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Author: Carlo Blasis
Publisher: Dance Books Limited
ISBN: 9781852731267
Category : Performing Arts
Languages : en
Pages : 600
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Book Description
Author: Carlo Blasis
Publisher: Dance Books Limited
ISBN: 9781852731267
Category : Performing Arts
Languages : en
Pages : 600
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Book Description
Author: Sally Banes
Publisher: Wesleyan University Press
ISBN: 0819571806
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
A dance critic's essays on post-modern dance. Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane's Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers' Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the "drunk dancing" of Fred Astaire.
Author: Carlo Blasis
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 216
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Book Description
Author: Marion Kant
Publisher: Cambridge University Press
ISBN: 9780521539869
Category : Music
Languages : en
Pages : 406
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Book Description
A collection of essays by international writers on the evolution of ballet.
Author:
Publisher: Bluewater Productions
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 23
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Book Description
The Muses of Greek Mythology have brought tales and wonder to the world for centuries. Follow this brand-new and exciting series that details each Muse and the story of how they came to be. Marvel at the story of Terpsichore, the muse of Dance, as she travels to the mortal world and meets with one of the most famous and well-respected dancers in modern history. Wonder at her travails in the modern world. Explore the universe with the muses and start here with Book One, the story of Terpsichore.
Author: Herodotus
Publisher: Simon and Schuster
ISBN: 168146294X
Category : History
Languages : en
Pages : 71
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Book Description
Herodotus was an ancient Greek historian who lived in the fifth century BC (c.484 - 425 BC). He has been called the "Father of History", and was the first historian known to collect his materials systematically, test their accuracy to a certain extent and arrange them in a well-constructed and vivid narrative. The Histories-his masterpiece and the only work he is known to have produced-is a record of his "inquiry", being an investigation of the origins of the Greco-Persian Wars and including a wealth of geographical and ethnographical information. The Histories, were divided into nine books, named after the nine Muses: the "Muse of History", Clio, representing the first book, then Euterpe, Thaleia, Melpomene, Terpsichore, Erato, Polymnia, Ourania and Calliope for books 2 to 9, respectively.
![Dance [and] Theory PDF](https://books.google.com/books/content/images/frontcover/FbPJBAAAQBAJ?fife=w80-h100)
Author: Gabriele Brandstetter
Publisher: transcript Verlag
ISBN: 3839421519
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept? The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
Author: Rory Foster
Publisher:
ISBN: 9780813034591
Category : Ballet
Languages : en
Pages : 0
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Book Description
Rory Foster argues that it isn't sufficient for a ballet teacher to be well versed in technique; they must also know how to utilize pedagogial skills.
Author: Carlo Blasis
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
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Book Description
Author: Lucia Ruprecht
Publisher: Routledge
ISBN: 1351946455
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.
