Author: Aphra BehnPublisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
The City-Heiress: Or, Sir Timothy Treat-all. A Comedy
Author: Aphra BehnPublisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
The City Heiress
Author: Aphra BehnPublisher: Independently Published
ISBN: 9781090134899
Category : Fiction
Languages : en
Pages : 228
Book Description
A comedy of manners which caused offence for its immorality at the time of it's first performance. Though it conforms to the general rules of Restoration comedy, it also keeps Behn's own highly Royalist political point of view. The play concerns the 'seditious Knight', Sir Timothy Treat-all, and his nephew Tom Wilding, who both vye for the affections of Charlot, the eponymous city (London) heiress.
The City Heiress
Author: Aphra BehnPublisher:
ISBN:
Category :
Languages : en
Pages : 90
Book Description
We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades in its original form. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Tricksters and Estates
Author: J. Douglas CanfieldPublisher: University Press of Kentucky
ISBN: 0813189659
Category : Drama
Languages : en
Pages : 429
Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
The Cambridge Companion to Aphra Behn
Author: Derek HughesPublisher: Cambridge University Press
ISBN: 9780521527200
Category : Drama
Languages : en
Pages : 286
Book Description
Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.
The City-heiress, Or, Sir Timothy Treat-All
Author: Aphra BehnPublisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
The Critical Fortunes of Aphra Behn
Author: Janet ToddPublisher: Camden House
ISBN: 9781571131652
Category : Art
Languages : en
Pages : 174
Book Description
This is the first study of the posthumous life of Aphra Behn, the extraordinary vicissitudes of her critical reception, and the personal vilifications of her reputation through three centuries. Beginning with the reception of Behn's work during her lifetime, which she herself helped to orchestrate by performing herself as a seductive woman, a beleaguered lady writer, and a serious intellectual, among other roles, the work ends with the late 20th-century reception of Behn, when the interest in gender, race, and class has made of her almost a postmodern writer. In the 17th century she was seen as a playwright of sexy and propagandist comedies, and attacked by those who disapproved her supposedly unfeminine stance and her royalist politics. Later, as the Restoration period itself fell into disrepute, Behn's plays were denigrated along with those of her fellow men, but greater opprobrium fell on her as a woman, because in the 19th century it was felt that a female writer should have higher morals than a man. During this period, Behn's reputation was exceedingly low, while her short story Oroonoko gained acclaim, freed from any association with its author or her supposedly squalid times. In the 18th and 19th centuries Oroonoko moved from being viewed as political commentary and heroic romance to a sentimental tale of doomed love and then an abolitionist text. In the early twentieth century it was hailed as one of the earliest realist texts, part of the great English ascent into the novel. JANET TODD is professor of English at the University of East Anglia
The Puritan Literary Tradition
Author: Johanna HarrisPublisher: Oxford University Press
ISBN: 0192575589
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
What is meant by the Puritan literary tradition, and when did the idea of Puritan literature, as distinct from Puritan beliefs and practices, come into being? The answer is not straightforward. This volume addresses these questions by bringing together new research on a wide range of established and emerging literary subjects that help to articulate the Puritan literary tradition, including: political polemic and the performing arts; conversion and New-World narratives; individual and corporate life-writings; histories of exile and womens history; book history and the translation and circulation of Puritan literature abroad; Puritan epistolary networks; discourses of Puritan friendship; the historiography of Puritanism defined through editing and publishing; doctrinal controversy; and the history of emotions. This essay collection proposes that a Puritan literary tradition existed that was distinct from broader conceptions of early modern English and Protestant traditions and offers a nuanced account of the distinct and variegated contribution that Puritanism has made to the construction of literature as a concept in English. It ranges from the late sixteenth through to the nineteenth century, and spans British, European, and American Puritan cultures. It offers new analyses of well-known Puritan writers such as Anne Bradstreet, John Bunyan, Richard Baxter, and John Milton, as well as less familiar figures, such as Mary Rowlandson and Joseph Hussey, and writers less often associated with Puritanism, such as Andrew Marvell and Aphra Behn.
Empty Mansions
Author: Bill DedmanPublisher: Ballantine Books
ISBN: 0345534522
Category : Biography & Autobiography
Languages : en
Pages : 498
Book Description
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
Plays 1682–1696: Volume 4, The Plays 1682–1696
Author: Aphra BehnPublisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
