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Author: Saira Rao
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848109
Category : Fiction
Languages : en
Pages : 288
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Book Description
An honorable, aspiring attorney’s dream job becomes a dishonorable nightmare in this “funny and charming” debut (Gary Shteyngart, author of Lake Success). Sheila Raj is a recent graduate of Columbia Law School with high aspirations of working for the ACLU. When she lands a coveted year-long federal clerkship with legal goddess Judge Helga Friedman, she cannot help but think that her life is destined for jurisprudential greatness. But law school did not prepare Sheila for the sociopath who greets her on her first day, and pushes her to the brink of resignation. It’s only when she’s assigned to a high-profile death penalty case that Sheila realizes that to survive the year as Friedman’s chambermaid—not just her sanity, but actual lives will hang in the balance. Because Prada be damned, “the devil really wears a black robe” (Jill Kargman, author of Momzillas). “In the world of the federal judiciary, where judges are sacrosanct and impervious to criticism, Saira Rao’s deliciously controversial debut novel ranks with mooning the Supreme Court” (The Philadelphia Inquirer). Delivering an outrageous peek into hallowed halls, the “laugh out loud . . . Chambermaid is sure to strike a familiar chord for anyone who’s ever had a jerk for a boss” (Pittsburgh Post-Gazette).
Author: Saira Rao
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848109
Category : Fiction
Languages : en
Pages : 288
Get Book Here
Book Description
An honorable, aspiring attorney’s dream job becomes a dishonorable nightmare in this “funny and charming” debut (Gary Shteyngart, author of Lake Success). Sheila Raj is a recent graduate of Columbia Law School with high aspirations of working for the ACLU. When she lands a coveted year-long federal clerkship with legal goddess Judge Helga Friedman, she cannot help but think that her life is destined for jurisprudential greatness. But law school did not prepare Sheila for the sociopath who greets her on her first day, and pushes her to the brink of resignation. It’s only when she’s assigned to a high-profile death penalty case that Sheila realizes that to survive the year as Friedman’s chambermaid—not just her sanity, but actual lives will hang in the balance. Because Prada be damned, “the devil really wears a black robe” (Jill Kargman, author of Momzillas). “In the world of the federal judiciary, where judges are sacrosanct and impervious to criticism, Saira Rao’s deliciously controversial debut novel ranks with mooning the Supreme Court” (The Philadelphia Inquirer). Delivering an outrageous peek into hallowed halls, the “laugh out loud . . . Chambermaid is sure to strike a familiar chord for anyone who’s ever had a jerk for a boss” (Pittsburgh Post-Gazette).
Author: Octave Mirbeau
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 277
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Book Description
The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn! Excerpt: "To-day, September 14, at three o'clock in the afternoon, in mild, gray, and rainy weather, I have entered upon my new place. It is the twelfth in two years. Of course I say nothing of the places which I held in previous years. It would be impossible for me to count them. Ah! I can boast of having seen interiors and faces, and dirty souls. And the end is not yet. Judging from the really extraordinary and dizzy way in which I have rolled, here and there, successively, from houses to employment-bureaus, and from employment-bureaus to houses, from the Bois de Boulogne to the Bastille, from the Observatory to Montmartre, from the Ternes to the Gobelins, everywhere, without ever succeeding in establishing myself anywhere, the masters in these days must be hard to please. It is incredible..."
Author: Caroline Reed Wadhams
Publisher:
ISBN:
Category : Household employees
Languages : en
Pages : 106
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Book Description
Author: Marcus Aurelio
Publisher:
ISBN: 9781958179277
Category : Fiction
Languages : en
Pages : 212
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Book Description
How does a young man learn to deal with being victim to a silver bullet from another pretty jaded lass? This is the journey of his descent to rock bottom as he is relegated to the mental asylum where he further endures, relating to his experience of learning to live with himself in his new surroundings. He meets many curious characters in this journey and finds himself a victim again to the shiny silver bullets that land on him-shot from another jaded lass. Those silver bullets are always threatening him there as she bangs and bangs.
Author: David Edward Collier
Publisher: Xlibris Corporation
ISBN: 1477118640
Category : Fiction
Languages : en
Pages : 272
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Book Description
THE APOCALYPSE DE-CLASSIFIED CASE FILE WAS GATHERED BY THE APOCALYPSE RESISTANCE COUNTERINTELLIGENCE RECOUNTING "THE COMING APOCALYPSE" RECOUNTING PERSONAL NARRATIVE ACCOUNTINGS RECOUNTING THE APOCALYPSE CODEX KNOWN ONLY BY THE APOCALYPSE RESISTANCE REWRITING THE APOCALYPSE CODEX WRITTEN OUT IN 66 APOCALYPSE SCROLLS DISPLAYED INSIDE THE APOCALYPSE MUSEUM WHERE THE 66 APOCALYPSE SCROLLS ARE RE-WRITTEN BY THE APOCALYPSE RESISTANCE RE-WRITING HISTORY STORIES ALREADY WRITTEN BEFORE THE APOCALYPSE CODEX IS WRITTEN INTO STONE.
Author: Octave Mirbeau
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Author: Octave Mirbeau
Publisher: BoD – Books on Demand
ISBN: 3752418125
Category : Fiction
Languages : en
Pages : 249
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Book Description
Reproduction of the original: A Chambermaid’s Diary by Octave Mirbeau
Author: A. O. Scott
Publisher: Penguin
ISBN: 0143109979
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
Author: Ivone Margulies
Publisher: Duke University Press
ISBN: 9780822317234
Category : Art
Languages : en
Pages : 292
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Book Description
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work--from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's "corporeal cinema" is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.
Author: Jerome Klapka Jerome
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
