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Author: Isabel Moutinho
Publisher: Tamesis Books
ISBN: 9781855661585
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
The Portuguese fiction that awakened public debate on imperialism The colonial wars in Angola, Mozambique and Guinea-Bissau in the 1960s and 1970s were Portugal's Vietnam. The novels discussed in this study, written by António Lobo Antunes, Lídia Jorge and Manuel Alegre among others, aroused passionate responses from the reading public and initiated a national debate, otherwise lacking in the contemporary press, with their systematic deconstruction of the rhetoric of patriotism and colonialism of António Salazar's regime. The author's approach is of necessity grounded in postcolonial thought, as these works represent the awakening of a post-imperial conscience in Portuguese literature and society. ISABEL MOUTINHO is a Lecturer in Spanish and Portuguese at La Trobe University, Australia.
Author: Isabel Moutinho
Publisher: Tamesis Books
ISBN: 9781855661585
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
The Portuguese fiction that awakened public debate on imperialism The colonial wars in Angola, Mozambique and Guinea-Bissau in the 1960s and 1970s were Portugal's Vietnam. The novels discussed in this study, written by António Lobo Antunes, Lídia Jorge and Manuel Alegre among others, aroused passionate responses from the reading public and initiated a national debate, otherwise lacking in the contemporary press, with their systematic deconstruction of the rhetoric of patriotism and colonialism of António Salazar's regime. The author's approach is of necessity grounded in postcolonial thought, as these works represent the awakening of a post-imperial conscience in Portuguese literature and society. ISABEL MOUTINHO is a Lecturer in Spanish and Portuguese at La Trobe University, Australia.
Author: Mustafah Dhada
Publisher: Bloomsbury Publishing
ISBN: 1472512006
Category : History
Languages : en
Pages : 259
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Book Description
WINNER OF THE 2017 MARTIN A. KLEIN PRIZE In his in-depth and compelling study of perhaps the most famous of Portuguese colonial massacres, Mustafah Dhada explores why the massacre took place, what Wiriyamu was like prior to the massacre, how events unfolded, how we came to know about it and what the impact of the massacre was, particularly for the Portuguese empire. Spanning the period from 1964 to 2013 and complete with a foreword from Peter Pringle, this chronologically arranged book covers the liberation war in Mozambique and uses fieldwork, interviews and archival sources to place the massacre firmly in its historical context. The Portuguese Massacre of Wiriyamu in Colonial Mozambique, 1964-2013 is an important text for anyone interested in the 20th-century history of Africa, European colonialism and the modern history of war.
Author: Paulo de Medeiros
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
The first volume of critical essays on the contemporary Portuguese novel in English, this book theorizes the concept of the 'hypercontemporary' as a way of reading the novel after its postmodern period. This inquiry into the notion of the hypercontemporary in its literary and cultural articulations analyzes a varied group of works representative of the most vibrant novels published in Portugal since 2000. The editors' introductory chapter theorizes the concept of the hypercontemporary as one way of looking at the novel after its postmodern period – especially in its relation to questions of violence, memory and performativity. These essays show how the Portuguese novel has evolved in the past 25 years, and how, in their diversity, most of these novels exhibit several common traits, including new topics and writing strategies – sometimes developing further entropic lines characteristic of many Postmodern narratives – and themes of violence, rapid transformation, and the many threats to a contemporary world that seems mass-produced due to greater technological advances. Readings also discuss the use of innovative graphic forms available from current print technologies and global networks. The Hypercontemporary Novel in Portugal provides a necessary understanding of the current literary landscape of Portugal and, in the process, the aesthetics of hyperrealism or post-postmodernism.
