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Author: Diana Knight
Publisher: MHRA
ISBN: 1905981066
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.
Author: Diana Knight
Publisher: MHRA
ISBN: 1905981066
Category : Literary Criticism
Languages : en
Pages : 133
Get Book Here
Book Description
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 1065
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Book Description
Author: Linzy Erika Dickinson
Publisher: Rodopi
ISBN: 9789042005495
Category : The human comedy (Balzac) Toneel
Languages : en
Pages : 384
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Book Description
This study of Balzac's work examines theater in La Comedie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and demonstrates the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. Gives an account of his experience in theater, and examines the history of his portrayal of the theater world and how this portrayal serves his narrative purpose. Demonstrates how and why Balzac relies on the theater for metaphor and expressive devices, and shows how he brought scrutiny of the capitalist ethos to the stage. Annotation copyrighted by Book News Inc., Portland, OR
Author: Gretchen R. Besser
Publisher: Librairie Droz
ISBN: 9782600034975
Category :
Languages : fr
Pages : 292
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: Honoré de Balzac
Publisher: Legare Street Press
ISBN: 9781017414769
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
