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Author: Willie James Jennings
Publisher: Yale University Press
ISBN: 0300163088
Category : Religion
Languages : en
Pages : 580
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Book Description
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation-social, spatial, and racial-that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals. Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race. Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.
Author: Willie James Jennings
Publisher: Yale University Press
ISBN: 0300163088
Category : Religion
Languages : en
Pages : 580
Get Book Here
Book Description
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation-social, spatial, and racial-that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals. Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race. Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.
Author: Michael Scott
Publisher: Vernon Press
ISBN:
Category : Religion
Languages : en
Pages : 357
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Book Description
What is the Christian literary imagination? That question was put to the writers who have contributed to this collection of essays. They were asked, in answering it, to choose and write about a work of literature that seemed to them to illustrate one of the varied ways in which the Christian imagination sees the world, to define by example the meaning of the term. A variety of beliefs (or indeed unbeliefs) are expressed by the contributors and authors they selected to discuss. But what the essays have in common is an inquiry into the nature of belief and the means by which the reader’s imagination can itself be stirred through the work of the author under discussion. The book is structured chronologically, with essays on literature ranging from Anglo-Saxon England to 21st-Century America, but the contributors show a freedom of movement and reference across the centuries in their essays, sometimes deliberately juxtaposing the historical with the contemporary. What emerges from the collection is a shared inquiry into the enduring Christian vision of God’s engagement with the world.
Author: Leland Ryken
Publisher: Shaw Books
ISBN: 0877881235
Category : Religion
Languages : en
Pages : 482
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Book Description
The Christian Imagination brings together in a single source the best that has been written about the relationship between literature and the Christian faith. This anthology covers all of the major topics that fall within this subject and includes essays and excerpts from fifty authors, including C.S. Lewis, Flannery O’Connor, Dorothy Sayers, and Frederick Buechner.
Author: Clyde Kilby
Publisher: Paraclete Press
ISBN: 161261888X
Category : Art
Languages : en
Pages : 256
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Book Description
Dr. Clyde Kilby was known to many as an early, long and effective champion of C. S. Lewis, and the founder of the Marion E. Wade Center at Wheaton College, IL, for the study of the works of Lewis, J.R.R. Tolkien and other members of the Inklings. Less known is that Dr. Kilby was also an apologist in his time for arts, aesthetics and beauty, particularly among Evangelicals. This collection offers a sampler of the work of Dr. Clyde Kilby on these themes. He writes reflections under four headings: "Christianity, Art, and Aesthetics"; "The Vocation of the Artist"; "Faith and the Role of the Imagination"; and "Poetry, Literature and the Imagination." With a unique voice, Kilby writes from a specific literary and philosophical context that relates art and aesthetics with beauty, and all that is embodied in the classics. His work is particularly relevant today as these topics are being embraced by Protestants, Evangelicals, and indeed people of faith from many different traditions. A deeply engaging book for readers who want to look more closely at themes of art, aesthetics, beauty and literature in the context of faith. "What a great gift to read the collected writings of this gentle, brilliant visionary, teacher and friend! I can say, like so many others, it was Clyde Kilby who set my course in life. Like the dandelions he tended all winter, we flourished under his wisdom and care. Now his remarkable words on the page act as a kind of resurrection. We can hear his voice again and bless his memory." —Luci Shaw, Poet, Writer in Residence, Regent College Author of Thumbprint in the Clay "The Arts and the Christian Imagination is a landmark book. Its scope is breathtaking, bringing together in one place well-known "signature" essays by Clyde Kilby and unknown but equally excellent ones. The essays in this book, masterfully edited, sum up what a whole era wanted to say about literature and art in themselves and in relation to the Christian Faith." —Leland Ryken, Professor Emeritus English, Wheaton College, Author of The Christian Imagination "It was my great privilege to take several classes with Clyde Kilby when I was a student at Wheaton. Now a new generation, and readers far from the Chicago suburbs, have the chance to experience the sparkle, wit, aesthetic insight, and deep Christian commitment that made Kilby such an unusually captivating teacher. Even without his hobbit-like presence, his words remain a true inspiration." —Mark A. Noll, Author of Jesus Christ and the Life of the Mind, Francis A. McAnaney Professor of History, University of Notre Dame "Thousands owe to this giant of Wheaton their ability to hear literary voices with Gospel-tuned ears. This sampler of his hugely influential writing will make the reader profoundly grateful for a man whose legacy is beyond measure." —Jeremy Begbie, Thomas A. Langford Research Professor of Theology — Duke Divinity School, Director of Duke Initiatives in Theology and the Arts "Samuel Johnson said people need to be reminded more often than they need to be instructed. Dr. Kilby reminds us of what it means to be made in the image of God and how art, in our creation and reception of it, illuminates, articulates and glorifies that original great mimesis. With wisdom and relevance, this collection provides a touchstone for the spiritual thinker in its reconciliation of art's true and beautiful purpose with the unspeakable, inimitable mystery of God." —Dr. Carolyn Weber, Professor and speaker, Award-winning author of Surprised by Oxford; Holy is the Day "To read the reflections of C.S. Kilby on art and the Christian imagination is to engage one of the most pertinently constructive interior critiques of American evangelical culture in the 1960's. His biblically formed imagination saw good and truth in what seemed to many of his generation astonishing places—French Catholic philosophers, agnostic novelists, psychic experimentalists, off-beat artists, mathematicians, mentally disturbed poets--and he asked fellow evangelicals, comfortably certain of the categories of their own perception, to examine whether or not some alien accounts did not square better with a biblical view of the human person than their own rigidities. To read these essays is to hear again his distinctively gentle voice in the classroom, and once again to gather many pearls of wisdom." —David Lyle Jeffrey, Distinguished Professor of Literature and the Humanities Honors Program, Senior Fellow, Baylor Institute for Studies in Religion, Baylor University "As I read Dr. Kilby's words in this book, "Love, not duty, sends the artist forth," I recalled my class with him fifty years ago. I can still almost hear his voice as he read from Wordsworth: "what we have loved others will love, and we will show them how." That line perfectly describes Clyde Kilby's life and work. As his student, I love what my dear Professor of English literature loved. I treasure this collection of his essays on Arts and Christian Imagination." —G. Walter Hansen, Professor Emeritus Fuller Seminary, Co-author of Through Your Eyes: Dialogues on the Paintings of Bruce Herman
Author: Eva Mroczek
Publisher: Oxford University Press
ISBN: 0190279834
Category : History
Languages : en
Pages : 282
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Book Description
How did Jews understand sacred writing before the concepts of "Bible" and "book" emerged? The Literary Imagination in Jewish Antiquity challenges anachronistic categories to reveal new aspects of how ancient Jews imagined written revelation-a wildly varied collection stretching back to the dawn of time, with new discoveries always around the corner.