Author: Al Venter
Publisher: Helion and Company
ISBN: 1909384577
Category : History
Languages : en
Pages : 545
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Book Description
Nominated for the NYMAS Arthur Goodzeit Book Award 2013 Portugal's three wars in Africa in Angola, Mozambique and Portuguese Guinea (Guiné-Bissau today) lasted almost 13 years - longer than the United States Army fought in Vietnam. Yet they are among the most underreported conflicts of the modern era. Commonly referred to as Lisbon's Overseas War (Guerra do Ultramar) or in the former colonies, the War of Liberation (Guerra de Libertação), these struggles played a seminal role in ending white rule in Southern Africa. Though hardly on the scale of hostilities being fought in South East Asia, the casualty count by the time a military coup d'état took place in Lisbon in April 1974 was significant. It was certainly enough to cause Portugal to call a halt to violence and pull all its troops back to the Metropolis. Ultimately, Lisbon was to move out of Africa altogether, when hundreds of thousands of Portuguese nationals returned to Europe, the majority having left everything they owned behind. Independence for all th Indeed, on a recent visit to Central Mozambique in 2013, a youthful member of the American Peace Corps told this author that despite have former colonies, including the Atlantic islands, followed soon afterwards. Lisbon ruled its African territories for more than five centuries, not always undisputed by its black and mestizo subjects, but effectively enough to create a lasting Lusitanian tradition. That imprint is indelible and remains engraved in language, social mores and cultural traditions that sometimes have more in common with Europe than with Africa. Today, most of the newspapers in Luanda, Maputo - formerly Lourenco Marques - and Bissau are in Portuguese, as is the language taught in their schools and used by their respective representatives in international bodies to which they all subscribe. ing been embroiled in conflict with the Portuguese for many years in the 1960s and 1970s, he found the local people with whom he came into contact inordinately fond of their erstwhile 'colonial overlords'. As a foreign correspondent, Al Venter covered all three wars over more than a decade, spending lengthy periods in the territories while going on operations with the Portuguese army, marines and air force. In the process, he wrote several books on these conflicts, including a report on the conflict in Portuguese Guinea for the Munger Africana Library of the California Institute of Technology. Portugal's Guerrilla Wars in Africa represents an amalgam of these efforts. At the same time, this book is not an official history, but rather a journalist's perspective of military events as viewed by somebody who has made a career of reporting on overseas wars, Africa's especially. Venter's camera was always at hand; most of the images used between these covers are his. His approach is both intrusive and personal and he would like to believe that he has managed to record for posterity a tiny but vital segment of African history.
Author: Stella Borg Barthet
Publisher: Rodopi
ISBN: 9042027665
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
The present volume contains general essays on: unequal African/Western academic exchange; the state and structure of postcolonial studies; representing male violence in Zimbabwe's wars; parihaka in the poetic imagination of Aotearoa New Zealand; Middle Eastern, Nigerian, Moroccan, and diasporic Indian women's writing; community in post-Independence Maltese poetry in English; key novels of the Portuguese colonies; the TV series The Kumars at No. 42; fictional representations of India; the North in western Canadian writing; and a pedagogy of African-Canadian literature. As well as these, there is a selection of poems from Malta by Daniel Massa, Adrian Grima, Norbert Bugeja, Immanuel Mifsud, and Maria Grech Ganado, and essays providing close readings of works by the following authors and filmmakers: Thea Astley, George Elliott Clarke, Alan Duff, Francis Ebejer, Lorena Gale, Romesh Gunesekera, Sahar Khalīfah, Anthony Minghella, Michael Ondaatje, Caryl Phillips, Edgar Allan Poe, Salman Rushdie, Ghādah al-Sammān, Meera Syal, Lee Tamahori. Contributors: Leila Abouzeid, Hoda Barakat, Amrit Biswas, Thomas Bonnici, Stella Borg Barthet, Ivan Callus, Devon Campbell-Hall, Saviour Catania, George Elliott Clarke, Brian Crow, Pilar Cuder-Domínguez, Bärbel Czennia, Hilary P. Dannenberg, Pauline Dodgson-Katiyo, Bernadette Falzon, Daphne Grace, Adrian Grima, Kifah Hanna, Janne Korkka, T. Vijay Kumar, Chantal Kwast-Greff, Maureen Lynch Pèrcopo, Kevin Stephen Magri, Isabel Moutinho, Melanie A. Murray, Taiwo Oloruntoba-Oju, Gerhard Stilz, Jesús Varela Zapata, Christine Vogt-William.
