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Author: Christine Matzke
Publisher: Rodopi
ISBN: 9042021683
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Achebe, he influenced the reception of African literary biography. His networks and connections were extensive and wide-ranging, and they are partly reflected in the essays, creative writing and personal notes assembled in this volume. In their various modes and expressions, the contributions included here constitute a tribute to Ezenwa-Ohaeto's many talents and achievements. As an extension of Ezenwa-Ohaeto's legacy, they expand on various aspects of minstrelsy and the un/masking of texts in a Nigerian and broader African context. The book is divided into six sections. "In Memoriam" contains personal tributes by long-standing colleagues, mentors and friends. "Poetry and Fiction" collects the voices of three generations of Nigerian writing from the 1960s to the present day, followed by poetic and pictorial insights into the domestic and social life of the scholar and family man. Section Four comprises two interviews, while Sections Five and Six are devoted to critical evaluations of Ezenwa-Ohaeto's work and to contemporary perspectives on Nigerian literature respectively.
Author: Christine Matzke
Publisher: Rodopi
ISBN: 9042021683
Category : Biography & Autobiography
Languages : en
Pages : 384
Get Book Here
Book Description
This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Achebe, he influenced the reception of African literary biography. His networks and connections were extensive and wide-ranging, and they are partly reflected in the essays, creative writing and personal notes assembled in this volume. In their various modes and expressions, the contributions included here constitute a tribute to Ezenwa-Ohaeto's many talents and achievements. As an extension of Ezenwa-Ohaeto's legacy, they expand on various aspects of minstrelsy and the un/masking of texts in a Nigerian and broader African context. The book is divided into six sections. "In Memoriam" contains personal tributes by long-standing colleagues, mentors and friends. "Poetry and Fiction" collects the voices of three generations of Nigerian writing from the 1960s to the present day, followed by poetic and pictorial insights into the domestic and social life of the scholar and family man. Section Four comprises two interviews, while Sections Five and Six are devoted to critical evaluations of Ezenwa-Ohaeto's work and to contemporary perspectives on Nigerian literature respectively.
Author: Ezenwa-Ohaeto
Publisher: Kraft Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 118
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Book Description
'My ancestors were minstrels. Their honeyed tongue could weave lyrics out of almost all forms of human interactions and activities. This tradition is encapsulated by the performance of the famous ode poetry prevalent among their descendants, which is presented under numerous kinds of stimuli. Thus the emotional impulses expressed here, the rhetorical modes adopted here and the verbalised rhythmic sequences illustrated here are derived from the minstrel tradition associated with ode poetry performance... The use of alternative poetic models is equally a result of a sophisticated understanding of the forms of performance discernible in other traditions...it is the amalgamation of imaginative narratives, folklore and contemporary concerns... There is no doubt that this cultural model of the minstrel generates abundant inspiration and provides a variety of artistic modes that enable the mind of the poet to distil new chants. I drank from the spring of tradition. My ancestors were minstrels and I have only continued in the same tradition.'
Author: Charles Rogers
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Charles Rogers
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Clarence Blair
Publisher: Clarence Blair
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 98
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Book Description
This is a manual serious students and practitioners of black gospel music. It will help improve the gospel music workshop experience, or that also of the local choir clinics. This is a resource that can be used extensively as a refresher after music collaborative. The problems and concerns of loose leaf handouts have been dealt with in a single bound reference manual.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1042
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1120
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Book Description
Author: Michael Pickering
Publisher: Routledge
ISBN: 1351573519
Category : Music
Languages : en
Pages : 287
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Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Author: Edmondstoune Duncan
Publisher: London : Walter Scott Pub.
ISBN:
Category : Ballads, English
Languages : en
Pages : 378
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Book Description
Author: Paige Lush
Publisher: McFarland
ISBN: 1476606196
Category : Music
Languages : en
Pages : 241
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Book Description
The chautauqua movement was a truly American phenomenon, providing education and entertainment for millions of people and employing thousands of musicians in the process. While scholars have previously explored various facets of the chautauqua movement, this is the first book to trace the place of music in the movement from its inception through its decline. Drawing upon the rich collections of ephemera left by several chautauqua bureaus, this study profiles several famous musicians and introduces the reader to lesser-known musical acts that traveled the chautauqua circuits. In addition, it explores music's role in defining the chautauqua movement as "high culture," legitimizing the movement in the eyes of community leaders and setting it apart from vaudeville and other competing amusements. Finally, it addresses music's role in establishing chautauqua's identity as an American institution, specifically in the years surrounding World War I.
