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Author: Bryn Upton
Publisher: Rowman & Littlefield
ISBN: 1442237945
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.
Author: Bryn Upton
Publisher: Rowman & Littlefield
ISBN: 1442237945
Category : Performing Arts
Languages : en
Pages : 209
Get Book Here
Book Description
From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.
Author: Ben Macintyre
Publisher: Crown
ISBN: 1101904208
Category : History
Languages : en
Pages : 417
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Book Description
NEW YORK TIMES BESTSELLER • The celebrated author of Double Cross and Rogue Heroes returns with a thrilling Americans-era tale of Oleg Gordievsky, the Russian whose secret work helped hasten the end of the Cold War. “The best true spy story I have ever read.”—JOHN LE CARRÉ Named a Best Book of the Year by The Economist • Shortlisted for the Bailie Giffords Prize in Nonfiction If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, but from 1973 on he was secretly working for MI6. For nearly a decade, as the Cold War reached its twilight, Gordievsky helped the West turn the tables on the KGB, exposing Russian spies and helping to foil countless intelligence plots, as the Soviet leadership grew increasingly paranoid at the United States's nuclear first-strike capabilities and brought the world closer to the brink of war. Desperate to keep the circle of trust close, MI6 never revealed Gordievsky's name to its counterparts in the CIA, which in turn grew obsessed with figuring out the identity of Britain's obviously top-level source. Their obsession ultimately doomed Gordievsky: the CIA officer assigned to identify him was none other than Aldrich Ames, the man who would become infamous for secretly spying for the Soviets. Unfolding the delicious three-way gamesmanship between America, Britain, and the Soviet Union, and culminating in the gripping cinematic beat-by-beat of Gordievsky's nail-biting escape from Moscow in 1985, Ben Macintyre's latest may be his best yet. Like the greatest novels of John le Carré, it brings readers deep into a world of treachery and betrayal, where the lines bleed between the personal and the professional, and one man's hatred of communism had the power to change the future of nations.
Author: Tony Shaw
Publisher: Univ of Massachusetts Press
ISBN: 9781558496125
Category : Art
Languages : en
Pages : 356
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Book Description
Examines the role of American filmmakers in the ideological struggle against communism
Author: Gus Russo
Publisher: Twelve
ISBN: 1538761327
Category : History
Languages : en
Pages : 403
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Book Description
The thrilling story of two Cold War spies, CIA case officer Jack Platt and KGB agent Gennady Vasilenko -- improbable friends at a time when they should have been anything but. In 1978, CIA maverick Jack Platt and KGB agent Gennady Vasilenko were new arrivals on the Washington, DC intelligence scene, with Jack working out of the CIA's counterintelligence office and Gennady out of the Soviet Embassy. Both men, already notorious iconoclasts within their respective agencies, were assigned to seduce the other into betraying his country in the urgent final days of the Cold War, but instead the men ended up becoming the best of friends-blood brothers. Theirs is a friendship that never should have happened, and their story is chock full of treachery, darkly comic misunderstandings, bureaucratic inanity, the Russian Mafia, and landmark intelligence breakthroughs of the past half century. In Best of Enemies, two espionage cowboys reveal how they became key behind-the-scenes players in solving some of the most celebrated spy stories of the twentieth century, including the crucial discovery of the Soviet mole Robert Hanssen, the 2010 Spy Swap which freed Gennady from Soviet imprisonment, and how Robert De Niro played a real-life role in helping Gennady stay alive during his incarceration in Russia after being falsely accused of spying for the Americans. Through their eyes, we see the distinctions between the Russian and American methods of conducting espionage and the painful birth of the new Russia, whose leader, Vladimir Putin, dreams he can roll back to the ideals of the old USSR.
Author: William J. Craig
Publisher: Open Road Media
ISBN: 1504057066
Category : Fiction
Languages : en
Pages : 329
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Book Description
Two explosive novels set in the perilous days when the world stood on the brink of chaos—from the New York Times–bestselling author of Enemy at the Gates. For almost fifty years after World War II, the United States and the Soviet Union played a dangerous game in the shadows. And from those shadows would emerge unsung heroes who would fight for freedom . . . The Strasbourg Legacy: Investigating the possible Soviet theft of US munitions, CIA agent Matt Corcoran hears rumors that German communists and Aryan terrorists are conspiring to assassinate political leaders. But far more ominous is the underground cadre of surviving Nazi officers bent on starting the Fourth Reich . . . The Tashkent Crisis: As tensions rise between the superpowers, the Soviets deliver an ultimatum: surrender unconditionally or a devastating secret weapon will kill millions of Americans. Now a Special Forces team led by Col. Joe Safcek must infiltrate a secret Soviet base and destroy the mystery weapon. But the closer they get, the more Safcek realizes it may already be too late . . . With these “furious-paced” novels of “timeclock suspense” William Craig takes readers back to a time when the Cold War could have started burning with a single spark (Kirkus Reviews).
