Author: Llewellynn Frederick William Jewitt
Publisher: Library of Alexandria
ISBN: 1465589686
Category : Art
Languages : en
Pages : 1463
Book Description
In issuing my present work I have two distinct personal duties to perform, and I hasten, in these few brief lines of introduction, to discharge them. First, I earnestly desire to ask indulgence from my readers for any shortcomings which may be apparent in its contents; and next, I desire emphatically to express my thanks to all who have in any way, or even to the smallest extent, assisted me in my labours. The preparation of the work has extended over a considerable period of time, and I have had many difficulties to contend with that are, and must necessarily be, wholly unknown to any but myself—hard literary digging to get at facts and to verify dates, that is not understood, and would scarce be believed in, by the reader who turns to my pages—and hence errors of omission and of commission may have, nay, doubtless have crept in, and may in some places, to a greater or less extent, have marred the accuracy of the page whereon they have occurred. I can honestly say I have left nothing undone, no source untried, and no trouble untaken to secure perfect accuracy in all I have written, and yet I am painfully aware that shortcomings may, and doubtless will, be laid to my charge; for these, wherever they occur, I ask, and indeed claim, indulgence. I believe in work, in hard unceasing labour, in patient and painstaking research, in untiring searchings, and in diligent collection and arrangement of facts—to make time and labour and money subservient to the end in view, rather than that the end in view, and the time and labour and money expended, should bend and bow and ultimately break before time. Thus it is that my “Ceramic Art” has been so long in progress, and thus it is that many changes have occurred during the time it has been passing through the press which it has been manifestly impossible to chronicle. I have the proud satisfaction, however, of knowing that my work is the only one of its kind yet attempted, and I feel a confident hope that it will fill a gap that has long wanted filling, and will be found alike useful to the manufacturer, the china collector, and the general reader. When, some twenty years ago, at the instance of my dear friend Mr. S. C. Hall, I began my series of papers in the Art Journal upon the various famous earthenware and porcelain works of the kingdom, but little had been done in that direction, and the information I got together from time to time had to be procured from original sources, by prolonged visits to the places themselves and by numberless applications to all sorts of people from whom even scraps of reliable matter could be obtained. Books on the subject were not many, and the information they contained on English Ceramics was meagre in the extreme. Since then numerous workers have sprung up, and their published volumes—many of them sumptuous and truly valuable works—attest strongly to the interest and pains they have taken in the subject. To all these, whoever they may be, the world owes a debt of gratitude for devoting their time and their talents to so important a branch of study. To each of them I tender my own thanks for having devoted themselves to the elucidation of one of my favourite pursuits, and for having given to the world the result of their labours. No work has, however, until now been entirely devoted to the one subject of British Ceramics, and I feel therefore that in presenting my present volumes to the public I am only carrying out the plan I at first laid down, and am not even in the slightest degree encroaching on the province of any other writer.
The Ceramic Art of Great Britain From Pre-Historic Times Down to the Present Day (Complete)
Author: Llewellynn Frederick William Jewitt
Publisher: Library of Alexandria
ISBN: 1465589686
Category : Art
Languages : en
Pages : 1463
Book Description
In issuing my present work I have two distinct personal duties to perform, and I hasten, in these few brief lines of introduction, to discharge them. First, I earnestly desire to ask indulgence from my readers for any shortcomings which may be apparent in its contents; and next, I desire emphatically to express my thanks to all who have in any way, or even to the smallest extent, assisted me in my labours. The preparation of the work has extended over a considerable period of time, and I have had many difficulties to contend with that are, and must necessarily be, wholly unknown to any but myself—hard literary digging to get at facts and to verify dates, that is not understood, and would scarce be believed in, by the reader who turns to my pages—and hence errors of omission and of commission may have, nay, doubtless have crept in, and may in some places, to a greater or less extent, have marred the accuracy of the page whereon they have occurred. I can honestly say I have left nothing undone, no source untried, and no trouble untaken to secure perfect accuracy in all I have written, and yet I am painfully aware that shortcomings may, and doubtless will, be laid to my charge; for these, wherever they occur, I ask, and indeed claim, indulgence. I believe in work, in hard unceasing labour, in patient and painstaking research, in untiring searchings, and in diligent collection and arrangement of facts—to make time and labour and money subservient to the end in view, rather than that the end in view, and the time and labour and money expended, should bend and bow and ultimately break before time. Thus it is that my “Ceramic Art” has been so long in progress, and thus it is that many changes have occurred during the time it has been passing through the press which it has been manifestly impossible to chronicle. I have the proud satisfaction, however, of knowing that my work is the only one of its kind yet attempted, and I feel a confident hope that it will fill a gap that has long wanted filling, and will be found alike useful to the manufacturer, the china collector, and the general reader. When, some twenty years ago, at the instance of my dear friend Mr. S. C. Hall, I began my series of papers in the Art Journal upon the various famous earthenware and porcelain works of the kingdom, but little had been done in that direction, and the information I got together from time to time had to be procured from original sources, by prolonged visits to the places themselves and by numberless applications to all sorts of people from whom even scraps of reliable matter could be obtained. Books on the subject were not many, and the information they contained on English Ceramics was meagre in the extreme. Since then numerous workers have sprung up, and their published volumes—many of them sumptuous and truly valuable works—attest strongly to the interest and pains they have taken in the subject. To all these, whoever they may be, the world owes a debt of gratitude for devoting their time and their talents to so important a branch of study. To each of them I tender my own thanks for having devoted themselves to the elucidation of one of my favourite pursuits, and for having given to the world the result of their labours. No work has, however, until now been entirely devoted to the one subject of British Ceramics, and I feel therefore that in presenting my present volumes to the public I am only carrying out the plan I at first laid down, and am not even in the slightest degree encroaching on the province of any other writer.
