Author: Brandi Wilkins Catanese
Publisher: University of Michigan Press
ISBN: 0472027921
Category : Performing Arts
Languages : en
Pages : 225
Book Description
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
The Colours That Blind
Author: Rutendo Tavengerwei
Publisher: Bonnier Zaffre Ltd.
ISBN: 1471408191
Category : Young Adult Fiction
Languages : en
Pages : 166
Book Description
A breathtaking YA novel set in Zimbabwe about freedom, inter-generational friendships and forgiving the past. Tumi desperately wants to make the Zimbabwean national swimming team. Only in swimming does he escape the hatred and exclusion that his albinism brings him. But when he has to stay with his grandmother for a while, the trauma of the terrible thing that happened to him in the past comes rushing back. Can Ambuya help Tumi by revealing her own shocking past - a story riddled with racial hatred in war-torn Rhodesia, featuring murder and an illegal love? And what of Tumi's suspicions that she was involved in his nightmare? From the author of HOPE IS OUR ONLY WING.
Publisher: Bonnier Zaffre Ltd.
ISBN: 1471408191
Category : Young Adult Fiction
Languages : en
Pages : 166
Book Description
A breathtaking YA novel set in Zimbabwe about freedom, inter-generational friendships and forgiving the past. Tumi desperately wants to make the Zimbabwean national swimming team. Only in swimming does he escape the hatred and exclusion that his albinism brings him. But when he has to stay with his grandmother for a while, the trauma of the terrible thing that happened to him in the past comes rushing back. Can Ambuya help Tumi by revealing her own shocking past - a story riddled with racial hatred in war-torn Rhodesia, featuring murder and an illegal love? And what of Tumi's suspicions that she was involved in his nightmare? From the author of HOPE IS OUR ONLY WING.
Color Blind
Author: Jonathan Santlofer
Publisher: Harper Collins
ISBN: 0061740551
Category : Fiction
Languages : en
Pages : 468
Book Description
Kate McKinnon is back -- and this time it's personal. When two hideously eviscerated bodies are discovered and the only link between them is a bizarre painting left at each crime scene, the NYPD turns to former cop Kate McKinnon, the woman who brought the serial killer the Death Artist to justice. Having settled back into her satisfying life as art historian, published author, host of a weekly PBS television series, and wife of one of New York's top lawyers, Kate wants no part of it. But Kate's sense of tranquility is shattered when this new sequence of murders strikes too close to home. With grief and fury to fuel her, she rejoins her former partner, detective Floyd Brown, and his elite homicide squad on the hunt for a vicious psychopath known as the Color-Blind Killer. In her rage and desperation, Kate allows herself to be drawn into a deadly game of cat and mouse. She abandons her glamorous life for the gritty streets of Manhattan, immersing herself in a world where brutality and madness appear to be the norm, where those closest to her may have betrayed her -- and where, in the end, nothing is what it seems.
Publisher: Harper Collins
ISBN: 0061740551
Category : Fiction
Languages : en
Pages : 468
Book Description
Kate McKinnon is back -- and this time it's personal. When two hideously eviscerated bodies are discovered and the only link between them is a bizarre painting left at each crime scene, the NYPD turns to former cop Kate McKinnon, the woman who brought the serial killer the Death Artist to justice. Having settled back into her satisfying life as art historian, published author, host of a weekly PBS television series, and wife of one of New York's top lawyers, Kate wants no part of it. But Kate's sense of tranquility is shattered when this new sequence of murders strikes too close to home. With grief and fury to fuel her, she rejoins her former partner, detective Floyd Brown, and his elite homicide squad on the hunt for a vicious psychopath known as the Color-Blind Killer. In her rage and desperation, Kate allows herself to be drawn into a deadly game of cat and mouse. She abandons her glamorous life for the gritty streets of Manhattan, immersing herself in a world where brutality and madness appear to be the norm, where those closest to her may have betrayed her -- and where, in the end, nothing is what it seems.
The Problem of the Color[blind]
Author: Brandi Wilkins Catanese
Publisher: University of Michigan Press
ISBN: 0472051261
Category : Performing Arts
Languages : en
Pages : 225
Book Description
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
Publisher: University of Michigan Press
ISBN: 0472051261
Category : Performing Arts
Languages : en
Pages : 225
Book Description
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
The Black Book of Colors
Author: Menena Cottin
Publisher: Groundwood Books Ltd
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.
Publisher: Groundwood Books Ltd
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.
