Author: David Michael O'Shea
Publisher: Boydell & Brewer
ISBN: 178327770X
Category :
Languages : en
Pages : 307
Book Description
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.
The Choral Foundation of the Chapel Royal, Dublin Castle
Author: David Michael O'Shea
Publisher: Boydell & Brewer
ISBN: 178327770X
Category :
Languages : en
Pages : 307
Book Description
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.
Publisher: Boydell & Brewer
ISBN: 178327770X
Category :
Languages : en
Pages : 307
Book Description
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.
Power and Powerlessness in Union Ireland
Author: Ciaran O'Neill
Publisher: Oxford University Press
ISBN: 0192667750
Category : History
Languages : en
Pages : 282
Book Description
The history of Union Ireland is typically told through its best-known historical events and leaders - from the 1798 Rising, the Great Famine, and the Irish Revolution, to Parnell and De Valera -- and as moments of sectarian division and high parliamentary politics. Instead, Ciaran O'Neill here makes the case for a broader, more inclusive, and decentred approach that emphasizes transnational phenomena, a settler-colonial diaspora, and minority groups on the island. Through the lenses of 'power' and 'powerlessness', he demonstrates that the received historiographical wisdoms suffer from several misconceptions: on the one hand they misconstrue the nature of power and the powerful, perpetuating historical myths about the 'ungovernability' of Ireland. After securing the Union, the British state proceeded to govern Ireland with less and less certainty of ever persuading its citizens of its legitimacy. Despite all reforms and investment, there was a widespread sense that Ireland would never recover and be a willing partner in the Union. And on the other hand they take at face value the nature of the so-called 'powerless', ignoring the myriad ways in which marginalized and diasporic groups negotiated and asserted their agency during the Union period, influencing and transforming the powerful centre in the process. The result is an untraditional and thought-provoking reappraisal of Union Ireland that raises important questions about colonialism and resistance - of what it means to govern and be governed, and the long-lasting legacies of the spaces in between.
Publisher: Oxford University Press
ISBN: 0192667750
Category : History
Languages : en
Pages : 282
Book Description
The history of Union Ireland is typically told through its best-known historical events and leaders - from the 1798 Rising, the Great Famine, and the Irish Revolution, to Parnell and De Valera -- and as moments of sectarian division and high parliamentary politics. Instead, Ciaran O'Neill here makes the case for a broader, more inclusive, and decentred approach that emphasizes transnational phenomena, a settler-colonial diaspora, and minority groups on the island. Through the lenses of 'power' and 'powerlessness', he demonstrates that the received historiographical wisdoms suffer from several misconceptions: on the one hand they misconstrue the nature of power and the powerful, perpetuating historical myths about the 'ungovernability' of Ireland. After securing the Union, the British state proceeded to govern Ireland with less and less certainty of ever persuading its citizens of its legitimacy. Despite all reforms and investment, there was a widespread sense that Ireland would never recover and be a willing partner in the Union. And on the other hand they take at face value the nature of the so-called 'powerless', ignoring the myriad ways in which marginalized and diasporic groups negotiated and asserted their agency during the Union period, influencing and transforming the powerful centre in the process. The result is an untraditional and thought-provoking reappraisal of Union Ireland that raises important questions about colonialism and resistance - of what it means to govern and be governed, and the long-lasting legacies of the spaces in between.
A collection of anthems as sung in the cathedral church of the Holy Trinity, commonly called Christ Church ... in the ... cathedral church of St Patrick, in the Chapel Royal, Dublin Castle, and in the Chapel of Trinity College, Dublin
Author: Rev. John FINLAYSON (A.M., Vicar Choral, Christ Church Cathedral, Dublin.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
Thom's Irish Almanac and Official Directory of the United Kingdom of Great Britain and Ireland
Author:
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 2128
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 2128
Book Description
The Monthly Musical Record
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 598
Book Description
Purcell Manuscripts
Author: Robert Shay
Publisher: Cambridge University Press
ISBN: 9780521028110
Category : Music
Languages : en
Pages : 380
Book Description
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
Publisher: Cambridge University Press
ISBN: 9780521028110
Category : Music
Languages : en
Pages : 380
Book Description
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
The Ecclesiastical gazette, or, Monthly register of the affairs of the Church of England
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
Book Description
Christ Church Cathedral
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
Book Description
The Illustrated London News
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 916
Book Description
The Musical Times & Singing-class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 742
Book Description