The comedies of Aristophanes: Lysistrata. The thesmophoriazusae PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The comedies of Aristophanes: Lysistrata. The thesmophoriazusae PDF full book. Access full book title The comedies of Aristophanes: Lysistrata. The thesmophoriazusae by Aristophanes. Download full books in PDF and EPUB format.
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category : Lysistrata (Fictitious character)
Languages : en
Pages : 64
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : el
Pages : 586
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : el
Pages : 588
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Get Book Here
Book Description
Author: Aristophanes
Publisher: OUP Oxford
ISBN: 0199265275
Category : Drama
Languages : en
Pages : 472
Get Book Here
Book Description
Aristophanes' Thesmophoriazusae is the story of a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays. Austin and Olson offer a fresh text of the play; an extensive introduction; and a detailed commentary; most Greek cited in the introduction and commentary is translated, and much of the edition is accessible to non-specialists.
Author: Ralph M. Rosen
Publisher: BRILL
ISBN: 9004424466
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Author: Mario Telò
Publisher: University of Chicago Press
ISBN: 022630972X
Category : Performing Arts
Languages : en
Pages : 252
Get Book Here
Book Description
The Greek playwright Aristophanes (active 427–386 BCE) is often portrayed as the poet who brought stability, discipline, and sophistication to the rowdy theatrical genre of Old Comedy. In this groundbreaking book, situated within the affective turn in the humanities, Mario Telò explores a vital yet understudied question: how did this view of Aristophanes arise, and why did his popularity eventually eclipse that of his rivals? Telò boldly traces Aristophanes’s rise, ironically, to the defeat of his play Clouds at the Great Dionysia of 423 BCE. Close readings of his revised Clouds and other works, such as Wasps, uncover references to the earlier Clouds, presented by Aristophanes as his failed attempt to heal the audience, who are reflected in the plays as a kind of dysfunctional father. In this proto-canonical narrative of failure, grounded in the distinctive feelings of different comic modes, Aristophanic comedy becomes cast as a prestigious object, a soft, protective cloak meant to shield viewers from the debilitating effects of competitors’ comedies and restore a sense of paternal responsibility and authority. Associations between afflicted fathers and healing sons, between audience and poet, are shown to be at the center of the discourse that has shaped Aristophanes’s canonical dominance ever since.