Publisher: Library of Alexandria
ISBN: 1465589686
Category : Art
Languages : en
Pages : 1463
Book Description
In issuing my present work I have two distinct personal duties to perform, and I hasten, in these few brief lines of introduction, to discharge them. First, I earnestly desire to ask indulgence from my readers for any shortcomings which may be apparent in its contents; and next, I desire emphatically to express my thanks to all who have in any way, or even to the smallest extent, assisted me in my labours. The preparation of the work has extended over a considerable period of time, and I have had many difficulties to contend with that are, and must necessarily be, wholly unknown to any but myself—hard literary digging to get at facts and to verify dates, that is not understood, and would scarce be believed in, by the reader who turns to my pages—and hence errors of omission and of commission may have, nay, doubtless have crept in, and may in some places, to a greater or less extent, have marred the accuracy of the page whereon they have occurred. I can honestly say I have left nothing undone, no source untried, and no trouble untaken to secure perfect accuracy in all I have written, and yet I am painfully aware that shortcomings may, and doubtless will, be laid to my charge; for these, wherever they occur, I ask, and indeed claim, indulgence. I believe in work, in hard unceasing labour, in patient and painstaking research, in untiring searchings, and in diligent collection and arrangement of facts—to make time and labour and money subservient to the end in view, rather than that the end in view, and the time and labour and money expended, should bend and bow and ultimately break before time. Thus it is that my “Ceramic Art” has been so long in progress, and thus it is that many changes have occurred during the time it has been passing through the press which it has been manifestly impossible to chronicle. I have the proud satisfaction, however, of knowing that my work is the only one of its kind yet attempted, and I feel a confident hope that it will fill a gap that has long wanted filling, and will be found alike useful to the manufacturer, the china collector, and the general reader. When, some twenty years ago, at the instance of my dear friend Mr. S. C. Hall, I began my series of papers in the Art Journal upon the various famous earthenware and porcelain works of the kingdom, but little had been done in that direction, and the information I got together from time to time had to be procured from original sources, by prolonged visits to the places themselves and by numberless applications to all sorts of people from whom even scraps of reliable matter could be obtained. Books on the subject were not many, and the information they contained on English Ceramics was meagre in the extreme. Since then numerous workers have sprung up, and their published volumes—many of them sumptuous and truly valuable works—attest strongly to the interest and pains they have taken in the subject. To all these, whoever they may be, the world owes a debt of gratitude for devoting their time and their talents to so important a branch of study. To each of them I tender my own thanks for having devoted themselves to the elucidation of one of my favourite pursuits, and for having given to the world the result of their labours. No work has, however, until now been entirely devoted to the one subject of British Ceramics, and I feel therefore that in presenting my present volumes to the public I am only carrying out the plan I at first laid down, and am not even in the slightest degree encroaching on the province of any other writer.
The Ceramic Art of Great Britain from Pre-historic Times Dowm to the Present Day
Author: Llewellynn Frederick William Jewitt
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 602
Book Description
The History of Ceramic Art in Great Britain
Author: Llewellynn Frederick William Jewitt
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 600
Book Description
Outlook
Author: Alfred Emanuel Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
Book Description
Publishers' circular and booksellers' record
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
Book Description
Architect
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 742
Book Description
Book News
Author:
Publisher:
ISBN:
Category : Philadelphia (Pa.)
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Philadelphia (Pa.)
