The Centre and the Margins in Eighteenth-Century British and Italian Cultures PDF Download
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Author: Lia Guerra
Publisher: Cambridge Scholars Publishing
ISBN: 1443864404
Category : History
Languages : en
Pages : 198
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Book Description
The relationship between the cultural Centre and cultural Margins has fascinated scholars for generations. Who, or what, determines what shall constitute the 'Centre' of a culture, its sacred and canonical forms and substance, and what the Margins? There are significant examples of the Margins of one generation moving to become the Centre of another. These are more than mere shifts of fashion and represent nothing less than a seismic cultural shift. How, and in what circumstances, can such a ...
Author: Lia Guerra
Publisher: Cambridge Scholars Publishing
ISBN: 1443864404
Category : History
Languages : en
Pages : 198
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Book Description
The relationship between the cultural Centre and cultural Margins has fascinated scholars for generations. Who, or what, determines what shall constitute the 'Centre' of a culture, its sacred and canonical forms and substance, and what the Margins? There are significant examples of the Margins of one generation moving to become the Centre of another. These are more than mere shifts of fashion and represent nothing less than a seismic cultural shift. How, and in what circumstances, can such a ...
Author: David Forgacs
Publisher: Cambridge University Press
ISBN: 1107052173
Category : History
Languages : en
Pages : 339
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Book Description
Five case studies show how different people and places were marginalized and socially excluded as the Italian nation-state was formed.
Author: Gauvin Alexander Bailey
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773553762
Category : Architecture
Languages : en
Pages : 619
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Book Description
Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires – from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 0691177031
Category : Art
Languages : en
Pages : 374
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Author: Massimo Mastrogregori
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110530678
Category : History
Languages : en
Pages : 438
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Book Description
Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.
Author: Mirella Agorni
Publisher: Routledge
ISBN: 1317640632
Category : Language Arts & Disciplines
Languages : en
Pages : 178
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Book Description
Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.
Author: Dianne Suzette Harris
Publisher: Penn State University Press
ISBN: 0271022167
Category : Architecture
Languages : en
Pages : 239
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Book Description
Italian villas are generally regarded as beautiful havens where a privileged elite, fleeing the harsh realities of the city, found peace and harmony amid buildings and gardens framed upon classical ideals of proportion, balance, and the natural. In her interdisciplinary book, Dianne Harris presents a radically different view of villa life as it developed during the eighteenth century on the vast estates dominating the fertile Lombard plain. Governed from Vienna by a Habsburg regime bent upon increased tax revenues, the great landowning families lived lives fraught with tensions and contradictions. Although they retained many privileges and indulged in shows of wealth and social distinction, they faced mounting demands for reform and progress from an absolutist state. The Nature of Authority employs what Harris calls "panoramic history" to trace the mingling of enlightened reform and a culture of display in the design and functioning of villas and villa life in eighteenth-century Lombardy. Cadastral maps are juxtaposed with Marc'Antonio Dal Re's famous prints of the "delights" of villa life; both are woven into an exceptionally wide-ranging investigation of the villas, their gardens, and crop-bearing fields and their representation in visual and written sources from agricultural treatises to books of etiquette. Combining this diverse material with a sharp focus upon the organization of space and class privilege, Harris shows how the villas served as centers of complex cultural and sociopolitical transactions, fashioning a landscape that was at once a beguiling vista and a tool in the enforcement of a strict hierarchy of use and value. Harris's innovative book reveals the complicity of landscape in the formation of culture and the structures of everyday life. It also elucidates the significance of Lombardy as a testing ground for Habsburg policies of enlightened reform in the social and natural orders.
Author: Patrick Studer
Publisher: Peter Lang
ISBN: 9783039107162
Category : Language Arts & Disciplines
Languages : en
Pages : 380
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Book Description
Papers presented at a conference held Mar. 2004, Mary Immaculate College, University of Limerick.
Author: Joseph R. Hacker
Publisher: University of Pennsylvania Press
ISBN: 081220509X
Category : Religion
Languages : en
Pages : 334
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Book Description
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.
Author: Raphaël Ingelbien
Publisher: Springer
ISBN: 1137567848
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.