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Author: Maureen Waters
Publisher: State University of New York Press
ISBN: 1438423365
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
The Comic Irishman makes heretofore unacknowledged distinctions among different types of comic Irishmen and convincingly casts away the stereotyped version of the stage Irishman. It shows how the Irish comic character—whether a blundering fool or a lazy, fun-loving fellow—evolved into a glib and witty rogue. The book is a critical study of modern Irish fiction and drama. The first part provides an analysis of the various Irish comic figures which were popular in the nineteenth century. These are discussed within a social and historic framework because they were to a large extent shaped by the erosion of Gaelic culture under the impact of English government. In the process of shifting from one cultural nexus to another, the Irishman came to be regarded as highly inferior to his English counterpart, yet amusing because of his difficulty with the English language and his rebellious, unpredictable behavior. The second part of the book discusses the writings of such twentieth-century authors as James Joyce, Samuel Beckett, Sean O'Casey, and Flann O'Brien, who concentrated on the analysis of the stage Irishman. Some brilliantly exploited the comic tradition, while other used satire to explode what they perceived as a debasing myth.
Author: Maureen Waters
Publisher: State University of New York Press
ISBN: 1438423365
Category : Biography & Autobiography
Languages : en
Pages : 220
Get Book Here
Book Description
The Comic Irishman makes heretofore unacknowledged distinctions among different types of comic Irishmen and convincingly casts away the stereotyped version of the stage Irishman. It shows how the Irish comic character—whether a blundering fool or a lazy, fun-loving fellow—evolved into a glib and witty rogue. The book is a critical study of modern Irish fiction and drama. The first part provides an analysis of the various Irish comic figures which were popular in the nineteenth century. These are discussed within a social and historic framework because they were to a large extent shaped by the erosion of Gaelic culture under the impact of English government. In the process of shifting from one cultural nexus to another, the Irishman came to be regarded as highly inferior to his English counterpart, yet amusing because of his difficulty with the English language and his rebellious, unpredictable behavior. The second part of the book discusses the writings of such twentieth-century authors as James Joyce, Samuel Beckett, Sean O'Casey, and Flann O'Brien, who concentrated on the analysis of the stage Irishman. Some brilliantly exploited the comic tradition, while other used satire to explode what they perceived as a debasing myth.
Author: W. H. A. Williams
Publisher: University of Illinois Press
ISBN: 9780252065514
Category : Irish
Languages : en
Pages : 348
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Book Description
The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.
Author: CURTIS JR
Publisher: Smithsonian
ISBN: 9781560987338
Category : Angels in art
Languages : en
Pages : 0
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Book Description
Exploring the connections between the lore of physiognomy, the debate over evolution, and the art of caricature, L. Perry Curtis, Jr. documents the escalating harshness of cartoon images of the Irish in London, Dublin, and New York newspapers during the Victorian era.
Author: Maria Tymoczko
Publisher: Univ of California Press
ISBN: 0520330242
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Author: Edward Lengel
Publisher: Bloomsbury Publishing USA
ISBN: 031301244X
Category : History
Languages : en
Pages : 198
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Book Description
The mainstream British attitude toward the Irish in the first half of the 1840s was based upon the belief in Irish improvability. Most educated British rejected any notion of Irish racial inferiority and insisted that under middle-class British tutelage the Irish would in time reach a standard of civilization approaching that of Britain. However, the potato famine of 1846-1852, which coincided with a number of external and domestic crises that appeared to threaten the stability of Great Britain, led a large portion of the British public to question the optimistic liberal attitude toward the Irish. Rhetoric concerning the relationship between the two peoples would change dramatically as a result. Prior to the famine, the perceived need to maintain the Anglo-Irish union, and the subservience of the Irish, was resolved by resort to a gendered rhetoric of marriage. Many British writers accordingly portrayed the union as a natural, necessary and complementary bond between male and female, maintaining the appearance if not the substance of a partnership of equals. With the coming of the famine, the unwillingness of the British government and public to make the sacrifices necessary, not only to feed the Irish but to regenerate their island, was justified by assertions of Irish irredeemability and racial inferiority. By the 1850s, Ireland increasingly appeared not as a member of the British family of nations in need of uplifting, but as a colony whose people were incompatible with the British and needed to be kept in place by force of arms.
