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Author: Gerald Mast
Publisher: University of Chicago Press
ISBN: 0226509788
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Although books on the comedies of the silent era abound, few have attempted to survey film comedy as a whole—its history and evolution, how the philosophical visions of its greatest artists and directors have shaped its traditions, and how these visions have informed both the meaning and manner of their work. Blending information with interpretation, description with analysis, Mast traces the development of screen comedy from the first crude efforts of Edison and Lumière to the subtlety and psychological complexity of Annie Hall. As he guides the reader through detailed discussions of specific films, Mast reveals the structures, the values, and the cinematic techniques which have appeared and reappeared in comic cinema. The second edition of The Comic Mind treats the comic developments of the 1970s in terms of the traditions of film comedy set forth in the first edition, including a discussion of the evolution of Jacques Tati and the emergence of Mel Brooks and Woody Allen as the two greatest American comic stylists of the seventies. "The most comprehensive study of film comedy yet written in English. . . .The book's extensive index with references to companies from which 16mm prints of many of the cited films may be rented will be of great value to the film teacher and audiovisual librarian."—Choice
Author: Gerald Mast
Publisher: University of Chicago Press
ISBN: 0226509788
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Although books on the comedies of the silent era abound, few have attempted to survey film comedy as a whole—its history and evolution, how the philosophical visions of its greatest artists and directors have shaped its traditions, and how these visions have informed both the meaning and manner of their work. Blending information with interpretation, description with analysis, Mast traces the development of screen comedy from the first crude efforts of Edison and Lumière to the subtlety and psychological complexity of Annie Hall. As he guides the reader through detailed discussions of specific films, Mast reveals the structures, the values, and the cinematic techniques which have appeared and reappeared in comic cinema. The second edition of The Comic Mind treats the comic developments of the 1970s in terms of the traditions of film comedy set forth in the first edition, including a discussion of the evolution of Jacques Tati and the emergence of Mel Brooks and Woody Allen as the two greatest American comic stylists of the seventies. "The most comprehensive study of film comedy yet written in English. . . .The book's extensive index with references to companies from which 16mm prints of many of the cited films may be rented will be of great value to the film teacher and audiovisual librarian."—Choice
Author: Gerald Mast
Publisher:
ISBN:
Category :
Languages : en
Pages : 369
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Book Description
Author: Gerald Mast
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Pete Mandik
Publisher: John Wiley & Sons
ISBN: 111971883X
Category : Philosophy
Languages : en
Pages : 293
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Book Description
Discover fascinating and illuminating contributions to historical and contemporary issues in the philosophy of mind In the newly revised second edition of This Is Philosophy of Mind: An Introduction, accomplished philosopher Pete Mandik delivers an accessible primer on the core issues animating contemporary and historical discussions in the philosophy of mind. The book is part of the This is Philosophy series that introduces undergraduate students to key concepts and methods in the study of philosophy. This particular edition walks readers through perennial issues like the mind-body problem, artificial intelligence, free will, and the nature of consciousness. This is Philosophy of Mind: An Introduction also provides complimentary access to valuable supplemental online resources.
