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Author: Martin F. Norden
Publisher: Rutgers University Press
ISBN: 9780813521046
Category : Performing Arts
Languages : en
Pages : 406
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Book Description
Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fearas "Others" who somehow deserve to be isolated from the rest of society. In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quokeeping people with disabilities dependent and "in their place." Norden offers a dazzling array of physically disabled characters who embody or break out of the stereotypes that have both influenced and been symptomatic of societys fluctuating relationship with its physically disabled minority. He shows us "sweet innocents" like Tiny Tim, "obsessive avengers" like Quasimodo, variations on the disabled veteran, and many others. He observes the arrival of a new set of stereotypes tied to the growth of science and technology in the 1970s and 1980s, and underscores movies like My Left Foot and The Waterdance that display a newfound sensitivity. Nordens in-depth knowledge of disability history makes for a particularly intelligent and sensitive approach to this long-overlooked issue in media studies.
Author: Martin F. Norden
Publisher: Rutgers University Press
ISBN: 9780813521046
Category : Performing Arts
Languages : en
Pages : 406
Get Book Here
Book Description
Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fearas "Others" who somehow deserve to be isolated from the rest of society. In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quokeeping people with disabilities dependent and "in their place." Norden offers a dazzling array of physically disabled characters who embody or break out of the stereotypes that have both influenced and been symptomatic of societys fluctuating relationship with its physically disabled minority. He shows us "sweet innocents" like Tiny Tim, "obsessive avengers" like Quasimodo, variations on the disabled veteran, and many others. He observes the arrival of a new set of stereotypes tied to the growth of science and technology in the 1970s and 1980s, and underscores movies like My Left Foot and The Waterdance that display a newfound sensitivity. Nordens in-depth knowledge of disability history makes for a particularly intelligent and sensitive approach to this long-overlooked issue in media studies.
Author: Carl Royer
Publisher: Routledge
ISBN: 1136417990
Category : Social Science
Languages : en
Pages : 140
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Book Description
Go behind the scenes with an insightful look at horror films—and the directors who create them The Spectacle of Isolation in Horror Films: Dark Parades examines the work of several of the genre’s most influential directors and investigates how traditional themes of isolation, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by Alfred Hitchcock that place his work squarely in the horror (rather than suspense) genre, discuss avant-garde cinema’s contributions to mainstream horror, explore films that use the apartment setting as the “cell of horror,” and analyze how angels and aliens function as the supernatural “Other.” A unique resource for film students and film buffs alike, the book also examines Sam Raimi’s Evil Dead trilogy and the fusion of science, technology, and quasi-religious themes in David Cronenberg’s films. Instead of presenting a general overview of the horror genre or an analysis of a specific sub-genre, actor, or director, The Spectacle of Isolation in Horror Films offers an imaginative look at classic and contemporary horror cinema. The book examines Surrealist films such as Un Chien Andalou and Freaks, the connections among the concepts of voyeurism, paranoia, and alienation in films like Rear Window, Rosemary’s Baby, Blue Velvet, and The Blair Witch Project; the use of otherworldly creatures in films such as The Prophecy, Dogma, and The Day The Earth Stood Still; and the films of directors George Romero, John Waters, and Darren Aronofsky, to name just a few. This unique book also includes an extensive A-to-Z filmography and a bibliography of writings on, and about, horror cinema from filmmakers, film critics, and film historians. The Spectacle of Isolation in Horror Films examines: “Body Doubles and Severed Hands”—the common ancestry of avant-garde “art” films and exploitation horror B-movies “And I Brought You Nightmares”—recurring themes of psychological terror in Alfred Hitchcock’s films “Horror, Humor, Poetry”—Sam Raimi’s transformation of “drive-in” horror cinema “Atheism and 'The Death of Affect'”—David Cronenberg’s obsessions, interests, and cautionary messages in films ranging from Videodrome to Dead Ringers to eXistenZ and much more! The Spectacle of Isolation in Horror Films: Dark Parades is a unique resource of critical analysis for academics working in film and popular culture, film historians, and anyone interested in horror cinema.