The Problem of the Color[blind]
Author: Brandi Wilkins Catanese
Publisher: University of Michigan Press
ISBN: 0472027921
Category : Performing Arts
Languages : en
Pages : 225
Book Description
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
Publisher: University of Michigan Press
ISBN: 0472027921
Category : Performing Arts
Languages : en
Pages : 225
Book Description
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
The Color-Blind Constitution
Author: Andrew Kull
Publisher: Harvard University Press
ISBN: 9780674039803
Category : Law
Languages : en
Pages : 322
Book Description
From 1840 to 1960 the profoundest claim of Americans who fought the institution of segregation was that the government had no business sorting citizens by the color of their skin. During these years the moral and political attractiveness of the antidiscrimination principle made it the ultimate legal objective of the American civil rights movement. Yet, in the contemporary debate over the politics and constitutional law of race, the vital theme of antidiscrimination has been largely suppressed. Thus a strong line of argument laying down one theoretical basis for the constitutional protection of civil rights has been lost. Andrew Kull provides us with the previously unwritten history of the color-blind idea. From the arguments of Wendell Phillips and the Garrisonian abolitionists, through the framing of the Fourteenth Amendment and Justice Harlan's famous dissent in Plessy, civil rights advocates have consistently attempted to locate the antidiscrimination principle in the Constitution. The real alternative, embraced by the Supreme Court in 1896, was a constitutional guarantee of reasonable classification. The government, it said, had the power to classify persons by race so long as it acted reasonably; the judiciary would decide what was reasonable. In our own time, in Brown v. Board of Education and the decisions that followed, the Court nearly avowed the rule of color blindness that civil rights lawyers continued to assert; instead, it veered off for political and tactical reasons, deciding racial cases without stating constitutional principle. The impoverishment of the antidiscrimination theme in the Court's decision prefigured the affirmative action shift in the civil rights agenda. The social upheaval of the 1960s put the color-blind Constitution out of reach for a quartercentury or more; but for the hard choices still to be made in racial policy, the colorblind tradition of civil rights retains both historical and practical significance.
Publisher: Harvard University Press
ISBN: 9780674039803
Category : Law
Languages : en
Pages : 322
Book Description
From 1840 to 1960 the profoundest claim of Americans who fought the institution of segregation was that the government had no business sorting citizens by the color of their skin. During these years the moral and political attractiveness of the antidiscrimination principle made it the ultimate legal objective of the American civil rights movement. Yet, in the contemporary debate over the politics and constitutional law of race, the vital theme of antidiscrimination has been largely suppressed. Thus a strong line of argument laying down one theoretical basis for the constitutional protection of civil rights has been lost. Andrew Kull provides us with the previously unwritten history of the color-blind idea. From the arguments of Wendell Phillips and the Garrisonian abolitionists, through the framing of the Fourteenth Amendment and Justice Harlan's famous dissent in Plessy, civil rights advocates have consistently attempted to locate the antidiscrimination principle in the Constitution. The real alternative, embraced by the Supreme Court in 1896, was a constitutional guarantee of reasonable classification. The government, it said, had the power to classify persons by race so long as it acted reasonably; the judiciary would decide what was reasonable. In our own time, in Brown v. Board of Education and the decisions that followed, the Court nearly avowed the rule of color blindness that civil rights lawyers continued to assert; instead, it veered off for political and tactical reasons, deciding racial cases without stating constitutional principle. The impoverishment of the antidiscrimination theme in the Court's decision prefigured the affirmative action shift in the civil rights agenda. The social upheaval of the 1960s put the color-blind Constitution out of reach for a quartercentury or more; but for the hard choices still to be made in racial policy, the colorblind tradition of civil rights retains both historical and practical significance.
Genetics
Author: Benjamin A. Pierce
Publisher: Macmillan
ISBN: 9780716779285
Category : Science
Languages : en
Pages : 840
Book Description
Third edition of Genetics: A conceptual Appoach includes thorough streamlining of the entire text to focus on core concepts.
Publisher: Macmillan
ISBN: 9780716779285
Category : Science
Languages : en
Pages : 840
Book Description
Third edition of Genetics: A conceptual Appoach includes thorough streamlining of the entire text to focus on core concepts.
Color-names, Color-blindness, and the Education of the Color-sense in Our Schools
Author: Benjamin Joy Jeffries
Publisher:
ISBN:
Category : Color blindness
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Color blindness
Languages : en
Pages : 20
Book Description
Color-blindness
Author: Benjamin Joy Jeffries
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Book Description
The Color of Freedom
Author: David Carroll Cochran
Publisher: SUNY Press
ISBN: 9780791441855
Category : Social Science
Languages : en
Pages : 222
Book Description
Offers a fresh, distinctive, and compelling analysis of the United States's continuing dilemma of race.
Publisher: SUNY Press
ISBN: 9780791441855
Category : Social Science
Languages : en
Pages : 222
Book Description
Offers a fresh, distinctive, and compelling analysis of the United States's continuing dilemma of race.