Author: Lindy van Rooyen
Publisher: Diplomica Verlag
ISBN: 3842878559
Category : Language Arts & Disciplines
Languages : en
Pages : 129
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Book Description
In this study the author conducts a close reading of Virginia Woolf’s first ‘experimental’ novel, Jacob’s Room (1922). Her reading is based on the fundamental premise that the novel is an exploration of fictional form, rather than an exposition of any preconceived idea. Jacob’s Room is an essentially modernist text, and is characterised by extensive genre-mixing typical of the art of fiction in the early 20th century. Throughout her study the author analyses the extent to which the novel transgress the ‘boundaries’ of the novelistic genre. She explores the generic interface between the novel and those genres which are deemed to be innate to Virginia Woolf’s sensibility, i.e. the journalistic essay, biography and impressionist painting. The premise of this study leads the author to read the novel on two levels of significance: On the narrative, ‘surface’ level of the novel, Woolf constructs the tragic life of a promising young Englishman, Jacob Flanders, who dies in the First World War. Simultaneously, on the metafictional level of significance, Woolf, through her garrulous narrator, mocks and evaluates the actions of her characters, experimenting with various points of view in an attempt to define the character of her protagonist. Jacob’s ‘room’ is thus conceived as a ‘mental space’ in which a modern writer’s mind is ‘mapped’. The central aesthetic question which is debated in this room or forum relates to the essential art of modern fiction in general and the efficiency of characterisation in fiction in particular. It is argued that Virginia Woolf probes into the epistemic question of the essence of modern man and, in an attempt to capture the essence of her protagonist, speculates on the corresponding literary question how, and to what extent, the ‘soul’ of man can to be represented in fiction. The author uses this generic approach to the novel as a broad structuring principle for her study of Jacob’s Room. After discussing the socio-political context of modernism in the early 20th century, including the impact of the First World War on modernist writing, she focuses her study on those aspects of Woolf’s fiction which are deemed fundamental to the narrative strategy in Jacob’s Room, i.e. the role and nature of Woolf’s humour within the context of modernism; the ‘nodes’ or clusters of metaphors and symbols recurring in the text; the role of the narrator as ‘toastmaster’ of the debate on character and fiction in Jacob’s Forum; the extent to which the novel parodies the ‘new biography’ of the early twentieth century; and the extent to which Woolf transvaluates the tools of impressionist painting into modernist fiction.
Author: Lawrence W. Gross
Publisher: Routledge
ISBN: 1317180720
Category : Religion
Languages : en
Pages : 303
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Book Description
Very few studies have examined the worldview of the Anishinaabeg from within the culture itself and none have explored the Anishinaabe worldview in relation to their efforts to maintain their culture in the present-day world. This book fills that gap. Focusing mainly on the Minnesota Anishinaabeg, Lawrence Gross explores how their worldview works to create a holistic way of living. However, as Gross also argues, the Anishinaabeg saw the end of their world early in the 20th century and experienced what he calls 'postapocalypse stress syndrome.' As such, the book further explores how the values engendered by the worldview of the Anishinaabeg are finding expression in the modern world as they seek to rebuild their society.
Author: Andrew J. Kunka
Publisher: Taylor & Francis
ISBN: 1040130879
Category : Comics & Graphic Novels
Languages : en
Pages : 263
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Book Description
This accessible, up-to-date textbook covers the history of comics as it developed in the US in all of its forms: political cartoons and newspaper comic strips, comic books, graphic novels, minicomics, and webcomics. Over the course of its six chapters, this introductory textbook addresses the artistic, cultural, social, economic, and technological impacts and innovations that comics have had in American history. Readers will be immersed in the history of American comics—from its origins in 18th-century political cartoons and late 19th-century newspaper strips to the rise of the wildly popular comic book, the radical, grassroots collectives that grew out of the underground comix movement of the 1960s and 1970s, all the way through contemporary longform graphic novels, the vibrant self-publishing scene, and groundbreaking webcomics. The Routledge Introduction to American Comics guides students, researchers, archivists, and even fans of the medium through a contemporary history of comics, attending to how a diverse range of creators and researchers have advanced the art form in key ways since its inception as a foundational art of American popular culture. In this way, it is uniquely suited to readers engaged in the study of comics, as well as those interested in the creation of comics and graphic narratives.
Author: Michael Tueth
Publisher: Scarecrow Press
ISBN: 0810883678
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
In this book, Tueth looks at some of the most enduring comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific sub-genre by examining a representative film. Tueth delves into the background of each film's production and discusses their audience reception and critical appraisal.
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 354
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Book Description
Author: D. Nikulin
Publisher: Springer
ISBN: 1137415142
Category : Philosophy
Languages : en
Pages : 201
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Book Description
Comedy, Seriously provides a philosophical interpretation of comedy and argues that comedy displays a particular kind of rationality that reflects philosophical thinking. In particular, that comedy is defined not so much by laughter or jokes, but rather the structure of its plot, which is isomorphic with that of the philosophical argument. Comedy allows for the resolution of a conflict and the achievement of well-being and equality through action that follows the comic plot. Moreover, such action is propelled by the 'thinker on stage,' who, as socially and politically oppressed, contributes to the liberation of all and the achievement of the good life. Comedy, therefore, establishes the universal pattern for justice and well-being and allows us to rethink the notion of subjectivity not as the modern isolated subject, but rather as integrated with others through shared action and dialogical involvement.
