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Author: Gita Wolf
Publisher:
ISBN: 9789383145317
Category : Artists' books
Languages : en
Pages : 0
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Book Description
Hand block-printed on textile, this limited-edition artists' book consists of a sequence of folding panels, designed to invoke pre-modern - particularly Asian - traditions of bookmaking. At the same time, the panels recall and recreate a Mata-Ni-Pachedi - the ritual 'Cloth of the Mother Goddess' - and tell the story of its origins. The textile book is accompanied by a film on the artist and his art tradition. The tactility of the book, invoking the labour and craft that have gone into its creation, is offset by the digital documentary which brings in context and history; together, the juxtaposition of the two approaches expands the frontiers of the book form, while deepening the viewer's enjoyment and understanding of the art tradition. The images featured in the book have been painted by Jagdish Chitara, who belongs to the Waghari community of artisans from Gujarat in western India. Poor and marginalised, they paint and block-print votive textiles for other so-called outcaste communities, equally disenfranchised in the Hindu caste hierarchy. Worshippers who are barred from entering temples offer a painted image of their particular guardian goddess to herself, in the form of a textile shrine. This poignant tradition, deemed low, in fact, expresses a sublime conception of the power of art: gifting a piece of creation to the creator is considered the highest form of worship. This is a notion of transcendence that appears to stretch across cultures and times.
Author: Gita Wolf
Publisher:
ISBN: 9789383145317
Category : Artists' books
Languages : en
Pages : 0
Get Book Here
Book Description
Hand block-printed on textile, this limited-edition artists' book consists of a sequence of folding panels, designed to invoke pre-modern - particularly Asian - traditions of bookmaking. At the same time, the panels recall and recreate a Mata-Ni-Pachedi - the ritual 'Cloth of the Mother Goddess' - and tell the story of its origins. The textile book is accompanied by a film on the artist and his art tradition. The tactility of the book, invoking the labour and craft that have gone into its creation, is offset by the digital documentary which brings in context and history; together, the juxtaposition of the two approaches expands the frontiers of the book form, while deepening the viewer's enjoyment and understanding of the art tradition. The images featured in the book have been painted by Jagdish Chitara, who belongs to the Waghari community of artisans from Gujarat in western India. Poor and marginalised, they paint and block-print votive textiles for other so-called outcaste communities, equally disenfranchised in the Hindu caste hierarchy. Worshippers who are barred from entering temples offer a painted image of their particular guardian goddess to herself, in the form of a textile shrine. This poignant tradition, deemed low, in fact, expresses a sublime conception of the power of art: gifting a piece of creation to the creator is considered the highest form of worship. This is a notion of transcendence that appears to stretch across cultures and times.
Author: David Leeming
Publisher: Reaktion Books
ISBN: 1780235380
Category : Religion
Languages : en
Pages : 178
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Book Description
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.
Author: Michael Hann
Publisher: A&C Black
ISBN: 0857854909
Category : Architecture
Languages : en
Pages : 585
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Book Description
Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.
Author: Sumathi Ramaswamy
Publisher: Duke University Press
ISBN: 0822391538
Category : History
Languages : en
Pages : 402
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Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Author: Edith Balas
Publisher: Carnegie-Mellon University Press
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
An examination of the Mother Goddess in Italian Renaissance art by art historian Edith Balas.
Author: Julie Loar
Publisher: New World Library
ISBN: 1577319508
Category : Body, Mind & Spirit
Languages : en
Pages : 442
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Book Description
Throughout time, people have turned to goddesses as symbols of what they seek -- from abundance to healing, from protection to passion. Building on the resurgence of interest in the Divine Feminine, Julie Loar presents the qualities and origins of an international array of these deities, along with powerful suggestions for putting their attributes to practical use. In a daily-reflection format, she gracefully aligns the goddesses with the cycles of nature and the signs of the zodiac. If you are struggling to attain a goal, call on the Nepalese goddess Chomolungma, as the sherpas climbing Mount Everest have done for generations. Or, for good luck, invoke the Roman goddess Fortuna, the inspiration behind gambling's wheel of fortune. With 366 goddesses to choose from, you will find a deity to call upon for every aspiration and need.
Author: Lynn E. Roller
Publisher: Univ of California Press
ISBN: 0520210247
Category : History
Languages : en
Pages : 402
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Book Description
This is the first thorough account of the nature and the spread of the cult of Cybele, the Great Mother, and the first to present her worship soberly as a religion rather than sensationally as an orgiastic celebration of self-castrated priest-attendants.
Author: Dineschandra Sircar
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120808799
Category : Body, Mind & Spirit
Languages : en
Pages : 156
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Book Description
The holy places associated with the Mother Goddess and spread over various parts of the indian subcontinent have been popular pilgrim spots for a long time. According to some late Tantric texts ascribable to Eastern India, the number of such Sakta-Tirthas is fifty-one and the present monograph is a dissertation on the origin and development of this conception. Thus it is at the same time the study of a number of Tantric and other texts as well as of certain problems of Tantric religion and of historical geography. It is unique in its approach because Tantra Studies have not progressed satisfactorily so far on scientific lines.
Author: Laurel Kendall
Publisher: Univ of California Press
ISBN: 0520298667
Category : Art
Languages : en
Pages : 251
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Book Description
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.
Author: Gwendolyn Audrey Foster
Publisher: SIU Press
ISBN: 0809380943
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking. Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers. Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are actively constructing [in the words of bell hooks] ‘an oppositional gaze’"; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British Black filmmaker concerned with issues of representation, identity; cultural displacement, lesbianism, and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist who revolutionized documentary filmmaking by displacing the "voyeuristic gaze of the ethnographic documentary filmmaker"; and Mira Nair, a Black Indian woman who concentrates on interracial identity.
