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Author: Kelley Conway
Publisher: Univ of California Press
ISBN: 0520244079
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
A study of French film in the inter-war years focusing on women, particularly women singers, and the role they played in shaping a national, populist, Paris-oriented French cinema.
Author: Kelley Conway
Publisher: Univ of California Press
ISBN: 0520244079
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
A study of French film in the inter-war years focusing on women, particularly women singers, and the role they played in shaping a national, populist, Paris-oriented French cinema.
Author: Arthur Knight
Publisher: Duke University Press
ISBN: 0822380986
Category : Performing Arts
Languages : en
Pages : 503
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Book Description
From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both “nondiegetic” music in film—the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience—and “diegetic” music—music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi
Author: Jasmine Rault
Publisher: Routledge
ISBN: 1351568574
Category : Art
Languages : en
Pages : 197
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Book Description
The first book-length feminist analysis of Eileen Gray's work, Eileen Gray and the Design of Sapphic Modernity: Staying In argues that Gray's unusual architecture and design - as well as its history of abuse and neglect - emerged from her involvement with cultures of sapphic modernism. Bringing together a range of theoretical and historical sources, from architecture and design, communication and media, to gender and sexuality studies, Jasmine Rault shows that Gray shared with many of her female contemporaries a commitment to designing spaces for sexually dissident modernity. This volume examines Gray's early lacquer work and Romaine Brooks' earliest nude paintings; Gray's first built house, E.1027, in relation to Radclyffe Hall and her novel The Well of Loneliness; and Gray's private house, Tempe ?nbsp; Pailla, with Djuna Barnes' Nightwood. While both female sexual dissidence and modernist architecture were reduced to rigid identities through mass media, women such as Gray, Brooks, Hall and Barnes resisted the clarity of such identities with opaque, non-communicative aesthetics. Rault demonstrates that by defying the modern imperative to publicity, clarity and identity, Gray helped design a sapphic modernity that cultivated the dynamism of uncertain bodies and unfixed pleasures, which depended on staying in rather than coming out.
Author: Karin Pendle
Publisher: Routledge
ISBN: 1135848130
Category : Music
Languages : en
Pages : 870
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Book Description
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Author: Joelle Neulander
Publisher: LSU Press
ISBN: 0807146870
Category : History
Languages : en
Pages : 377
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Book Description
Radio provided a new and powerful medium in 1930s France. Devoted audiences responded avidly to their stations' programming and relied on radio as a source of daily entertainment, news, and other information. Within the comfortable, secure space of the home, audio culture reigned supreme. In Programming National Identity, Joelle Neulander examines the rise of radio as a principal form of mass culture in interwar France, exploring the intricate relationship between radio, gender, and consumer culture. She shows that, while entertaining in nature and narrative in structure, French radio programming was grounded in a politically and socially conservative ideal. In the early years of radio, France was the only Western nation -- apart from Australia -- to have both private and public radio stations. Commercial station owners created audiences and markets from a scattered group of radio enthusiasts, relying on traditional ideas about French identity, family, and community ties. Meanwhile, the government-run stations tried to hew an impossible compromise, balancing the nonpolitical entertainment that listeners desired with educational programs that supported state over private interests. As a public medium operating in a private space, radio could potentially cross normal gender and social boundaries. Programmers responded, Neulander shows, by restricting broadcast content, airing only programs deemed appropriate for a proper French home. Accordingly, radio culture espoused normative gender roles and traditional notions of the family. Neulander analyzes radio program schedules and content, including plays and songs, and explains how programmers, governments, station owners, and average citizens fought over what was aired. On French radio, she shows, the best families had working fathers, homemaking mothers, and money in the bank. Indeed, for radio characters, bourgeois stability proved a prerequisite for happiness, and characters who did not fit the ideal often served as bad examples. Although the left-wing Popular Front controlled the French government during the late 1930s, both public and private radio portrayed the working class negatively -- usually as buffoons or criminal characters. Indeed, Maurice Chevalier, better known today for his film career, first cultivated his working-class playboy image on 1930s radio, and legendary radio artist Edith Piaf rose to fame singing tragic tales of prostitutes. Neulander also examines French radio's ambivalent stance toward the colonial world featured in so many plays and songs. The colonies represented a perceived threat to the traditional French patriarchal family and home, so broadcasters stereotyped them as alien, often perilous spaces. Yet love songs by French-perceived exotic types like Tino Rossi proved wildly popular. The first work in English about interwar French radio, Programming National Identity reveals the persistence of conservative notions of family and nation that challenged the failing liberal democracy of the Popular Front at the end of the Third Republic.
