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Author: H. H. Caplan
Publisher: Conran Octopus
ISBN:
Category : Artists
Languages : en
Pages : 622
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Book Description
Author: H. H. Caplan
Publisher: Conran Octopus
ISBN:
Category : Artists
Languages : en
Pages : 622
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Book Description
Author: H. H. Caplan
Publisher: Paul Grahame Publishing Company
ISBN:
Category : Art
Languages : de
Pages : 902
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Book Description
Author: H. H. Caplan
Publisher:
ISBN:
Category :
Languages : en
Pages : 873
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Book Description
Author: John Castagno
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of Artists Monograms and Indiscernible Signatures, An International Directory, 1800-1991 (Scarecrow, 1991), Castagno provided identification for more than 3,700 artists' signatures, along with biographical information and reference sources. This second volume contains some 2,100 artists and 3,000 signature examples. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, and Cyrillic Signatures. Less than five percent of the entries in this volume are listed in the original volume--and these are included to provide additional information about the artists. The use of Artists' Monograms and Indiscernible Signatures II: An International Directory From 1900 provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
Author: H. H. Caplan
Publisher:
ISBN:
Category :
Languages : en
Pages : 873
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Book Description
Author: John Castagno
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of Artists Monograms and Indiscernible Signatures, An International Directory, 1800-1991 (Scarecrow, 1991), Castagno provided identification for more than 3,700 artists' signatures, along with biographical information and reference sources. The second volume featured some 2,100 artists and 3,000 signature examples. This third volume contains more than 1,250 signatures of some 1,225 artists. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, and Cyrillic Signatures. Less than five percent of the entries in this volume are listed in the first two volumes--and these are included to provide additional information about the artists. The use of Artists' Monograms and Indiscernible Signatures III: An International Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
Author: John Castagno
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of European Artists Signatures and Monograms, 1800-1990 (Scarecrow, 1990), Castagno provided identification for more than 4,800 artists' signatures, along with biographical information and reference sources. This second volume on European artists is a continuation of the identification of artists' signatures, with some 2,100 artists and 3,000 signature examples. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, Cyrillic Signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volume--and these are included to provide additional information about the artists. The use of European Artists II: Signatures and Monograms From 1800 provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
Author: John Castagno
Publisher: Scarecrow Press
ISBN: 1461658470
Category : Art
Languages : en
Pages : 312
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. European Artists III: Signatures and Monograms From 1800, A Directory features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
Author: H. H. Caplan
Publisher: Dealer's Choice Books, Incorporated
ISBN: 9780966852608
Category : Artists
Languages : en
Pages : 0
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Book Description
Author: Tom McNulty
Publisher: McFarland
ISBN: 0786466715
Category : Art
Languages : en
Pages : 333
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Book Description
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
