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Author: Townsend Ludington
Publisher: Cornell University Press
ISBN: 9780801435539
Category : Art
Languages : en
Pages : 88
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Book Description
Marsden Hartley (1877-1943) was a writer and a spiritual seeker, as well as a distinguished American painter. In his introduction to this generously illustrated volume, Townsend Ludington explores the relationships among Hartley's art, poetry, and essays. He traces the philosophical and literary sources that nourished the artist's evolving spiritual consciousness.Raised in Lewiston, Maine, Hartley felt at odds with life. A voracious reader, he educated himself and became enamored of the transcendentalists Ralph Waldo Emerson and Henry David Thoreau, and, particularly, of Walt Whitman. He began spending winters in New York City where he met and was befriended by Alfred Stieglitz. He visited Europe but remained restless for the right physical environment. Eventually returning to New England, Hartley painted in Dogtown, Massachusetts, in the low hills behind the port of Gloucester, and the stark landscape there stimulated some of his most famous paintings.Throughout his career, Hartley painted landscapes and seascapes in which he tried to convey his sense of the wonder of earth, at the same time attempting to articulate the spiritual awareness that came to him in the "magic of dreams." Consciously representative of modernism, Hartley strove to express, as Wallace Stevens said, "not ideas about the thing but the thing itself." He believed that the acts of reading, writing, and painting gave significance to the world accessible to his senses. This book is published with the cooperation of the Ackland Museum in Chapel Hill, North Carolina, and the Babcock Galleries in New York City.
Author: Townsend Ludington
Publisher: Cornell University Press
ISBN: 9780801435539
Category : Art
Languages : en
Pages : 88
Get Book Here
Book Description
Marsden Hartley (1877-1943) was a writer and a spiritual seeker, as well as a distinguished American painter. In his introduction to this generously illustrated volume, Townsend Ludington explores the relationships among Hartley's art, poetry, and essays. He traces the philosophical and literary sources that nourished the artist's evolving spiritual consciousness.Raised in Lewiston, Maine, Hartley felt at odds with life. A voracious reader, he educated himself and became enamored of the transcendentalists Ralph Waldo Emerson and Henry David Thoreau, and, particularly, of Walt Whitman. He began spending winters in New York City where he met and was befriended by Alfred Stieglitz. He visited Europe but remained restless for the right physical environment. Eventually returning to New England, Hartley painted in Dogtown, Massachusetts, in the low hills behind the port of Gloucester, and the stark landscape there stimulated some of his most famous paintings.Throughout his career, Hartley painted landscapes and seascapes in which he tried to convey his sense of the wonder of earth, at the same time attempting to articulate the spiritual awareness that came to him in the "magic of dreams." Consciously representative of modernism, Hartley strove to express, as Wallace Stevens said, "not ideas about the thing but the thing itself." He believed that the acts of reading, writing, and painting gave significance to the world accessible to his senses. This book is published with the cooperation of the Ackland Museum in Chapel Hill, North Carolina, and the Babcock Galleries in New York City.
Author: Donna M. Cassidy
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Category : Art
Languages : en
Pages : 186
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Book Description
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Author: Donna Cassidy
Publisher: UPNE
ISBN: 9781584654469
Category : Art
Languages : en
Pages : 442
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Book Description
A provocative new reading of the great American avant-garde arist Marsden Hartley's late work.
Author: Rick Kinsel
Publisher: Merrell
ISBN: 9781858946672
Category : Art
Languages : en
Pages : 0
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Book Description
"Marsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe, believing that he would learn more there than in his home state of Maine or even New York. His rise to prominence as a specifically American modernist was based largely on the visual influences that he encountered in 1912-15 in the vibrant cities of Paris, Berlin, and Munich, which he then synthesized through a New England perspective. Solitary by nature, Hartley never lost his wanderlust, and throughout his life found inspiration in many other landscapes and cultures. Marsden Hartley: Adventurer in the Arts provides a fresh appraisal of this pioneering modernist, whose work continues to be celebrated for its spirituality and experimentation. Insightful essays explore the manifold ways in which Hartley's peripatetic life shaped his artistic vision, while detailed studies of works he created in places as diverse as Provence, Nova Scotia, and Mexico are accompanied by personal photographs, postcards, and images of some of the possessions he gathered on his travels. Also included are reproductions of a photograph album that Hartley compiled, a "Color Exercises" notebook, and his typescript "Elephants and Rhinestones: A Book of the Circus"."--
Author: Marsden Hartley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Author: David Little
Publisher: Down East Books
ISBN: 1608931935
Category : Art
Languages : en
Pages : 759
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Book Description
Katahdin has been called Maine’s greatest treasure. In addition to the outdoor and sporting tradition that surrounds it, there is a distinct tradition of art. For more than a hundred years, some of the most prominent landscape painters—Marsden Hartley, Frederic Church, John Marin, and many others—have portrayed Katahdin. Art of Katahdin is the first book to catalog this tradition. Filled with hundreds of color artworks this books traces the artists who have worked at Katahdin, from the earliest renderings and maps of the area to contemporary views. The text follows some of the history of the region, as well as the artists’ ties to the mountain.
Author: Arnold Skolnick
Publisher: UNM Press
ISBN: 9780826328434
Category : Art
Languages : en
Pages : 132
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Book Description
A rare collection of art and literature perfectly suited for the artist, traveler, or anyone enchanted by the Southwest.
Author: Sascha T. Scott
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
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Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Author: Henry Adams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
"What's American about American art? Author Henry Adams examines 60 important works from the collection of The Cleveland Museum of Art, and comes up with some surprising answers. This prominent art historian finds unexpected diversity in a discussion that ranges from Native American artifacts to the work of Jackson Pollock. Profusely illustrated with more than 80 pages of color plates, many iconic images from this collection of American art are explored, from the works of John Singleton Copley, Thomas Eakins, and Winslow Homer, to the art of George Bellows, Marsden Hartley, and Georgia O'Keeffe, among many others."--Publisher's description.
Author: Joseph J. Rishel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 608
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Book Description
"The famous proclamation that Cezanne “is the father of us all” has been attributed to both Matisse and Picasso, and his influence has extended to a great diversity of artists thereafter. In this monumental book, a team of distinguished scholars offers the most comprehensive view to date on Cezanne’s vital role in shaping European and American art throughout the 20th century and into the 21st. More than forty paintings and ten works on paper by Cezanne—many of his best-known and most admired—are juxtaposed throughout the catalogue with approximately 120 works by a range of modern and contemporary artists who found in Cezanne a central inspiration. They include Max Beckmann, Georges Braque, Charles Demuth, Alberto Giacometti, Arshile Gorky, Marsden Hartley, Fernand Leger, Brice Marden, Piet Mondrian, Giorgio Morandi, Liubov Popova, and Jeff Wall, as well as Picasso, Matisse, Johns, and Kelly. The essays offer insights into the “conversation” between Cezanne and each of these other artists, who stand on a par with his greatness. Among its many features, this book contains conceptual overviews by Richard Shiff and Robert Storr as well as an illustrated chronology." -- Publisher description.
