A Comedy of Eros PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Comedy of Eros PDF full book. Access full book title A Comedy of Eros by Virgil Burnett. Download full books in PDF and EPUB format.
Author: Virgil Burnett
Publisher: The Porcupine's Quill
ISBN: 9780889840553
Category : Fiction
Languages : en
Pages : 114
Get Book Here
Book Description
Jaekin, an artist, falls in with a secretive young woman who appears inexplicably in his drawing class. After a covert period of intimacy, a sinister figure from the girl's past appears. An abduction, a chase abroad, and violence ensue before Jaekin's adventure draws to a close.
Author: Virgil Burnett
Publisher: The Porcupine's Quill
ISBN: 9780889840553
Category : Fiction
Languages : en
Pages : 114
Get Book Here
Book Description
Jaekin, an artist, falls in with a secretive young woman who appears inexplicably in his drawing class. After a covert period of intimacy, a sinister figure from the girl's past appears. An abduction, a chase abroad, and violence ensue before Jaekin's adventure draws to a close.
Author: James B. Wadsworth
Publisher: University of Illinois Press
ISBN: 9780252065811
Category : History
Languages : en
Pages : 164
Get Book Here
Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 94
Get Book Here
Book Description
Author: Katherine E. Kelly
Publisher: Cambridge University Press
ISBN: 9780521645928
Category : Drama
Languages : en
Pages : 264
Get Book Here
Book Description
Companion to the work of playwright Tom Stoppard who also co-authored screenplay of Shakespeare in Love.
Author: Bernard Freydberg
Publisher: Indiana University Press
ISBN: 0253351065
Category : Drama
Languages : en
Pages : 504
Get Book Here
Book Description
Reveals comedy's contributions to the philosophical enterprise
Author: Claude Calame
Publisher: Princeton University Press
ISBN: 1400849152
Category : History
Languages : en
Pages : 240
Get Book Here
Book Description
The Poetics of Eros in Ancient Greece offers the first comprehensive inquiry into the deity of sexual love, a power that permeated daily Greek life. Avoiding Foucault's philosophical paradigm of dominance/submission, Claude Calame uses an anthropological and linguistic approach to re-create indigenous categories of erotic love. He maintains that Eros, the joyful companion of Aphrodite, was a divine figure around which poets constructed a physiology of desire that functioned in specific ways within a network of social relations. Calame begins by showing how poetry and iconography gave a rich variety of expression to the concept of Eros, then delivers a history of the deity's roles within social and political institutions, and concludes with a discussion of an Eros-centered metaphysics. Calame's treatment of archaic and classical Greek institutions reveals Eros at work in initiation rites and celebrations, educational practices, the Dionysiac theater of tragedy and comedy, and in real and imagined spatial settings. For men, Eros functioned particularly in the symposium and the gymnasium, places where men and boys interacted and where future citizens were educated. The household was the setting where girls, brides, and adult wives learned their erotic roles--as such it provides the context for understanding female rites of passage and the problematics of sexuality in conjugal relations. Through analyses of both Greek language and practices, Calame offers a fresh, subtle reading of relations between individuals as well as a quick-paced and fascinating overview of Eros in Greek society at large.
Author: Mark Jay Mirsky
Publisher: Syracuse University Press
ISBN: 9780815630272
Category : Literary Criticism
Languages : en
Pages : 254
Get Book Here
Book Description
Did Dante Alighieri, author of The Divine Comedy as a young man in Florence sleep with Beatrice Portinari before and after her marriage? Did the poet travel after her death through Hell to find her again? The clues to this academic detective story, writes Mark Jay Mirsky, lie not only in Dante's earlier poetry, The New Life, or in The Divine Comedy, but in the Zohar of Moses de Leon, a Jewish text written some years before and based on Neoplatonic ideas similar to those that inspired Dante. Purgatorio and Paradiso, the second and third volumes of the Commedia, are inaccessible to most readers unfamiliar with the boldness of Dante's use of the philosophical debate in the Middle Ages. Does Dante's Commedia hint at his hope of intimacy with Beatrice in the Highest Heaven? In this book Mirsky distinctively traces the influence on Dante of Provencal poets, medieval theologians, Dante's personal life, and the sources of his classical education to propose a radical reading of Dante. The text compounds the riddles of dream, poetry, philosophy, and Dante's concealed autobiography in his work. It treats the Commedia in the spirit of its title, as a hopeful and comic vision of the other world.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 0802091792
Category : Literary Collections
Languages : en
Pages : 561
Get Book Here
Book Description
Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose.
Author: Michael Dolzani
Publisher: University of Toronto Press
ISBN: 1442658118
Category : Literary Collections
Languages : en
Pages : 561
Get Book Here
Book Description
Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works.
Author: John Sallis
Publisher: Indiana University Press
ISBN: 0253044340
Category : Philosophy
Languages : en
Pages : 313
Get Book Here
Book Description
An exercise in the careful reading of the dialogues in their originary character. “Being and Logos is . . . a philosophical adventure of rare inspiration . . . Its power to illuminate the text . . . its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will want to re-read along with the dialogues themselves. A superadded gift is the author’s prose, which is a model of lucidity and grace.” —International Philosophical Quarterly “Being and Logos is highly recommended for those who wish to learn how a thoughtful scholar approaches Platonic dialogues as well as for those who wish to consider a serious discussion of some basic themes in the dialogues.” —The Academic Reviewer