Author: Maria Tymoczko
Publisher: Routledge
ISBN: 1134958749
Category : Language Arts & Disciplines
Languages : en
Pages : 353
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Book Description
This ground-breaking analysis of the cultural trajectory of England's first colony constitutes a major contribution to postcolonial studies, offering a template relevant to most cultures emerging from colonialism. At the same time, these Irish case studies become the means of interrogating contemporary theories of translation. Moving authoritatively between literary theory and linguistics, philosophy and cultural studies, anthropology and systems theory, the author provides a model for a much needed integrated approach to translation theory and practice. In the process, the work of a number of important literary translators is scrutinized, including such eminent and disparate figures as Standishn O'Grady, Augusta Gregory and Thomas Kinsella. The interdependence of the Irish translation movement and the work of the great 20th century writers of Ireland - including Yeats and Joyce - becomes clear, expressed for example in the symbiotic relationship that marks their approach to Irish formalism. Translation in a Postcolonial Context is essential reading for anyone interested in translation theory and practice, postcolonial studies, and Irish literature during the 19th and 20th centuries.
Author: Tony Murray
Publisher: Liverpool University Press
ISBN: 1846318319
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Examines the specific role that the metropolis plays in literary portrayals of Irish migrant experience as an arena for the performance of Irishness, as a catalyst in the transformations of Irishness and as an intrinsic component of second generation Irish identities.
Author: Alexander G. Gonzalez
Publisher: Bloomsbury Publishing USA
ISBN: 1567507735
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
While the Irish Literary Revival began around 1885 and ended somewhere between 1925 and 1940, the Irish Renaissance has continued to the present day and shows no sign of abating. The period has produced some of the most important and influential figures in Irish literature, some of whom are counted among the world's greatest authors. The Revival saw a reestablishment of Ireland's literary connections with its Celtic heritage, and writers such as William Butler Yeats and Lady Gregory drew heavily on the myths and legends of the past. James Joyce boldly reshaped the novel and wrote short fiction of enduring value. Contemporary Irish writers continue to be leading figures and include such authors as Brian Frigl, Seamus Heaney, and Eavan Boland. Included in this reference book are alphabetically arranged entries for more than 70 modern Irish writers, including Samuel Beckett, William Trevor, Patrick Kavanagh, Medbh McGuckian, Sean O'Casey, J. M. Synge, and Nuala Ni Dhomhnaill. Entries are written by expert contributors and reflect a broad range of perspectives. Each entry contains a brief biography that summarizes the author's career, a discussion of major works and themes, an overview of the author's critical reception, and a bibliography of primary and secondary works. An introductory essay reviews the large and growing body of scholarship on modern Irish literature, while an extensive bibliography concludes the volume.
Author: Sanford Sternlicht
Publisher: Syracuse University Press
ISBN: 0815651309
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.
Author: Gilbert Keith Chesterton
Publisher: Jazzybee Verlag
ISBN:
Category : Literary Collections
Languages : en
Pages : 208
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Book Description
f one might hazard an opinion as to the literary form in which this protean writer excels, one might justly predicate the essay, particularly such not long enough to allow him to become tangled in his own complicated cleverness! "The Uses of Diversity" is a kaleidoscope, a crazy-quilt, an olla-podrida, that he has made of his weekly page, "Our Notebook," in the Illustrated London News,where he succeeded his friend and sympathizer, Hilaire Belloc, and where he roamed at will and unrestrained among books, men and questions of the hour. His titles know no restriction—they run the gamut of variety, and to make diversity doubly diverse, they often have little to do with the subject nominally under discussion. Even when he sticks to his caption, it is in startling fashion, for the only thing to expect of Chesterton is the unexpected. On the whole, this collection shows our famous British visitor in his most genial and witty mood.