Languages : en
Pages : 256
Book Description
The Ceramic Art of Great Britain
Author: Lleywellynn Frederick William Jewitt
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 598
Book Description
Raman Spectroscopy in Cultural Heritage Preservation
Author: Howell G. M. Edwards
Publisher: Springer Nature
ISBN: 3031143795
Category : Science
Languages : en
Pages : 520
Book Description
This book addresses the application of Raman spectroscopic techniques to a range of diverse problems which arise in the study, conservation and restoration of artefacts and sites closely related to our cultural heritage as well as in authentication. These themes are naturally wider than what at first might be considered as artworks and archaeological artefacts and the topics include pigments, paintings, ceramics, glass, sculpture and patination / corrosion, textiles, industrial archaeology, the degradation and preservation of biomaterials, mummies and human skeletal remains. An interesting feature is the inclusion of modern case studies which describe specific problems and approaches to the Raman spectral analysis of items important to our cultural heritage. The text is prefaced with an introduction to the important parameters used in nondestructive Raman measurements and also highlights some future applications based upon novel miniaturised instrumentation for in-field studies and potential screening work which will identify specimens which would repay further studies in the laboratory. An attempt is made to give a snapshot of the state-of-the-art evolution since the beginning of the technique (1970s) and to point out potential further development. The book is co-edited by three international experts with many years' experience in the application of Raman spectroscopy to artworks, archaeological artefacts and in the investigation of materials and sites for cultural heritage preservation and each editor has undertaken to write individual chapters and different topics personally. The adopted approach is designed to convey the sort of information which has become available from the adoption of analytical Raman spectroscopy to different problems in the field of cultural heritage preservation through the spectral interrogation of artefacts and how the interpretation of the spectral data can assist museum curators, archaeologists and cultural heritage historians in the preservation and conservation of ancient materials and sites : a particular advantage in this respect is the ability of Raman spectroscopy to determine –generally in a strictly noninvasive procedure - at the laboratory or on-site with mobile instruments, the presence of both organic and inorganic components in a particular specimen together nondestructively without any chemical and mechanical pretreatment being undertaken, which is an essential requirement for rare and valuable samples . An important aside from this work is the means of spectral identification of ongoing biodeterioration and biological colonisation in specimens in storage and the effects of environmental deterioration such as humidity and temperature upon their integrity.
Publisher: Springer Nature
ISBN: 3031143795
Category : Science
Languages : en
Pages : 520
Book Description
This book addresses the application of Raman spectroscopic techniques to a range of diverse problems which arise in the study, conservation and restoration of artefacts and sites closely related to our cultural heritage as well as in authentication. These themes are naturally wider than what at first might be considered as artworks and archaeological artefacts and the topics include pigments, paintings, ceramics, glass, sculpture and patination / corrosion, textiles, industrial archaeology, the degradation and preservation of biomaterials, mummies and human skeletal remains. An interesting feature is the inclusion of modern case studies which describe specific problems and approaches to the Raman spectral analysis of items important to our cultural heritage. The text is prefaced with an introduction to the important parameters used in nondestructive Raman measurements and also highlights some future applications based upon novel miniaturised instrumentation for in-field studies and potential screening work which will identify specimens which would repay further studies in the laboratory. An attempt is made to give a snapshot of the state-of-the-art evolution since the beginning of the technique (1970s) and to point out potential further development. The book is co-edited by three international experts with many years' experience in the application of Raman spectroscopy to artworks, archaeological artefacts and in the investigation of materials and sites for cultural heritage preservation and each editor has undertaken to write individual chapters and different topics personally. The adopted approach is designed to convey the sort of information which has become available from the adoption of analytical Raman spectroscopy to different problems in the field of cultural heritage preservation through the spectral interrogation of artefacts and how the interpretation of the spectral data can assist museum curators, archaeologists and cultural heritage historians in the preservation and conservation of ancient materials and sites : a particular advantage in this respect is the ability of Raman spectroscopy to determine –generally in a strictly noninvasive procedure - at the laboratory or on-site with mobile instruments, the presence of both organic and inorganic components in a particular specimen together nondestructively without any chemical and mechanical pretreatment being undertaken, which is an essential requirement for rare and valuable samples . An important aside from this work is the means of spectral identification of ongoing biodeterioration and biological colonisation in specimens in storage and the effects of environmental deterioration such as humidity and temperature upon their integrity.
Coade Stone
Author: Howell G. M. Edwards
Publisher: Springer Nature
ISBN: 3031714326
Category :
Languages : en
Pages : 275
Book Description
Publisher: Springer Nature
ISBN: 3031714326
Category :
Languages : en
Pages : 275
Book Description