Author: Angela Smith
Publisher: Columbia University Press
ISBN: 0231527853
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
Author: Stephen M. Buhler
Publisher: State University of New York Press
ISBN: 0791489752
Category : Social Science
Languages : en
Pages : 227
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Book Description
Offering a comprehensive look at the strategies that filmmakers have employed in adapting Shakespeare's plays to the cinema, this book investigates what the task of Shakespearean adaptation reveals about film in general and focuses on patterns and approaches shared by various cinematic works. Buhler provides concise histories of each general strategy, which include non-illusionistic cinema, documentary interpretations, mass-market productions, transgressive and transnational cinema, and approaches that see film as either distinct from the stage or as an extension of theatrical traditions. The book spans more than a century of film, starting with the 1899 King John and extending through Michael Hoffman's A Midsummer Night's Dream, Julie Taymor's Titus, and later releases.
Author: Robert Phillip Kolker
Publisher: Oxford University Press, USA
ISBN: 9780195123500
Category : Performing Arts
Languages : en
Pages : 532
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Book Description
In this 20th anniversary edition, Kolker continues and expands his inquiry into the phenomenon of cinematic representation of culture by updating and revising the chapters on Kubrick, Scorsese, Altman and Spielberg.
Author:
Publisher: BRILL
ISBN: 9401205272
Category : History
Languages : en
Pages : 266
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Book Description
The popular media of film and television surround us daily with images of evil - images that have often gone critically unexamined. In the belief that people in ever-increasing numbers are turning to the media for their understanding of evil, this lively and provocative collection of essays addresses the changing representation of evil in a broad spectrum of films and television programmes. Written in refreshingly accessible and de-jargonised prose, the essays bring to bear a variety of philosophical and critical perspectives on works ranging from the cinema of famed director Alfred Hitchcock and the preternatural horror films Halloween and Friday the 13th to the understated documentary Human Remains and the television coverage of the immediate post-9/11 period. The Changing Face of Evil in Film and Television is for anyone interested in the moving-image representation of that pervasive yet highly misunderstood thing we call evil.
Author: Michael Talbot-Smith
Publisher: Taylor & Francis
ISBN: 1136119817
Category : Technology & Engineering
Languages : en
Pages : 185
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Book Description
A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound: Noise measurement Acoustics Microphones Loudspeakers Mixing equipment CDs, DAT, MIDI, MiniDisc Telephony ISDN Digital interfacing Ultrasonics This second edition also features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements. An extended list of further reading.
Author: Fred Zinnemann
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
An autobiography of the film director Fred Zinnemann, whose career spans the 65-year history of the talking movie. Famous for giving Marlon Brando, Montgomery Clift and Meryl Streep their first film parts, his credits include "High Noon", "From Here to Eternity" and "Oklahoma."
Author: Andrew Nestingen
Publisher: Columbia University Press
ISBN: 0231850417
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Aki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.
Author: Mariah Larsson
Publisher: University of Wisconsin Press
ISBN: 0299322300
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
Mai Elizabeth Zetterling (1925–94) is among the most exceptional postwar female filmmakers. Born in Sweden, she lived in England and France for most of her life, making her directorial debut in 1964 with the Swedish art film Loving Couples after a fraught transition from working in front of the camera as a successful actress. Critics have compared her work to that of Ingmar Bergman, Luis Buñuel, and Federico Fellini, but Zetterling had a distinct style—alternately radical and reactionary—that straddled the gendered divide between high art and mass culture. Tackling themes of sexuality, isolation, and creativity, her documentaries, short and feature films, and television works are visually striking. Her oeuvre provoked controversy and scandal through her sensational representations of reproduction and motherhood. Mariah Larsson provides a lively and authoritative take on Zetterling's legacy and complicated position within film and women's history. A Cinema of Obsession provides necessary perspective on how the breadth of an artist's collected works keeps gatekeepers from recognizing their achievements, and questions why we still distinguish between national and global visual cultures and the big and small screens in the #MeToo era.
