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Author: Clive Bush
Publisher: Peter Lang
ISBN: 9781906165253
Category : History
Languages : en
Pages : 612
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Book Description
The Century's Midnight is an exploration of the literary and political relationships between a number of ideologically sophisticated American and European writers during a mid-twentieth century dominated by the Second World War. Clive Bush offers an account of an intelligent and diverse community of people of good will, transcending national, ideological and cultural barriers. Although structured around five central figures - the novelist Victor Serge, the editors Dwight Macdonald and Dorothy Norman, the cultural critic Lewis Mumford and the poet Muriel Rukeyser - the book examines a wealth of European and American writers including Hannah Arendt, Simone de Beauvoir, Walter Benjamin, John Dos Passos, André Gide, Henry Miller, Anaïs Nin, George Orwell, Boris Pilniak, Albert Camus, Jean-Paul Sartre, Ignacio Silone and Richard Wright. The book's central theme relates politics and literature to time and narrative. The author argues that knowledge of the writers of this period is of inestimable value in attempting to understand our contemporary world.
Author: Clive Bush
Publisher: Peter Lang
ISBN: 9781906165253
Category : History
Languages : en
Pages : 612
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Book Description
The Century's Midnight is an exploration of the literary and political relationships between a number of ideologically sophisticated American and European writers during a mid-twentieth century dominated by the Second World War. Clive Bush offers an account of an intelligent and diverse community of people of good will, transcending national, ideological and cultural barriers. Although structured around five central figures - the novelist Victor Serge, the editors Dwight Macdonald and Dorothy Norman, the cultural critic Lewis Mumford and the poet Muriel Rukeyser - the book examines a wealth of European and American writers including Hannah Arendt, Simone de Beauvoir, Walter Benjamin, John Dos Passos, André Gide, Henry Miller, Anaïs Nin, George Orwell, Boris Pilniak, Albert Camus, Jean-Paul Sartre, Ignacio Silone and Richard Wright. The book's central theme relates politics and literature to time and narrative. The author argues that knowledge of the writers of this period is of inestimable value in attempting to understand our contemporary world.
Author: Victor Serge
Publisher: New York Review of Books
ISBN: 1590177967
Category : Fiction
Languages : en
Pages : 267
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Book Description
In 1933, Victor Serge was arrested by Stalin’s police, interrogated, and held in solitary confinement for more than eighty days. Released, he spent two years in exile in remote Orenburg. These experiences were the inspiration for Midnight in the Century, Serge’s searching novel about revolutionaries living in the shadow of Stalin’s betrayal of the revolution. Among the exiles gathered in the town of Chenor, or Black-Waters, are the granite-faced Old Bolshevik Ryzhik, stoic yet gentle Varvara, and Rodion, a young, self-educated worker who is trying to make sense of the world and history. They struggle in the unlikely company of Russian Orthodox Old Believers who are also suffering for their faith. Against unbelievable odds, the young Rodion will escape captivity and find a new life in the wild. Surviving the dark winter night of the soul, he rediscovers the only real, and most radical, form of resistance: hope.
Author: Michael Eaude
Publisher: Apollo Books
ISBN: 9781845194697
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Arturo Barea (1897-1957) is often seen as merely a spontaneous writer with a passion against injustice. This biography is based on numerous interviews with people who knew Barea. It revisits Barea's writing qualities and deficiencies in the context of stimulating intersections of literature and politics, and of Spain and England.
Author: Lisa L. Denmark
Publisher: University of Georgia Press
ISBN: 0820356328
Category : Business & Economics
Languages : en
Pages : 265
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Book Description
Savannah's Midnight Hour argues that Savannah's development is best understood within the larger history of municipal finance, public policy, and judicial readjustment in an urbanizing nation. In providing such context, Lisa Denmark adds constructive complexity to the conventional Old South/New South dichotomous narrative, in which the politics of slavery, secession, Civil War, and Reconstruction dominate the analysis of economic development. Denmark shows us that Savannah's fiscal experience in the antebellum and postbellum years, while exhibiting some distinctively southern characteristics, also echoes a larger national experience. Her broad account of municipal decision making about improvement investment throughout the nineteenth century offers a more nuanced look at the continuity and change of policies in this pivotal urban setting. Beginning in the 1820s and continuing into the 1870s, Savannah's resourceful government leaders acted enthusiastically and aggressively to establish transportation links and to construct a modern infrastructure. Taking the long view of financial risk, the city/municipal government invested in an ever-widening array of projects--canals, railroads, harbor improvement, drainage-- because of their potential to stimulate the city's economy. Denmark examines how this ideology of over-optimistic risk-taking, rooted firmly in the antebellum period, persisted after the Civil War and eventually brought the city to the brink of bankruptcy. The struggle to strike the right balance between using public policy and public money to promote economic development while, at the same time, trying to maintain a sound fiscal footing is a question governments still struggle with today.
Author: Ami Blackwelder
Publisher: Amy Blackwelder
ISBN: 1480146773
Category : Fiction
Languages : en
Pages : 129
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Book Description
Ami Blackwelder is a romantic suspense writer in the YA paranormal, adult scifi and adult historical genres. Sub-genres include thrillers, dystopia, urban, and steampunk. Growing up in Florida, she graduated UCF and in 1997 received her BA in English and additional teaching credentials. Then she packed her bags and travelled overseas to teach in Thailand, Nepal, Tibet, China and Korea. Thailand is considered her second home now. She has always loved writing and wrote poems and short stores since childhood; however, her novels began when she was in Thailand. Having won the Best Fiction Award from the University of Central Florida (Yes, The Blair Witch Project University), her short fiction From Joy We Come, Unto Joy We Return was published in the on campus literary magazine: Cypress Dome and remains to this day in University libraries around the USA. Later, she achieved the semi-finals in a Laurel Hemingway contest and published a few poems in the Thailand's Expat magazine, and an article in the Thailand's People newspaper. Additionally, she has published poetry in the Korea's AIM magazine, the American Poetic Monthly magazine and Twisted Dreams Magazine.http://amiblackwelder.blogspot.com
Author: Alfred Henry Miles
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 648
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Book Description
Author:
Publisher:
ISBN:
Category : Atlases
Languages : en
Pages : 850
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Book Description
Author: Jack Hamilton
Publisher: Harvard University Press
ISBN: 0674416597
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
Author: Paul Dukes
Publisher: Anthem Press
ISBN: 1785274996
Category : History
Languages : en
Pages : 206
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Book Description
The book examines the evolution of the predicament symbolised by the setting of the Doomsday Clock at a few minutes to midnight in the context of the Anthropocene Era from 1763, making special reference to the study of history throughout the period. It seeks to demonstrate the necessity for history as science, pointing out the inadequacy of some previous approaches. It argues for a pandisciplinary approach to today’s crisis.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 998
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Book Description
