The Collected Fables of Ambrose Bierce PDF Download
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Author: Ambrose Bierce
Publisher: Ohio State University Press
ISBN: 9780814208427
Category : Fiction
Languages : en
Pages : 416
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Book Description
"Bierce's fables are distinguished for their biting wit and their cynical reflection of the political and social events of his time. Local and national political figures; corrupt lawyers, judges, and clergymen; and even incidents in the Spanish-American War are all mercilessly lampooned. The fables not only testify to Bierce's hatred of "hypocrisy, cant, and all sham" but provide a window into late nineteenth-century American society. S. T.
Author: Ambrose Bierce
Publisher: Ohio State University Press
ISBN: 9780814208427
Category : Fiction
Languages : en
Pages : 416
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Book Description
"Bierce's fables are distinguished for their biting wit and their cynical reflection of the political and social events of his time. Local and national political figures; corrupt lawyers, judges, and clergymen; and even incidents in the Spanish-American War are all mercilessly lampooned. The fables not only testify to Bierce's hatred of "hypocrisy, cant, and all sham" but provide a window into late nineteenth-century American society. S. T.
Author: Ambrose Bierce
Publisher:
ISBN:
Category :
Languages : en
Pages : 810
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Book Description
Author: Ambrose Bierce
Publisher: Courier Corporation
ISBN: 9780486207674
Category : Fiction
Languages : en
Pages : 244
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Book Description
Twenty-four grotesque horror tales written by Ambrose Bierce, the nineteenth-century journalist known for his cynicism
Author: Ambrose Bierce
Publisher: Ohio State University Press
ISBN: 9780814209196
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
"The binding thread throughout this edited collection of Ambrose Bierce's letters is the argument that Bierce has too often vilified as a cynical misanthrope. Joshi and Schultz believe that Bierce's human side has been ignored by scholars, and they work here to rectify this oversight. The importance of this collection is underscored by the fact that no collection of Bierce's letters has been published since 1922. This selection represents a sampling of nearly one-half million words of Bierce's correspondence, which Joshi and Schultz are the first to gather and transcribe." "The letters reveal many sides of Bierce that he deliberately concealed in his literary work: the caring father who keenly felt the deaths of his two sons and took constant interest in the welfare of his only daughter; the literary giant of San Francisco who gathered around him a substantial cadre of disciples whose work he encouraged and meticulously criticized; the vigorous castigator of chicanery, hypocrisy, and injustice wherever he saw it; and the author of coyly flirtatious letters to a number of female correspondents. For the first time, a well-rounded picture of Bierce the man and writer emerges in his own words. The volume ends chillingly with Bierce's last surviving letter, written from Chihuahua, Mexico, on December 26, 1913, which concludes: "As for me, I leave here tomorrow for an unknown destination." Bierce was never heard from again." "The letters have been scrupulously edited from manuscript sources and exhaustively annotated to elucidate obscure historical, literary, and other references."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ambrose Bierce
Publisher: University of Georgia Press
ISBN: 0820326348
Category : Humor
Languages : en
Pages : 438
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Book Description
If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil’s Dictionary. There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history. A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth. This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included. Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.
Author: Ambrose Bierce
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Ambrose Bierce
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 341
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Book Description
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Sharon Talley
Publisher: Univ. of Tennessee Press
ISBN: 1572336900
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Ambrose Bierce and the Dance of Death uses psychoanalytic theory in combination with historical, cultural, and literary contexts to examine the complex motif of death in a full range of Bierce’s writings. Scholarly interest in Bierce, whose work has long been undervalued, has grown significantly in recent years. This new book contributes to the ongoing reassessment by providing new contexts for joining the texts in his canon in meaningful ways. Previous attempts to consider Bierce from a psychological perspective have been superficial, often reductive Freudian readings of individual stories such as “An Occurrence at Owl Creek Bridge” and “The Death of Halpin Frayser.” This new volume not only updates these interpretations with insights from post-Freudian theorists but uses contemporary death theory as a framework to analyze the sources and expressions of Bierce’s attitudes about death and dying. This approach makes it possible to discern links among texts that resolve some of the still puzzling ambiguities that have—until now—precluded a fuller understanding of both the man and his writings. Lively and engaging, Ambrose Bierce and the Dance of Death adds valuable new insights not only to the study of Bierce but to that of nineteenth-century American literature in general.
Author: Douglass H. Thomson
Publisher: Bloomsbury Publishing USA
ISBN: 0313006911
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
With its roots in Romanticism, antiquarianism, and the primacy of the imagination, the Gothic genre originated in the 18th century, flourished in the 19th, and continues to thrive today. This reference is designed to accommodate the critical and bibliographical needs of a broad spectrum of users, from scholars seeking critical assistance to general readers wanting an introduction to the Gothic, its abundant criticism, and the present state of Gothic Studies. The volume includes alphabetically arranged entries on more than 50 Gothic writers from Horace Walpole to Stephen King. Entries for Russian, Japanese, French, and German writers give an international scope to the book, while the focus on English and American literature shows the dynamic nature of Gothicism today. Each of the entries is devoted to a particular author or group of authors whose works exhibit Gothic elements, beginning with a primary bibliography of works by the writer, including modern editions. This section is followed by a critical essay, which examines the author's use of Gothic themes, the author's place in the Gothic tradition, and the critical reception of the author's works. The entries close with selected, annotated bibliographies of scholarly studies. The volume concludes with a timeline and a bibliography of the most important broad scholarly works on the Gothic.
Author: Lawrence I. Berkove
Publisher: Ohio State University Press
ISBN: 9780814208946
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
A Prescription for Adversity makes the revolutionary case that Ambrose Bierce, far from being a bitter misanthrope, was instead both a compassionate and moral author. Berkove, focusing on Bierce's short fiction, establishes the necessity of recognizing the pattern of his intellectual and literary development over the course of his career. The author shows that Bierce, probably the American author with the most extensive experience of the Civil War, turned to classical Stoicism and English and French Enlightenment literature in his postwar search for meaning. Bierce's fiction arose from his ultimately unsatisfying encounters with the philosophies those sources offered, but the moral commitment as well as the literary techniques of heir authors, particularly Jonathan Swift, inspired him. Dating Bierce's fiction, and introducing uncollected journalism, correspondence, and important new literary history and biographical information, Berkove brings new insights to a number of stories, including "A Son of the Gods" and "A Horseman in the Sky," but especially "An Occurrence at Owl Creek Bridge," and presents compelling readings of the Parenticide Club tales and "Moxon's Master." A Prescription for Adversity substantiates how Bierce at his best is one of the few American authors who rises to the level of Mark Twain, and the only one who touches Jonathan Swift. A work of both biography and literary criticism, this book rescues Ambrose Bierce and his literature from the neglect to which it has been assigned by "ill-founded, obtuse and unproductive approaches based on skewed notions of his personality and forced or facile readings of individual stories."