Author: Christopher Ward
Publisher: Random House Canada
ISBN: 034581035X
Category : Music
Languages : en
Pages : 338
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Book Description
"A fascinating, moving recollection that celebrates one of the great achievements in Canadian television." Elaine Lui, author of Listen to the Squawking Chicken "Ward celebrates...raw, forward-thinking, multicultural, multigender-produced content by finally freezing it in a compelling book where, occasionally he himself wonders, ‘How the hell did we do that?’” The Globe and Mail “What a blast! With a raucous mix of music and personalities, Christopher Ward has compiled the ultimate treasure trove of Canada’s 1980s rock scene. Everybody you remember is here. Revealing, entertaining, enlightening and, most all, fun.” Will Ferguson From the first Canadian VJ Christopher Ward, Is This Live? captures the pure fun and rock ’n’ roll rebellion of the early years of MuchMusic television. On August 31, 1984, the Nation’s Music Station launched, breaking ground as the Wild West of Canadian television—live, gloriously unpredictable, seat-of-the-pants TV, delivered fresh daily. The careers of Canadian legends like Blue Rodeo, Corey Hart, Jane Siberry, Bryan Adams, Platinum Blonde, Glass Tiger, Colin James, the Parachute Club, Honeymoon Suite, Barenaked Ladies, Maestro Fresh Wes and Sloan were launched when Much brought them closer to their fans. Much also gave us international acts (Duran, Duran, Tina Turner, Iggy Pop, David Bowie, Madonna, Motorhead, Guns N’ Roses, Nirvana, Red Hot Chili Peppers), and covered the second wave of music activism with events like Live Aid and the Amnesty International Human Rights Now! tour. Ranging from Toronto’s iconic studio at 299 Queen Street West, to Vancouver’s MuchWest, MuchMusic’s programming travelled across Canada and connected the Canadian music scenes in an unprecedented way. The dream child of TV visionary Moses Znaimer, and John Martin, the maverick creator of The New Music, Much was live and largely improvised, and an entire generation of Canadians grew up watching the VJs and embraced the new music that became the video soundtrack of our lives. With stories of the bands, the music, the videos, the specialty shows, the style and the improvisational approach to daily broadcast life at Much, Is This Live? is told by the people who were there—the colourful cast of on-air VJs, the artists who found their way into our living rooms of the nation as never before, and the people behind the cameras. As our tour guide to the first decade at MuchMusic Christopher Ward delivers a full-on dose of pop culture nostalgia from the 1980s and ’90s, when the music scene in Canada changed forever.
Author: GP SUMMARY
Publisher: XinXii
ISBN: 3989837788
Category : Study Aids
Languages : en
Pages : 75
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Book Description
DISCLAIMER This book does not in any capacity mean to replace the original book but to serve as a vast summary of the original book. Summary of Table for Two by Amor Towles: Fictions IN THIS SUMMARIZED BOOK, YOU WILL GET: Chapter provides an astute outline of the main contents. Fast & simple understanding of the content analysis. Exceptionally summarized content that you may skip in the original book Amor Towles's Table for Two is a collection of short fiction, including six stories set in New York City and a novella set in Golden Age Hollywood. The stories explore the fateful consequences of brief encounters and the mechanics of compromise in modern marriages. The novella, "Eve in Hollywood," follows Evelyn Ross's journey through Hollywood, showcasing her wit, humor, and sophistication. The collection is a must-read for fans of Towles's signature style and transporting fiction.
Author: John Terry Davis
Publisher: Watson-Guptill Publications
ISBN:
Category : Austin city limits (Television program)
Languages : en
Pages : 200
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Book Description
The longest-running showcase on television today celebrates a quarter-century of the best of America's music--from country, blues, and folk, to rock, bluegrass, Tejano, and more--with this exuberant, informative, richly illustrated, and highly entertaining book for Austin City Limits fans (past, present, and future) and music fans everywhere.
Author: Lee Bornstein
Publisher: Page Publishing Inc
ISBN: 164462303X
Category : Fiction
Languages : en
Pages : 388
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Book Description
Slats Conners is a reporter for the Pacific Coast Gazette, a gossip–oriented daily. He's covering Ann Sloan, the Chanteuse, who's trying to free a poetry–swilling con facing the death penalty for killing a cop. The new trial does free the convict, but unforeseen events cause the radical left community to turn against her. Slats becomes emotionally involved after falling head over heels for Rhea Simpson, the public relations specialist assigned to shepherd the Chanteuse through the crisis. The normally laid–back, happy–go–lucky reporter now comes across malevolent operatives out to destroy the Chanteuse for the Progressive cause. As the narrative spans the nation from Manhattan to Malibu and from Washington, DC, to the San Francisco Bay area, Slats runs into some of the same operatives involved in a clandestine war between an ob–gyn and a ruthless malpractice lawyer. The ob–gyn, Dr. Craig Beltran, has gone into hiding and vows revenge for malpractice suits that ruined his practice and family. William Mellon, the billionaire lawyer, also goes into hiding and employs hit men to get Beltran before Beltran gets him. Liberal activists and "sue at any pretext" trial lawyers generally support the attorney, while Conservatives, corporate lawyers, and industrialists finance and support the doctor. Suddenly involved in events beyond his capacities, a terrified Slats pictures being "whacked" by one of the hit men, while Tom Leary, his demanding editor, urges him to become part of the story. "We're looking at a Pulitzer, Slats, and not to worry, if you die in the process, we'll get you a splendid funeral."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Book Description