Author: Holly Ordway
Publisher: Emmaus Road Publishing
ISBN: 194512539X
Category : Religion
Languages : en
Pages : 174
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Book Description
Apologetics, the defense of the Faith, shows why our Christian faith is true—but it’s much more than that. Apologetics isn’t just the province of scholars and saints, but of ordinary men and women: parents, teachers, lay ministry leaders, pastors, and everyone who wants to develop a stronger faith, to understand why we believe what we believe, to know Our Lord better, and love him more fully. In Apologetics and the Christian Imagination: An Integrated Approach to Defending the Faith, Holly Ordway shows how an imaginative approach—in cooperation with rational arguments—is extremely valuable in helping people come to faith in Christ. Making a case for the role of imagination in apologetics, this book proposes ways to create meaning for Christian language in a culture that no longer understands words like ‘sin’ or ‘salvation,' suggests how to discern and address the manipulation of language, and shows how metaphor and narrative work in powerful ways to communicate the truth. It applies these concepts to specific, key apologetics issues, including suffering, doubt, and longing for meaning and beauty. Apologetics and the Christian Imagination shows how Christians can harness the power of the imagination to share the Faith in meaningful, effective ways.
Author: Leland Ryken
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Thomas Gardner
Publisher:
ISBN: 9781602584259
Category :
Languages : en
Pages : 0
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Book Description
Thomas Gardner artistically describes Jesus--"the Word made flesh"--as a poem penned by God for the world, and John--author of the Fourth Gospel--as the poem's interpreter. John's structural patterns, repetitions, and narrative interventions invite readers to experience for themselves the beauty of the divine poem. John in the Company of Poets deepens this invitation by re-imagining the biblical text through the eyes of such artists as Emily Dickinson, Robert Frost, Wendell Berry, and T. S. Eliot, offering a literary reading of the Gospel based upon their powerful poetic replies. Poets are our best readers, contends Gardner, and his deft analysis forges a fresh path into the issues and tensions of John's Gospel.
Author: Andrew Davison
Publisher: Hymns Ancient and Modern Ltd
ISBN: 0334043522
Category : Religion
Languages : en
Pages : 198
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Book Description
Apologetics, the rational defense of the Christian faith in a public context, using the language of philosophy, is traditionally associated with either Roman Catholic theology or Evangelicalism. The contributors to this book seek to (re-)claim Christian apologetics in an Anglican Catholic context. The book originated in a number of successful Apologetics summer schools at St Stephen's College Oxford which generated interest in the rediscovery of apologetics in the context of today's Church. A star cast of authors from a variety of backgrounds offer constructive reflections on subjects such as what is Apologetics?; common objections to the Christian Faith; atheism; apologetics and contemporary culture and apologetics in the parish. Contributors include: Graham Ward (Manchester, Alister McGrath (King's College London), Alison Milbank (Nottingham) and Robin Ward (Oxford).
Author: Marilyn Orr
Publisher: Northwestern University Press
ISBN: 0810135906
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
George Eliot's Religious Imagination addresses the much-discussed question of Eliot’s relation to Christianity in the wake of the sociocultural revolution triggered by the spread of theories of evolution. The standard view is that the author of Middlemarch and Silas Marner “lost her faith” at this time of religious crisis. Orr argues for a more nuanced understanding of the continuity of Eliot’s work, as one not shattered by science, but shaped by its influence. Orr’s wide-ranging and fascinating analysis situates George Eliot in the fertile intellectual landscape of the nineteenth century, among thinkers as diverse as Ludwig Feuerbach, David Strauss, and Søren Kierkegaard. She also argues for a connection between George Eliot and the twentieth-century evolutionary Christian thinker Pierre Teilhard de Chardin. Her analysis draws on the work of contemporary philosopher Richard Kearney as well as writers on mysticism, particularly Karl Rahner. The book takes an original look at questions many believe settled, encouraging readers to revisit George Eliot’s work. Orr illuminates the creative tension that still exists between science and religion, a tension made fruitful through the exercise of the imagination. Through close readings of Eliot's writings, Orr demonstrates how deeply the novelist's religious imagination continued to operate in her fiction and poetry.
