi plays became a tool by which literati playwrights negotiated their agency and social stature. The five playwrights whose works are analyzed in this book had different experiences pursuing government service as scholar-officials; some failed to achieve high office. But their common concerns and self-conscious literary choices reveal important insights into the culture of the seventeenth century, and into the sociopolitical implications of the chuanqi genre. In addition to classical Chinese commentaries on chuanqi drama, this book uses modern critical theories and terminology on Western drama to enhance the analysis of chuanqi plays.
Author: Kang-i Sun Chang
Publisher: Cambridge University Press
ISBN: 9780521855594
Category : Literary Criticism
Languages : en
Pages : 830
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Book Description
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Author: Yuming Luo
Publisher: BRILL
ISBN: 9004203672
Category : Literary Criticism
Languages : en
Pages : 1024
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Book Description
A history of Chinese literature from its early beginnings through the end of the Qing dynasty, this recent work from Professor Luo Yuming of China’s Fudan University seeks to provide, by adopting new theoretical perspectives and using updated research, a coherent, panoramic description of the development of Chinese literature and its major characteristics. As one of the very few English translations of such works by Chinese authors it seeks to inform the Western audience of the recent viewpoints and scholarship on the topic from a leading Chinese scholar. It may also provide some grounds of comparison and contrast with equivalent works in the West.
Author: Tian Yuan Tan
Publisher: Bloomsbury Publishing
ISBN: 1472583434
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
Author: Qiancheng Li
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882371221
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity--this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms. Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power. "The power of qing or strong emotion is a major theme in late imperial Chinese literature--some writers asserting that it can transcend even life itself. Qiancheng Li surveys a number of seventeenth-century philosophical, religious, and literary texts to elucidate the metaphysical aspects of emotional attachment and of sexual desire in particular. Through his broad and penetrating reading, Li demonstrates incontrovertibly how, to seventeenth-century writers, qing and religion were inextricably linked. To those writers, qing could bring enlightenment, and certainly Li’s study enlightens its readers to new levels of complexity in major literary works of that period. Transmutations of Desire sets a major new milestone in the study of traditional Chinese culture."--Robert E. Hegel, Washington University in St. Louis
Author: Joseph S. C. Lam
Publisher: Hong Kong University Press
ISBN: 9888754327
Category : Music
Languages : en
Pages : 299
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Book Description
In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view on kunqu, a 600-year-old genre of Chinese opera that is being fashionably performed inside and outside of China. He explains how and why the genre charms and signifies Chinese culture, history, and personhood. As the first comprehensive and scholarly book on kunqu written in English, the book not only discusses the genre in cultural and historical terms but also analyzes its shows as performative, cultural, social, and political communications. It approaches the genre from several perspectives, ranging from those of performers and producers to those of casual audience, dedicated connoisseurs, and scholarly critics. Lam also employs a judicious blend of Chinese and international theories and methods. Through this comprehensive study of kunqu, Lam has established the significance of the genre not only in the sphere of Chinese music, but also among the cultural heritage and performing arts at a global level. “This work would be of terrific interest to amateur kunqu performers and to kunqu supporters. It will also be an essential reference work for scholars conducting research not only on kunqu, but on all forms of Chinese opera, particularly as they are being performed contemporarily.” —Nancy Guy, UC San Diego; author of Peking Opera and Politics in Taiwan “It is the first book-length work devoted to studying kunqu opera from historical and ethnomusicological perspectives. At the same time, the study engages various sociocultural theories and methods of humanities studies. It will be a significant addition to the scholarships of ethnomusicology, Chinese cultural history, Chinese drama, and theater/performance studies.” —Yung Sai-shing, National University of Singapore
Author: 李勇
Publisher: 重庆大学电子音像出版社有限公司
ISBN: 756893859X
Category : History
Languages : en
Pages : 336
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Book Description
本書共分13章，內容包含“哲學、文學、藝術、科技、節日、飲食、手工藝品、體育和園林”，等等。內容突出中華思想文化內容的講述和術語翻譯，本書用全英文編寫，並配有插圖，語言力求新穎地道，格式力求醒目別致。書中部分章節裡融入中華思想文化術語的引例，以增強讀者對有關中華思想文化術語內涵的理解；本書很好地將外語語言與中國傳統文化相結合，每個單元後面都設計配套的知識性練習和思辨性練習，既可幫助學生鞏固所學單元內容又能培養學生的思辨能力。
Author: Shuofang Xu
Publisher: Springer Nature
ISBN: 9811624909
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.