Author: John le Carre
Publisher: Simon and Schuster
ISBN: 0743457900
Category : Fiction
Languages : en
Pages : 402
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Book Description
George Smiley is assigned to uncover the identity of the double agent operating in the highest levels of British Intelligence.
Author: Joseph Kanon
Publisher: Simon and Schuster
ISBN: 147670466X
Category : Fiction
Languages : en
Pages : 384
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Book Description
New York Times Notable Book * Named one of NPR and Wall Street Journal's Best Books of the Year * The acclaimed author of The Good German “deftly captures the ambience” (The New York Times Book Review) of postwar East Berlin in his “thought-provoking, pulse-pounding” (Wall Street Journal) New York Times bestseller—a sweeping spy thriller about a city caught between political idealism and the harsh realities of Soviet occupation. Berlin, 1948. Almost four years after the war’s end, the city is still in ruins, a physical wasteland and a political symbol about to rupture. In the West, a defiant, blockaded city is barely surviving on airlifted supplies; in the East, the heady early days of political reconstruction are being undermined by the murky compromises of the Cold War. Espionage, like the black market, is a fact of life. Even culture has become a battleground, with German intellectuals being lured back from exile to add credibility to the competing sectors. Alex Meier, a young Jewish writer, fled the Nazis for America before the war. But the politics of his youth have now put him in the crosshairs of the McCarthy witch-hunts. Faced with deportation and the loss of his family, he makes a desperate bargain with the fledgling CIA: he will earn his way back to America by acting as their agent in his native Berlin. But almost from the start things go fatally wrong. A kidnapping misfires, an East German agent is killed, and Alex finds himself a wanted man. Worse, he discovers his real assignment—to spy on the woman he left behind, the only woman he has ever loved. Changing sides in Berlin is as easy as crossing a sector border. But where do we draw the lines of our moral boundaries? At betrayal? Survival? Murder? Joseph Kanon’s compelling thriller is a love story that brilliantly brings a shadowy period of history vividly to life.
Author: John Charles Gifford
Publisher: iUniverse
ISBN: 1532074603
Category : Fiction
Languages : en
Pages : 290
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Book Description
CIA officer Grady Dawson secretly enlists the aid of a wealthy New Yorker and asks him to start a foundation to support artists. Six years later, the nightmare begins. Three internationally renowned artists have been murdered in the heart of Manhattan in as many weeks. The police are baffled because there are no motives, and the killer leaves no clues. Homicide detective Barney Wolfe takes over the case and together with Dawson, they search for the killer. Driven and relentless, they soon discover the killer’s identity. But will they be able to find and stop him in a city of eight million people before he kills again? After they learn who’s next on the killer’s list, Dawson and Wolfe use him as bait to bring the killer out into the open. A sound strategy or a fatal tactical blunder? But as the case unravels, and the two men unearth the motives behind the murders, they are suddenly confronted by an international Cold War crisis with catastrophic consequences. New York 1956 will keep you on the edge of the precipice where the dividing line between justice and revenge is blurred and the threshold leading to redemption is only a faint hope.
Author: Jonathan Gill
Publisher: Abrams
ISBN: 1683358155
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
This true story of Golden Age Hollywood and Cold War espionage is a “captivating, fast-paced narrative [that] reads like a thriller” (Library Journal). Boris Morros was a major figure in the 1930s and ’40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War—Boris Morros also worked for Russian intelligence. Morros’s assignments took him to the White House, the Vatican, and deep behind the Iron Curtain. The high-level intel he provided the KGB included military secrets and compromising information on prominent Americans: his friends. But in 1947, Morros flipped. At the height of the McCarthy era, he played a leading role in a deadly tale. Jonathan Gill’s Hollywood Double Agent is an extraordinary story about Russian spies at the heart of American culture and politics, and one man caught in the middle of the Cold War. “Well-written and perceptive . . . Morros was an empty vessel who could be turned left or right depending on how it satisfied his personal interest.” —New York Journal of Books “Reads like an espionage thriller . . . with malevolent, powerful—and sometimes bumbling—characters.” —Kirkus Reviews “A fascinating and swift-reading biography.” —The Wall Street Journal
Author: Bernard F. Dick
Publisher: Univ. Press of Mississippi
ISBN: 1496805402
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer. The scenario changed when Nazi Germany invaded the Soviet Union in 1941, making Russia a short-lived ally. The Soviets were quickly glorified in such films as Song of Russia, The North Star, Mission to Moscow, Days of Glory, and Counter-Attack. But once the Iron Curtain fell on Eastern Europe, the scenario changed again. America was now swarming with Soviet agents attempting to steal some crucial piece of microfilm. On screen, the atomic detonations in the Southwest produced mutations in ants, locusts, and spiders, and revived long-dead monsters from their watery tombs. The movies did not blame the atom bomb specifically but showed what horrors might result in addition to the iconic mushroom cloud. Through the lens of Hollywood, a nuclear war might leave a handful of survivors (Five), none (On the Beach, Dr. Strangelove), or cities in ruins (Fail-Safe). Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans. More than eighty years later, the screen is still red.
