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Author: Samuel Taylor Coleridge
Publisher: Princeton University Press
ISBN: 1400887208
Category : Literary Criticism
Languages : en
Pages : 839
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Book Description
Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Samuel Taylor Coleridge
Publisher: Princeton University Press
ISBN: 1400887208
Category : Literary Criticism
Languages : en
Pages : 839
Get Book Here
Book Description
Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Book Description
Author: Samuel Taylor Coleridge
Publisher: Princeton University Press
ISBN: 0691203164
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
The Opus Maximum gathers the last major body of unpublished prose writings by Samuel Taylor Coleridge. Consisting primarily of fragments dictated to Joseph Henry Green, probably between 1819 and 1823, these writings represent all that exists of what Coleridge considered to be "the principal Labour" and "the great Object" of his life, which he called variously the Logosophia and Magnum Opus. Dedicated to "the reconcilement of the moral faith with the Reason," Coleridge's envisioned Magnum Opus was supposed to "reduce all knowledges into harmony." While such a synthesis finally eluded him, and the Magnum Opus remained unfinished, the surviving fragments nonetheless bear powerful witness to Coleridge's engagement with theology, moral philosophy, natural philosophy, and logic, among other disciplines. Among the subjects that will particularly interest readers are Coleridge's criticisms of Epicureanism, pantheism, and German Naturphilosophie; his attempt to ground reason in faith; and his reflections on personhood (especially in the relationship between mother and child), on will, on language, and on the Logos. Previously unknown to all but a handful of scholars, the manuscripts presented here provide valuable insight into a crucial period of Coleridge's intellectual development, as he became increasingly dissatisfied with Naturphilosophie and struggled to affirm Trinitarian Christianity on a rational basis. With this volume, The Collected Works of Samuel Taylor Coleridge, begun forty years ago under the sponsorship of the Bollingen Foundation and the editorship of the late Kathleen Coburn, is now complete.
Author: David Vallins
Publisher: A&C Black
ISBN: 144119505X
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Author: Samuel Taylor Coleridge
Publisher:
ISBN: 9780691004839
Category :
Languages : en
Pages :
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Book Description
Author: Bruce Haley
Publisher: State University of New York Press
ISBN: 0791487679
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Based on years of archival research in various British and American libraries, Living Forms examines the early nineteenth century's fascination with representations of the human form, particularly those from the past, which, having no adequate verbal explanatory text, are vulnerable to having their meanings erased by time. The author explores a variety of such representations and responses to them, including Coleridge's Shakespeare lectures, Hazlitt's essays on portraits, Keats's poems on mythic and sculpted figures, meditations by Byron's Childe Harold on the monuments of Italy, Felicia Hemans's verses on monuments to and by women, and Shelley's poems and letters on figures from Italy, Egypt, and other antique lands. Haley argues that in what has been called the "museum age," Romantics sought aesthetically to frame these figures as "living forms," mental images capable of realization in alternate modes or forms.
Author: Robert Mitchell
Publisher: JHU Press
ISBN: 1421410893
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Experimental Life establishes the multiple ways in which Romantic authors appropriated the notion of experimentation from the natural sciences. Winner of the Michelle Kendrick Memorial Book Prize of the Society for Literature, Science, and the Arts, BSLS Book Prize of the British Society for Literature and Science If the objective of the Romantic movement was nothing less than to redefine the meaning of life itself, what role did experiments play in this movement? While earlier scholarship has established both the importance of science generally and vitalism specifically, with regard to Romanticism no study has investigated what it meant for artists to experiment and how those experiments related to their interest in the concept of life. Experimental Life draws on approaches and ideas from contemporary science studies, proposing the concept of experimental vitalism to show both how Romantic authors appropriated the concept of experimentation from the sciences and the impact of their appropriation on post-Romantic concepts of literature and art. Robert Mitchell navigates complex conceptual arenas such as network theory, gift exchange, paranoia, and biomedia and introduces new concepts, such as cryptogamia, chylopoietic discourse, trance-plantation, and the poetics of suspension. As a result, Experimental Life is a wide-ranging summation and extension of the current state of literary studies, the history of science, cultural critique, and theory.
Author: Geoffrey Hill
Publisher: OUP Oxford
ISBN: 019154910X
Category : Literary Criticism
Languages : en
Pages : 827
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Book Description
The Collected Critical Writings of Geoffrey Hill gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called 'probably the best writer alive, in verse or in prose'. In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's 'The Night', his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in 'Our Word is Our Bond', 'Language, Suffering, and Value', and 'Poetry and Value'. In all his criticism, Hill reveals literature to be an essential arena of civic intelligence.
Author: Alan P. R. Gregory
Publisher: Mercer University Press
ISBN: 9780865548015
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Why should anyone bother with Coleridge either as a theologian or a political theorist? At first in desperation, but now quite deliberately, Alan Gregory convincingly suggests that one should bother because Coleridge mounted an imporant critique of reductionist explanations of human society and moral agency, and because Coleridge has much regarding that important enterprise to teach us still. While Gregory also offers a perceptive outline of early British conservatism, his main concern is with Coleridge's attack on reductionism, including his defense of the will against associationism, his criticisms of Enlightenment historiography, his discussions of the inadequacies of political economy, and the Trinitarian arguments against monism. There is, Gregory remarks, no grasping the range or inner dynamic of Coleridge's thought without appreciating his religious vision, his theology. Indeed, Coleridge himself affirmed that should we try to conceive a man without the ideas of God, eternity, freedom, will, absolute truth, of the good, the true, the beautiful, the infinite...the man will have vanished.
Author: C. Mahoney
Publisher: Springer
ISBN: 0230597629
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Romantics and Renegades examines the abiding crux of romantic criticism: the political apostasies of the Lake poets (Wordsworth, Coleridge, and Southey) as they renounced the revolutionary Jacobinism of their youth in the 1790s in order to claim the high ground of Regency Toryism in the 1810s. Central to this scandal is the figure of William Hazlitt, the literary critic who policed their betrayals in his vigilant exposure of their political and poetical inconsistencies. Mahoney's analysis provides new insight into this abiding critical riddle through close historical and figural readings of the rhetoric of romantic apostasy.
