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Author: Henrik Ibsen
Publisher:
ISBN:
Category : Norwegian drama
Languages : en
Pages : 336
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Book Description
Author: Henrik Ibsen
Publisher:
ISBN:
Category : Norwegian drama
Languages : en
Pages : 336
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Book Description
Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1630
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Book Description
Volumes for 1898-1968 include a directory of publishers.
Author: Felicia Hardison Londré
Publisher: Bloomsbury Publishing
ISBN: 1474259952
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these 3 directors and their companies.
Author: Henrik Ibsen
Publisher: New York : Farrar, Straus & Giroux
ISBN: 9780374174149
Category : Literary Criticism
Languages : en
Pages : 1143
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Book Description
Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each
Author: Jon Stewart
Publisher: Routledge
ISBN: 135187439X
Category : Philosophy
Languages : en
Pages : 335
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Book Description
The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome I is dedicated to exploring the sources that fall under the rubrics, "Philosophy, Politics and Social Theory." With regard to philosophy, Kierkegaard read the works of all the foremost Danish thinkers of the time and their German antecedents, in particular Kant, Schilling and Hegel. While he was sympathetic to individual ideas offered by this tradition, he was generally keen to criticize the German model of philosophy and to propose a new paradigm for philosophical thought that was more in tune with lived existence. Kierkegaard also experienced the dynamic period in history that saw the great upheavals throughout Europe in connection with the revolutions of 1848 and the First Schleswig War. While it has long been claimed that Kierkegaard was not interested in politics, recent research supports a quite different picture. To be sure, he cannot be regarded as a political scientist or social theorist in a traditional sense, but he was nonetheless engaged in the issues of his day, and in his works one can certainly find material that can be insightful for the fields of politics and social theory.
Author: Henrik Ibsen
Publisher: Arcturus Publishing
ISBN: 1398832863
Category : Drama
Languages : en
Pages : 111
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Book Description
At first glance, Nora Helmer appears to live the perfect life. She is married to the ambitious banker Torvald and is well provided for. But when she is blackmailed by one of her husband's colleagues, she is forced to re-examine her life along with her role as a frivolous, scatter-brained wife. First published in 1879, A Doll's House scandalized contemporary audiences and rewrote the rules of drama. It challenged notions of women's place in society and questioned every aspect of what constituted good conduct in domestic life. Ibsen's masterpiece was the first serious play to focus on ordinary people in everyday situations rather than on the lives of the upper classes. ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.
Author: Dr. John Henrik Clarke
Publisher: www.tapvideo.com
ISBN:
Category :
Languages : en
Pages : 22
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Book Description
Volume 7 of 12 Video Lectures A survey of African thought and world-view - WLIB African Americans the lonely nation away from home Black women in history The search for unity Dr. John Henrik Clarke was renowned for his dedication to the study of African peoples throughout history, both in Africa and the diaspora. Dr. Clarke was also widely regarded as a devoted and brilliant educator. His love for education, African peoples and the history of African peoples, translated directly into his work as a Pan-Africanist writer, historian and lecturer. He played a pivotal role in the creation of Africana studies and several professional institutions in academia. Interestingly enough, Dr. Clarke climbed to great academic heights without ever having earned a high school diploma. Born on January 1, 1915, in Union Springs, Alabama, John Henry Clark was the youngest child of John and Willie Ella Clark, sharecroppers. The Clark family eventually moved to Columbus, Georgia, in pursuit of better fortunes and the dream of owning their own land. Dr. Clarke, the future educator, never formally attended high school, dropping out of school in the 8th grade. Despite his mother’s desire that he pursue the family vocation of farming, in 1933, at the age of 18, he left the South as part of the Great Migration of blacks to the North, and headed to Harlem, New York. Dr. Clarke flourished in the fertile intellectual and cultural climate of the Harlem Renaissance. He joined study circles such as the Harlem History Club and the Harlem Writers' Workshop. In the Harlem History Club, he met John G. Jackson, Willis N. Higgins, and Arthur A. Schomburg, who became mentors in his self-taught study of African history. Through his association with members of the Harlem History Club as well as Richard B. Moore, J.A. Rogers, William Leo Hansberry and Josef ben Jochannan, Dr. Clarke learned much about black history. He immersed himself in the tradition that researched, wrote, and taught black history away from the formal institutions of higher learning. Despite his intensive work in black history, Dr. Clarke actually began his career in creative writing, with his first published work being a collection of poetry. He penned over fifty short stories, including "The Boy Who Painted Christ Black," his most famous. He was co-founder of the Harlem Quarterly and book review editor of the Negro History Bulletin. He sharpened his skills as a writer for the black-owned Pittsburgh Courier, the Ghana Evening News and later as associate editor of the magazine, Freedomways. He eventually changed his name to John Henrik, in honor of the playwright Henrik Ibsen; he also added an “e” to his surname, spelling it “Clarke.” During the Black Power movement in the 1960s, Dr. Clarke championed the redefinition of Africans in world history and the study of the African-American experience. In 1968, along with the Black Caucus of the African Studies Association, Dr. Clarke founded the African Heritage Studies Association, and was its first president. In 1969 he was appointed as the founding chairman of the Black and Puerto Rican Studies Department at Hunter College in New York City. He was also a founding member of the Black Academy of Arts and Letters and the African-American Scholars' Council. Dr. Clarke also played an important role in the early history of Cornell University's Africana Studies & Research Center. He was the Carter G. Woodson Distinguished Visiting Professor of African History at the Center in the 1970s, and made an invaluable contribution to the establishment of its curricula. In 1985, the Faculty of the Africana Studies and Research Center at Cornell University named the John Henrik Clarke Library after him. In keeping with his singular educational path and impressive teaching history, Dr. Clarke was the author of numerous articles that have appeared in leading scholarly journals. He also served as the author, contributor, or editor of 24 books, including collections of his own short stories. At the age of 78, John Henrik Clarke earned a doctorate from the non-accredited Pacific Western University, since renamed California Miramar University, in Los Angeles. It is easy to understand why Dr. Clarke is widely recognized as a pioneer in the field of Africana Studies. He challenged the views of academic historians and helped transform the way African history was studied and taught. He was an academic pioneer and an outspoken champion of the accurate re-telling of the history of African people. John Henrik Clarke died on July 16, 1998. He is buried in Green Acres Cemetery, Columbus, Georgia. “History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.”
Author: Henrik Ibsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 696
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2144
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Book Description