Author: Christoph Kalter
Publisher: Cambridge University Press
ISBN: 1108943861
Category : History
Languages : en
Pages : 381
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Book Description
Having built much of their wealth, power, and identities on imperial expansion, how did the Portuguese and, by extension, Europeans deal with the end of empire? Postcolonial People explores the processes and consequences of decolonization through the histories of over half a million Portuguese settlers who 'returned' following the 1974 Carnation Revolution from Angola, Mozambique, and other parts of Portugal's crumbling empire to their country of origin and citizenship, itself undergoing significant upheaval. Looking comprehensively at the returnees' history and memory for the first time, this book contributes to debates about colonial racism and its afterlives. It studies migration, 'refugeeness,' and integration to expose an apparent paradox: The end of empire and the return migrations it triggered belong to a global history of the twentieth century and are shaped by transnational dynamics. However, they have done nothing to dethrone the primacy of the nation-state. If anything, they have reinforced it.
Author: Lídia Jorge
Publisher: U of Minnesota Press
ISBN: 9780816621125
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This captivating tale is told in two parts. The first presents Lidia Jorge's version of a traditional story about a series of supposed incidents set in Beira, Mozambique. The events take place in the final years of Portugal's colonial African wars as an undisclosed narrator describes the military wedding of a young Portuguese ensign and an equally young bride. The wedding is followed by the mass poisoning of hundreds of native Africans and the arrival of a rain of locusts. The story ends grimly with the groom's suicide. Evita Lopo, the unnamed bride from the first part, narrates the remainder of the story. Twenty years have gone by and she reviews the past and questions the unidentified narrator's rendering of events in the first section. Evita's reminiscences destroy the credibility of the earlier story, and she supplies the reader with a great deal of information that the author of the previous account had suppressed or to which he or she merely alluded. It becomes apparent that betrayal and guilt have motivated all of the characters' actions.
Author: Mariana Liz
Publisher: Bloomsbury Publishing
ISBN: 1786722755
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
Author: Mariana Liz
Publisher: Bloomsbury Publishing USA
ISBN: 1501349732
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Women's Cinema in Contemporary Portugal brings together scholars from Portugal, UK and the USA, to discuss 14 women film directors in Portugal, focussing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal's arguably 'minor' or 'small nation' cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. The history of Portuguese women's cinema only begins systematically after the 1974 revolution and democratisation. This collection shows how female auteurs made their mark on Portugal's post-revolutionary conceptualisation of a differently 'national' cinema, through the ethnographic output of the late 1970s. It goes on to explore women's decisively gendered interventions in the cinematic memory practices that opened up around the masculine domain of the Colonial Wars in Africa. Feminist political issues such as Portugal's 30-year abortion campaign and LGBT status have become more visible since the 1990s, alongside preoccupations with global concerns relating to immigration, transit and minority status communities. The book also demonstrates how women have contributed to the evolution of soundscapes, the genre of essay cinema, film's relationship to the archive, and the adaptation of the written word. The result is a powerful, provocative and definitive challenge to the marginalisation of Portuguese female-directed film in terms of 'double minority'.
Author: Stephen Chan
Publisher: John Wiley & Sons
ISBN: 1509508716
Category : Political Science
Languages : en
Pages : 222
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Book Description
The world is troubled and full of misunderstandings. It seems a new world order of fundamentalist violence and meaningless atrocity is upon us, whilst civilised instruments for cooperation and compromise are becoming increasingly ineffective. In this timely book, Stephen Chan explores the historical and philosophical roots of difference and discord in the international system. He begins with the introduction of the Westphalian system, showing how, throughout the 20th century, new states - from the Middle East, Asia and Africa - entered that system with reservations, preconditions, and great efforts to introduce new forms of concerts and congresses but without seriously challenging the international status-quo. By contrast, the 21st century has brought turmoil and change in the form of militant Islam - be it the Taleban, Al Qaeda, or ISIS - whose varied roots and fluid emergence have so far prevented the West from being able to understand and combat it. Developing Kissinger's suspicion of Saudi Arabia as an Islamic state in Westphalian dress, Chan argues that what is at stake today is not the development of a new Caliphate or an old radicalism - but the effort to supplant and replace the Westphalian system itself. This is the complex and challenging reality to which a truly modern and persuasively relevant plural international relations must now adapt. Whether it can do so remains to be seen.
