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Author: Darlene R. Stille
Publisher: Capstone
ISBN: 1484611209
Category : Juvenile Nonfiction
Languages : en
Pages : 105
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Book Description
Learn about the Civil War through photos taken during the time. Find out about the leaders, soldiers, and civilians who struggled throughout the war that divided a nation.
Author: Jeff L. Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 0300191804
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Jennifer Armstrong
Publisher: Atheneum
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 168
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Book Description
Retells the Civil War through the eyes of photographer Mathew Brady and other field photographers as they record a brutal and deadly time.
Author: Elizabeth Van Steenwyk
Publisher: Franklin Watts
ISBN: 9780531158517
Category : Photographers
Languages : en
Pages : 64
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Book Description
A biography of the pioneering photographer, who is known for his unique portrayal of the Civil War, as well as for portraits of such personalities as Lincoln, Grant, Lee, and others.
Author: Darlene R. Stille
Publisher: Capstone
ISBN: 1484611209
Category : Juvenile Nonfiction
Languages : en
Pages : 105
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Book Description
Learn about the Civil War through photos taken during the time. Find out about the leaders, soldiers, and civilians who struggled throughout the war that divided a nation.
Author: Francis Trevelyan Miller
Publisher: Hartford, Connecticut
ISBN:
Category : History
Languages : en
Pages : 226
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Book Description
This is undoubtedly the most valuable collection of historic photographs in America. It is believed to be the first time that the camera was used so extensively and practically on the battle-field. It is the first known collection of its size on the Western Continent and it is the only witness of the scenes enacted during the greatest crisis in the annals of the American nation. As a contribution to history it occupies a position that the higher art of painting, or scholarly research and literal description, can never usurp. It records a tragedy that neither the imagination of the painter nor the skill of the historian can so dramatically relate. The existence of this collection is unknown by the public at large. Even while this book has been in preparation eminent photographers have pronounced it impossible, declaring that photography was not sufficiently advanced at that period to prove of such practical use in War. Distinguished veterans of the Civil War have informed me that they knew positively that there were no cameras in the wake of the army. This incredulity of men in a position to know the truth enhances the value of the collection inasmuch that its genuineness is officially proven by the testimony of those who saw the pictures taken, by the personal statement of the man who took them, and by the Government Records. For forty-two years the original negatives have been in storage, secreted from public view, except as an occasional proof is drawn for some special use. How these negatives came to be taken under most hazardous conditions in the storm and stress of a War that threatened to change the entire history of the world is itself an interesting historical incident. Moreover, it is one of the tragedies of genius. While the clouds were gathering, which finally broke into the Civil War in the United States, there died in London one named Scott-Archer, a man who had found one of the great factors in civilization, but died poor and before his time because he had overstrained his powers in the cause of science. It was necessary to raise a subscription for his widow, and the government settled upon the children a pension of fifty pounds per annum on the ground that their father was "the discoverer of a scientific process of great value to the nation, from which the inventor had reaped little or no benefit." This was in 1857, and four years later, when the American Republic became rent by a conflict of brother against brother, Mathew B. Brady of Washington and New York, asked the permission of the Government and the protection of the Secret Service to demonstrate the practicability of Scott-Archer's discovery in the severest test that the invention had ever been given. Brady was an artist by temperament and gained his technical knowledge of portraiture in the rendezvous of Paris. He had been interested in the discoveries of Niepce and Daguerre and Fox-Talbot along the crude lines of photography but with the introduction of the collodion process of Scott-Archer he accepted the science as a profession and, during twenty-five years of labor as a pioneer photographer, took the likenesses of the political celebrities of the epoch and of eminent men and women throughout the country. Brady's request was granted and he invested heavily in cameras which were made specially for the hard usage of warfare. These cameras were cumbersome and were operated by what is known as the old wet-plate process, requiring a dark room which was carried with them onto the battle-fields. The experimental operations under Brady proved so successful that they attracted the immediate attention of President Lincoln, General Grant and Allan Pinkerton, known as Major Allen and chief of the Secret Service. Equipments were hurried to all divisions of the great army and some of them found their way into the Confederate ranks. To be continue in this ebook...
Author: Jeff Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 1588394867
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Ron Field
Publisher: Bloomsbury Publishing
ISBN: 1472822773
Category : History
Languages : en
Pages : 329
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Book Description
Compiled by an acclaimed Civil War historian, this beautiful volume illustrated with stunning photography examines America's deadliest conflict through the camera's lens. The Civil War changed America forever. It shaped its future and determined its place in history. For the first time in military history, the camera was there to record these seismic events from innovations in military and naval warfare, to the battles themselves; the commanders at critical moments in the battle, and the ordinary soldier tentatively posing for his first ever portrait on the eve of battle. Displaying many rare images unearthed by the author, an acclaimed Civil War historian, this beautiful volume explores how the camera bore witness to the dramatic events of the Civil War. It reveals not only how the first photographers plied their trade but also how photography helped shape the outcome of the war, and how it was reported to anxious families across the North and South.
Author: Don Nardo
Publisher: Capstone
ISBN: 0756549590
Category :
Languages : en
Pages : 139
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Book Description
Author: John Trafton
Publisher: Springer
ISBN: 1137497025
Category : Social Science
Languages : en
Pages : 197
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Book Description
Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
Author: J. Matthew Gallman
Publisher: University of Georgia Press
ISBN: 0820348112
Category : History
Languages : en
Pages : 272
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Book Description
Lens of War grew out of an invitation to leading historians of the Civil War to select and reflect upon a single photograph. Each could choose any image and interpret it in personal and scholarly terms. The result is a remarkable set of essays by twenty-seven scholars whose numerous volumes on the Civil War have explored military, cultural, political, African American, women's, and environmental history. The essays describe a wide array of photographs and present an eclectic approach to the assignment, organized by topic: Leaders, Soldiers, Civilians, Victims, and Places. Readers will rediscover familiar photographs and figures examined in unfamiliar ways, as well as discover little-known photographs that afford intriguing perspectives. All the images are reproduced with exquisite care. Readers fascinated by the Civil War will want this unique book on their shelves, and lovers of photography will value the images and the creative, evocative reflections offered in these essays. Contributors: Stephen Berry, William A. Blair, Stephen Cushman, Gary W. Gallagher, J. Matthew Gallman, Judith A. Giesberg, Joseph T. Glatthaar, Thavolia Glymph, Earl J. Hess, Harold Holzer, Caroline E. Janney, James Marten, Kathryn Shively Meier, Megan Kate Nelson, Susan Eva O'Donovan, T. Michael Parrish, Ethan S. Rafuse, Carol Reardon, James I. Robertson Jr., Jane E. Schultz, Aaron Sheehan-Dean, Brooks D. Simpson, Daniel E. Sutherland, Emory M. Thomas, Elizabeth R. Varon, Joan Waugh, Steven E. Woodworth.
